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THE ACTRESS ANTONELLA LUALDI AT XX INTERNATIONAL FILM FESTIVAL OF VENICE - 1959 (she is preparing in front of a mirror in a bathroom)
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Display of small brushes for eyelashes around 1960
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Curling iron and heater around 1950
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Egyptian antiquite: wooden spoon decorated with a young girl playing lute, 1550-1069 BC (wooden)
Boxes and vials of Brillantine Lustrex and Palmolive shampoo around 1960
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Young woman a sa toilette, 1626 (oil on canvas)
Greek antiquite: Aphrodite has her toilet (bronze)
An Athenian, 1825 (engraving)
Colorful photo of a genre scene showing a girl in her toilet, 1865
Coquetry, 1909 (engraving)
Fac simile of a Japanese fashion engraving, showing male and female hairstyles from the Edo period, 1870 (chromolithograph)
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Narcisso Chinese trade fair, Daraga, Philippines, 19th century (engraving)
Woman gardener from Holland, after Koning, 1804. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Greek Art: mirror box cover in bronze decorating two women at their toilet (bronze)
Woman craving the lips, 18th century (print)
A Mantrap, English prostitute, 1780.
Women of Venice dying their hair (a wide brim hat with a hole in the centre), one with a sponge A, and one with comb in front of a mirror after Cesare Vecellio B, and wooden comb C. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
A young girl from Yedo (or Edo, present-day Tokyo), painting her lips in front of her mirror, has her dimensions the lacquer box containing her necessities: combs, brushes and hairpins, toothpowder, rice powder and other cosmetics. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Young Woman in the Mirror, 1515 (painting)
Psyche. Painting by Prospero Minghetti (1786-1853). Palazzo Ducale - Prefecture, Reggio Emilia (Reggio Emilia).
Woman's costume in the time of King Henry VIII (1491-1547), wearing a long embroidered dress with wide sleeves with red shoes. By Hans Holbein (1497-1543). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
A blonde woman looks at herself in a mirror while she gets her hair styled. Poster for Une faillite et Le Poete et le Financier, pieces of theatre represented in 1893 at the Free Theatre created in 1887 by Andre Antoine (1858-1943), Illustration en lithographie by Henri de Toulouse Lautrec (Toulouse-Lautrec) (1864-1901), in Les Programmes illustres des theatres et des cafes concerts, by Ernest Maindron, Librairie Nilsson Per Lamm, Paris, 1897. Photography, KIM Youngtae.
Berthe (detail) (ca. 1882-1883). James Tissot (1836-1902). Graphite and pastel pencil on grey paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
Portrait of the French comedian Jeanne Granier (1852-1939) circa 1895 Photo reutlinger
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English lady, 1588, with long fan and purse suspended from her waist. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Peoples of Antiquity, the Middle Ages and the New Era,”” written by Leopold Ziegelhauser, Vienna, 1837
France, Ile-de-France, Paris (75): A young woman prepares for a ball mask while trying a mask, 1860
Woman of Bologna with a long veil, and a feather fan attached to her belt with a gold chain, 16th century. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Woman of Cadiz, Spain, 18th century, after Rodriguez. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
A Bather, c.1885-90 (oil on canvas)
Berthe (ca. 1882-1883). James Tissot (1836-1902). Graphite and pastel pencil on grey paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
Berthe (detail) (ca. 1882-1883). James Tissot (1836-1902). Graphite and pastel pencil on grey paper glue on canvas. Musee des Beaux-Arts de la Ville de Paris, PeuPalais.
A Seated Girl
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Cartoon about Parisian women. A woman admires her new teeth in a mirror.Illustration from “” Petit Journal pour Rire””, 1879.
Old postcard/Small Boarders
A geisha makes her toilet, 1870
Political and social cartoon during the Second Empire. “About Crinoline”, 1860 (engraving)
Fitting scene at the couturier, by Albert Guillaume (1873-1942), ca. 1895
Barbarian art of Lombardy: comb of the queen Theodelinde, 1308.
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The toilet: Two young women help older women with baby bonnets and false bosoms - while giving knowing looks to the viewer. Women of 19 and 20 are in open war with women of a certain age (30). They adopt fashions that suit only them, such as flat bonnets and childish caps.” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Miss Pastel followed by her mother. A young beauty art student carries brushes, palette and canvas, while her mother in bonnet, shawl and gloves carries a heavy easel and stool. “Here is one danger for middle-class parents: Instead of giving her daughter a career, she wants to make her into an artist.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Old woman trying on a pink bonnet in front of three young shopgirls, “” Women appear to have sworn to lie about youth up to their last breath.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
France: genre scene, preparation of the bride, 1865
United Kingdom: Portrait of Woman: Miss Harwood, 1887 - Miss Harwood-Harwood
France: A young woman poses in a fancy dress and a fan in his hand, 1895
Woman of Salamanca, Spain, 18th century, after Jacques Grasset de Saint-Sauveur. Handcoloured steel engraving by Hippolyte Pauquet from the Pauquet Brothers' “” Modes et Costumes Etrangers Anciens et Modernes” (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
A young woman contemplating herself in a mirror in a narcissistic way, she is clothed in the fashion of the crazy years, around 1920
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David and Bethsabee, 18th century (oil on canvas)
France, Portrait of a Young Girl in Studio, 1870
Advertising for a product (lotion) intended to grow hair back in 1925 - hair growth - cosmetic - hairstyle -
The funeral toilet of a matron, represented seated. From the necropolis of Cumes, 4th century BC (fresco)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
The problem with Capote bonnets: two women's deep-brimmed bonnets collide as they greet each other, while fashionable men watch. The bonnets with long sides were obviously invented by pretty coquettes who wanted to prick the curiosity of men and keep them mystified until the last moment. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.