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Portrait of Bertrand Duguesclin. 19th century engraving.
Jerusalem (leave 1), Israel (engraving, 1572-1617)
Coat of Arm of Louis Philippe I
Muhlhausen altarpiece (or Prague altarpiece). Open altarpiece, with the three main saints of Boheme: Saint Vitus (Saint Guy), bearing a palm and a globe, Saint Wenceslas (or Wenceslas, Duke of Boheme, circa 907-929) bearing a mesh size and holding a decor flag of the imperial eagle of Boheme and Saint Sigismund, as king, with scepter and globe. Prague painting, tempera and oil on canvas, maroufle on wood, 1385, from the chapel of St. Vitus, near Stuttgart. Czech Art 14th century. Staatsgalerie, Stuttgart (Germany).
Brother serving (or escort) (180) and Tresorier (181) of the Order of the Templars. The Order of the Knights of the Temple was founded in 1118 by Hugues de Payns (died 1136), Knight of Champagne and eight other knights to protect the pelerins in the Holy Land. After a humble beginning as Poor Knights of the Temple, the order developed to become a powerful and rich army of fighting monks, with monasteres throughout Europe, and numerous castles in Palestine (Safed, 1140; Karak, 1143; and the castle of the Pelerins 1217). The order ended tragically in 1312 when the Templars were judges, tortures and executes. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Flag of the barbarian pirates, engraving late 18th century.
View of Hrodna or Grodno (Grodna), Belarus (Belarus) (etching, 1572-1617)
Luxembourg, 1541 (engraving, 1572-1617)
Coat of arms of the Order of Malta (engraving)
Purple Cope
Armor and wedding clothes of the spouses Johann von Linden and Guda von Bellersheim, represented by their coats of arms, at their wedding in 1394 - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Bologna, Italy, 1582 (engraving, 1588)
Knights fighting on foot, sword duel during a tournament. The one on the left wears a crimson tunic over his armor and has crimson, yellow and black feathers on his helm; the one on the right wears a blue tunic hemmed with gold and wears a red shield with a gold emblem; he has a very long crimson feather on his helm. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Variety of jousting shields and helmets from a medieval tournament. Handcoloured copperplate engraving by Verico after Biasioli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
Purple Cope, detail
Purple Cope, detail
Knight in armor, 1434 (miniature)
Knights teams for the high beard game (left) and for the Italian game (right). The one on the left has yellow hatches with a black skirt and armor on the chest, he wears a helm with a large amount of long white feathers. The cover of the frame is also yellow and black and decoree of naked women with pink ribbons and a child. His spear ends with a three-point curn. The one on the right, wears a pale green tunic and a feathered helm, his horse is wearing the green colour decoree of three grenades, his dance ends with a crown of three points. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Rotterdam, Netherlands (engraving, 1572-1617)
Knights weapons for racing with targets and for racing helm. The left knight carries blue stripes on his mount, with the image of a little boy with a spear, on a cloud. The one on the right has pink colours, decorated with the letter D, numerous birds and a golden cage. During the race, the knight turned his spear on a specific point on his opponent's chest, when the point was hit, a metal plate jumped into the air (the golden fragments above each knight on the illustration represent these plates). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Two knights with arms and teams for the Italian race (left) and for the German game (right). The first one is draped in black and white, and the cape of its mount is decorated with young roosters, WS, and a woman with a shield. His spear ends with a crown of three tips and has a ribbon. The other, wears a helmet with large exuberant feathers, his frame wears a black and silver striped cape. His spear has a sharp metal tip. Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
Blazon of the Austro-Hungarian Empire (Austria Hungary). 19th century
Maastricht, Netherlands (engraving, 1572-1617)
Munden, Germany (engraving, 1572-1617)
Palermo, Italy (engraving, 1572-1617)
Bartholomeus Brun, burgher, and woman in veil and full-sleeved dress with gold belt, Cologne, 1572. From the Ducal Library at Darmstadt. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Magdeburg Plan (Magdeburgum), Germany (etching, 1572-1617)
Portrait of Peter I of Serbia (Karageorgevic, 1844-1921).
Munich, Germany, 1586  (engraving, 1572-1617)
View of the city of Warsaw with the coat of arms of the city. 1780.
Bremen, Germany (engraving, 1598)
Kiel, Germany (engraving, 1588)
Flensburg and Itzehoe, Germany (engraving, 1572-1617)
Natalino Otto with an overcoat under his arm
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Restrizioni immagine
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Gingerbread advertising cardboard Gringoire circa 1955
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Kampen and the river IJssel or Yssel, Netherlands (engraving, 1572-1617)
First Arab witness before Royal Commission, 1936
Lippe - Dortmund, Germany (engraving, 1588)
Berg Op Zoom, Netherlands (engraving, 1572-1617)
Clemente Mastella and Francesco Cossiga arm in arm
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Restrizioni immagine
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Il Content Partner applica le seguenti restrizioni
  • Not available to clients invoiced in Austria;Not available to clients invoiced in Germany;Not available to clients invoiced in Italy;Not available to clients invoiced in Switzerland
Lier, Belgium (engraving, 1572-1617)
Knights' sepulchral monuments and their coats of arms in a church. Handcoloured copperplate engraving by Verico after Alessandro Sanquirico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
Dordrecht, Netherlands (engraving, 1572-1617)
Gouda, Netherlands (engraving, 1572-1617)
Hainaut Province, Belgium  (engraving, 1572-1617)
The armor of Conrad von Bickenbach (died 1393), after a 14th century tombstone, of the National Museum of Munich (Germany) - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his work “Costumes, crafts and instruments from the Middle Ages to the end of the 18th century”, published by Heinrich Keller, Frankfurt, 1883
Landshut, Germany,  1578 (engraving, 1572-1617)
Tournai, Belgium (engraving, 1588)
Wismar, Germany (engraving, 1598)
Two knights mounted and teams for the shield race (left) and the grill race (right). The first one, without a helmet, wears a pink hatched tunic, matching the cape of its mount and its top saddle shield. The one on the right, without helm, wears a black tunic striped with gold, like the cape of its mount, which is decoree on the side of a sun. The metal grid that covers his body for this test is sparkling gold and has the same sun. The purpose of the test was to blow this piece of metal into the air.
Representation of a warship of the 17th century (Watercolour, 1885)
Battle of horsemen, scene of medieval warfare from an illumination of the Middle Ages.
Frontispiece taken from Somma di tutte le scienze, essay on the liberal arts, by Aurelio Marinati, 1587
Restrizioni immagine
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Yvonne in Green, 1995 (oil on canvas)
Copyright/Diritti d'Autore
  • In Copyright
Delft, Netherlands, 1572-1617(engraving)
Portrait of Andrea Doria (1466-1560), Italian warman.
Knights jousting at a medieval tournament, and heraldic crests. Handcoloured copperplate engraving by Verico after Biasioli from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
View of Liege (Leodium), Belgium (etching, 1572-1617)
Jutland, Denmark (engraving, 1572-1617)
Hamburg, Germany (engraving, 1572-1617)
Deventer, Netherlands (engraving, 1572-1617)
Sevilla, Spain (engraving, 1588)