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'Chale' immagini e video risultati page 1 of 48

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French comedian Eve Lavalliere in play "La revue des varietes", picture from magazine "Le Theatre" january 1902
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Titanic by J. Cameron, 1997 (film still)
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Emma, by Douglas McGrath, 1996 (film still)
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Opera singer Charlotte Wyns as Messaline in opera "Messaline", photo by Desgranges from french paper "Le Theatre" july 11, 1904
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Katherine Schwarzenegger
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TORRENT, 1926 (film still)
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Geraldine Farrar (1882-1967) american opera singer as Carmen 1915
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Soraya, Queen of Iran in Holidays on A Beach on French Riviera June 1953 (b/w photo)
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Men and women's fashion in France , at the time of the Directoire, 1795-1799, engraving
Women's fashion, engraving from a book about French habits at time of Directoire (1795-1799)
women 's fashion in France , at the time of the Directoire late 18th century early 19th century, engraving
On Pont Neuf in Paris c. 1810, engraving
Italian Dancer Alessandra Ferri Slipping on Points (b/w photo)
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women 's fashion in France , at the time of the Directoire 1795-1799, engraving
Madame Bovary, 1949 (film still)
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Man fashion (top hat, frock coat) and woman fashion (crinoline, shawl) c. 1850, engraving
The judge and the murderer
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Woman of the Samoan islands, 19th century, in shawl over one shoulder, fur skirt, holding a straw fan. Portrait of a Samoan woman brought to England by the missionary Rev. Stair. Handcoloured lithograph by J. Bull from James Cowles Prichard's Natural History of Man, Balliere, London, 1855.
Costumes of the indigenous people of Quito, Ecuador. Women in shawls, aprons, skirts and bonnets. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Costumes of the people of Lima, Peru. Handcoloured copperplate engraving by Verico from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i i Popoli), Florence, 1842.
Monica Belluci at Venice Film Festival, 2002 (photo)
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Roger Vailland (1907-1965) French Novelist here in 1957 (b/w photo)
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Dress and Chale - Wonderful. Fashion 1790 - 1795. Engraving.
The great forgiveness
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Traditionnal costum in Arzon (Morbihan, Brittany, France), Postcard, 1953
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Actors Helmut Berger and Linda Blair at A Charity Gala November 1976 (b/w photo)
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Women 's fashion in France , at the time of the Directoire late 18th century early 19th century, engraving
Sep 18, 1987; PLO Leader YASSER ARAFAT at the European UNO headquarters in Geneva, Switzerland
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Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.”” Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Dress Made With Papers, Paris, February 13, 1955 : The Winner, Francine Legrand (Dressmaker at Dior'S) (b/w photo)
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Countess Verasis de Castiglione nee Virginia Oldoini (1837-1899) The Countess, Italian courtesan, was the mistress of Napoleon III - She poses clothed with a veil and lime in black crepe - Silver gelatin bromide test by Louis Pierson (1822-1913) 1893
Actress Claire Friche as Floria Tosca in play "La Tosca" in Paris, cover of magazine "Le Theatre" december 1903
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Bonne - Maid, Paris, early 19th century, in lace collar, scarlet shawl, white apron and green dress - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823
Seated Lady with a Shawl, 1899-1900 (pastel on paper)
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Metisse de Martinique - Mixed-race woman of Martinique, 1865. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Lingere ambulante - Itinerant seamstress, Paris, early 19th century, in blue dress with black apron and scarlet shawl, selling bonnets from a hat box - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Roman woman in tunic and polla (toga), and woman in tunic and ricinium (shawl). Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages”” (1798).
The Night of the lace in Paris on December 1st, 1949 : a Republican Guard looking at a lace suit worn by a model (b/w photo)
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Woman wearing headdress and dress featuring extravagent pleating and flouncing. Pleated collars, flounces (falbalas) and ruffs (chicories), have never been more in fashion than today. The art of pressing has been raised to the point of perfection. The elegantes no longer send their linen to Neuilly: the coarse hands of the peasants tear the fabric they launder. The delicate hand of a Parisienne is required for fine linen. It costs 6 sous to launder a dress, and 50 to press it.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Fashionable women in decollete dresses playing the game of hide and seek in a garden. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
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Three fashionable women in bonnets with tall floral displays, holding a green shawl to form a living fruit basket. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
French Actress Germaine Montero in Play L'Echange Dressed As A Gipsy With Shawl December 13, 1951 (b/w photo)
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The Depart of the Dragon, 1780 (oil on canvas)
Woman of Cadiz, Spain, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Repasseuse - Female presser, Paris, early 19th century, ironing clothes on a table, wearing a blue dress with white scarf, and her hair in ringlets and a bignon. Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823.
Servante mistress - Servant mistress, Paris, early 19th century, in red striped petticoat, white apron and bonnet, with yellow embroidered shawl and straw basket - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Blanchisseuse - Laundress of Paris, early 19th century, in bonnet, shawl, red dress and black apron, holding a basket of laundry - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Three girls in mid-calf length dresses and pantalons dancing with a shawl. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
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Their credulity is her only science. A fortune teller reads the cards for two credulous wonders in shawls and turbans. “The feeble minded consult this woman, whose only secret is that she has persuaded them that she knows everything.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
The judge and the murderer
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Embroiderer - Embroiderer, Paris, early 19th century, in white dress and bonnet - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Three graces of the Ballet of**. Elegant ballet dancers in costume (one in turban and shawl, one with tambourine and dress decorated with flowers, and one with a basket and long plaits tied with ribbons). “” Each movement betrays a form: arms, shoulders, throat, legs, feet all are naked or appear so.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
The roller coaster at Belleville with its five cars riding a distance of 600 feet in 9 or 10 seconds. A fashionable woman in plumed bonnet, shawl and parasol watches from the terrace. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Woman and child in town clothes. Consulate era, 1803. Handcoloured steel engraving by Hippolyte Pauquet after Louis-Philibert Debucourt, from the Pauquet Brothers' “” Modes et Costumes Historique”” (Historical Fashions and Costumes), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Margrethe II of Denmark
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Modiste - Milliner, Paris, early 19th century, in bonnet, lace collar, shawl, green apron over yellow dress, carrying a hat box - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris” (Tradeswomen of Paris), Paris, 1823
Anne Marie Chassaigne known as Liane de Pougy (1870-1950) famous parisian dancer and courtesan, here dancing in Paris, french Postcard
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Danish lady, 1626. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
Wrong ways: shouting, insulting, profering insults - drawing from “My Journal” 1897 (engraving)
Beggar's head (1882). Paul Albert Bartholome (1848-1928). Pastel and lead on blue grey paper glue in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Petite Palais.
Beggar's head (1882). Paul Albert Bartholome (1848-1928). Pastel and lead on blue grey paper glue in full on cardboard. Musee des Beaux-Arts de la Ville de Paris, Petite Palais.
Antwerp: Studio portrait of a woman, 1870
Miss Pastel followed by her mother. A young beauty art student carries brushes, palette and canvas, while her mother in bonnet, shawl and gloves carries a heavy easel and stool. “Here is one danger for middle-class parents: Instead of giving her daughter a career, she wants to make her into an artist.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
France, Portrait rehauled a watercolour by Celine Montaland (1843-1891), French actress 1860
French comedian Marthe Regnier as Jacqueline in play "La Passerelle", Paris, photo Reutlinger from french paper "Le Theatre" june 11, 1904
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Noblewoman of northern Germany after Abraham de Bruyn, 1581 - Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Foreign Fashions and Costumes Ancient and Modern”, Paris, 1865
Chambermaid - Chambermaid, Paris, early 19th century, wearing long red dress, white apron, bonnet and collar - Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from “” Ouvrieres de Paris”” (Tradeswomen of Paris), Paris, 1823
Fabric shop workers. Women in muslin dresses, bonnets and shawls embroidering, sewing, cutting cloth and wrapping bolts of fabric. “If ever coquetry were lost by women, one would find it again at the ladies counter.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Venus Khoury Ghata
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The bored women of Longchamp racetrack. Three fashionable bored women sit among a mountain of chairs as a maid clears them away. “Where is everyone? Damn rain! Where can we meet someone to talk to, to be seen? They wear the latest hairstyles - almost like those of children in a choir.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Bride examining the contents of her marriage basket. Her bridesmaids show her lace, jewelry, diaments and finery. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.