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Immagini di 'Chalon Sur Saone' trovate, 98

Saint Vincent's cathedral door, Chalon-sur-Saone, Chalon-sur-Saone, France
Christ sculpture in Saint Vincent's cathedral, Chalon-sur-Saone , Chalon-sur-Saone, France
Keystone in Saint Vincent's cathedral cloister, Chalon-sur-Saone , Chalon-sur-Saone, France
Bronze helmet from Chalon-sur-Saone
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Bronze helmet from Chalon-sur-Saone
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Detail of a Christ sculpture in Saint Vincent's cathedral, Chalon-sur-Saone , Chalon-sur-Saone, France
France, bronze helmet found in Saone river
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Map of Chalon-Sur-Saône and Auxerre France
France, Bourgogne, Saone-et-Loire (71), Chalon-sur-Saone: Medieval tour in Chalon, 1885
Chalon sur Saone (Chalon-sur-Saone): general view of wharves, boats, coves, river navigation on the Saone - postcard beginning 20th century sent in 1907 -
French police sign, Chalon-sur Saone, France
Chalon sur Saone (Burgundy, France), 1908 (postcard)
Chalons or Chalon sur Saone : view of the wharf, boats, barges, river navigation on the Saone, 1845
Chalon sur Saone (Chalon-sur-Saone): general view of wharves, boats, coves, river navigation on the Saone and St-Laurent bridge (St-Laurent, Saint-Laurent) - postcard beginning 20th century -
France, Burgundy, Chalon-sur-Saone, View in 1837, by Etienne Raffort
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Poster advertising horse racing at Chalon-sur-Saone, 1911 (colour litho)
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France, Chalon-sur-Saone, Portrait of Dominique Vivant, Baron de Denon
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Publicite pour l'absinthe Barth & Cie, a Chalon sur Saone (Saone et Loire, France), vers 1890
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France, Burgundy, Saone-et-Loire (71), Chalon-sur-Saone: Studio portrait of three children, 1865
Chalon sur Saone, Chantiers Schneider et Cie., Submersible S C 2
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WINE PRODUCERS WEAR GAGS OVER THEIR MOUTH DURING A DEMONSTRATION IN CHALON-SUR-SAONE, 2003-02-25 (photo)
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Inside the factory, rolling mill of the steelworks of Creusot, by Raymond Rochette (1906-1993), watercolour. France, 20th century.
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WINE PRODUCERS WEAR GAGS OVER THEIR MOUTH DURING DEMONSTRATION IN CHALON-SUR-SAONE, 2003-02-25 (photo)
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Portrait of Joseph Nicephore Niepce (Chalon-sur-Saone, 1765-Saint-Loup-de-Varennes, 1833), French photographer and researcher
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Woman peeling vegetables, drawing by Antonin Richard (ca 1817-1891), France, 19th century
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Chalon-sur-Soane - Carnival Day
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Portrait of Joseph Nicephore Niepce (Chalon-sur-Saone, 1765-Saint-Loup-de-Varennes, 1833), French photographer and inventor, by Giacomo Berger (1754-1822)
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Cattle graze in a field near Chalon sur Saone central France, November 29, 2000 several days after t.., 2000-11-29 (photo)
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La Pourvoyeuse ( Dreamer), 1892, by Philibert-Leon Couturier (1823-1901), oil on canvas, 83x63 cm
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Fibules and bronze pendants of Golasecca culture, end 6th-beginning 5th century BC
Cleopatra and Her Slave, 1863 by Henri Blaise Francoise Dejussieu (born in 1828), oil on canvas, 82x66 cm, 19th century
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Young girl standing, drawing by Jean-Baptiste Greuze (1725-1805)
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The island of Chalon sur Saone, (Les Iles du Reel), in the French pavilion of the Aichi World Exposition in Japan, 2005. The artist Lilian Bourgeat has suspended a gigantic light bulb of 50 meters in diameter that only lights up under the combined push of several visitors. At the origin of this project, the city of Chalon sur Saone, which has partnered with a non-governmental organization, W.W.F, the agency for the environment and the management of energy as well as the house of the environment to demonstrate that at the scale of a territory it is possible to reduce greenhouse gas emissions more efficiently than do not provide for this in the Kyoto agreements.
The island of Chalon sur Saone, (Les Iles du Reel), in the French pavilion of the Aichi World Exposition in Japan, 2005. The artist Lilian Bourgeat has suspended a gigantic light bulb of 50 meters in diameter that only lights up under the combined push of several visitors. At the origin of this project, the city of Chalon sur Saone, which has partnered with a non-governmental organization, W.W.F, the agency for the environment and the management of energy as well as the house of the environment to demonstrate that at the scale of a territory it is possible to reduce greenhouse gas emissions more efficiently than do not provide for this in the Kyoto agreements.
The island of Chalon sur Saone, (Les Iles du Reel), in the French pavilion of the Aichi World Exposition in Japan, 2005. The artist Lilian Bourgeat has suspended a gigantic light bulb of 50 meters in diameter that only lights up under the combined push of several visitors. At the origin of this project, the city of Chalon sur Saone, which has partnered with a non-governmental organization, W.W.F, the agency for the environment and the management of energy as well as the house of the environment to demonstrate that at the scale of a territory it is possible to reduce greenhouse gas emissions more efficiently than do not provide for this in the Kyoto agreements.
The island of Reel in Chalon sur Saone, dedicated to the Toyota factory in Valenciennes, in the French pavilion of the Aichi World Exposition in Japan, 2005. The artist Lilian Bourgeat has suspended a gigantic light bulb of 50 meters in diameter that only lights up under the combined push of several visitors. At the origin of this project, the city of Chalon sur Saone, which has partnered with a non-governmental organization, W.W.F, the agency for the environment and the management of energy as well as the house of the environment to demonstrate that at the scale of a territory it is possible to reduce greenhouse gas emissions more efficiently than do not provide for this in the Kyoto agreements.
The island of Chalon sur Saone, (Les Iles du Reel), in the French pavilion of the Aichi World Exposition in Japan, 2005. The artist Lilian Bourgeat has suspended a gigantic light bulb of 50 meters in diameter that only lights up under the combined push of several visitors. At the origin of this project, the city of Chalon sur Saone, which has partnered with a non-governmental organization, W.W.F, the agency for the environment and the management of energy as well as the house of the environment to demonstrate that at the scale of a territory it is possible to reduce greenhouse gas emissions more efficiently than do not provide for this in the Kyoto agreements.
The Return of Persephone, by Luca Giordano, oil on canvas
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Self-portrait of Dominique Vivant Denon (1747-1825), French museum director, writer and artist
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Central Hotel
The Charlatan, 1668 (oil on canvas)
Bike Tour De France, 1975 (b/w photo)
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Vase of flowers, 17th century (oil on canvas)
Bike Tour De France, 1975 (b/w photo)
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Portrait of Francois Chabas, 1858 (painting)
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Return of French prisoners of war, 1941 (b/w photo)
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Blanche (died 1310), daughter of Jean de Laon, sire of Atteinville and Adelaide of Vermandois (944-975), wife of Lambert, count of Chalon sur Saone, circa 955, then wife of Geoffroy I count of Anjou, in 959. The Franc women's tunic covered the body from the neck to the feet, making the contours of the waist visible with elegance (101 and 102). The veil covered with grace, the curls of their hair, which reappeared from below, produced a charming effect. These descriptions date back to the 13th century, when these types of sails were still in use.Copper engraving hand-coloured, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
II. WK, Occupation South France, 1942 (photo)
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Joseph Nicephore Niepce, French inventor, c 1800
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Map of France showing the demarcation line from 1940 to 1943, 1947 (print)
Blanche (d.1310) and Adele de Vermandois (944-975) , 1802 (engraving)
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