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Immagini di 'Conte Di Maglia' trovate, 81

Effigy of Gilbert Marshal, Earl of Pembroke (stone)
Archibald Douglas, 6th Earl of Angus (oil on panel)
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Count Urlich von Brockdorff-Rantzau, 1922
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Count Urlich von Brockdorff-Rantzau, 1920-1928
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Middleton Park, Oxfordshire, from 'Views of the Seats of Noblemen and Gentlemen in England, Wales, Scotland and Ireland. L.P.', 1824-29 (engraving)
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Uschi Glas, 1971 (b/w photo)
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Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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Portrait of the Count of Pourtales; Portrait du Comte de Pourtales, 1925-26 (oil on canvas)
Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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Earl von Orlamunde and Otto VI von Weimar-Orlamunde, 1889 (chromolithograph)
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Peter II, Count of Savoy, Earl of Richmond, and a soldier. 1248. The Earl wears a chainmail hauberk and chausses, tunic, and carries a lance and shield with coat of arms. The footsoldier wears a cargan hood, carries an oucin and round shield. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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Portrait of Camillo Bense Count of Cavour, by Francesco Hayez, 1864, 19th Century, oil on canvas, 79 x 64 cm
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Harold Godwinson captured by Wido, Count Guy de Ponthieu and Harold knighted and armed with suit of chainmail and pennon by William of Normandy
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De Vere, Earl of Oxford, 1280. Knight in chainmail hauberk and tunic, with knee poleyns, sword, lance and shield with coat of arms. From a monument in Hatfield Broadoak church. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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Author Leo Tolstoy, Russian, 1897 (b/w photo)
Helmet and breastplate from armor with chain mail, ca 1370-1410, which belonged to count of Matsch then known as Urs, by masters O and T, 14th-15th century
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Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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King Richard the Lionheart, in chainmail armour on horseback with heraldic shield, and Thomas Plantagenet, 2nd Earl of Lancaster, circa 1314, in helm, chainmail armour, tunic and coats of arms. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, 1847.
Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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Light follis (obverse) of Baldwin II, Count of Edessa (1100-18) (bronze)
Knight's Armor of Gottfried Count of Arnsberg, 1370 (chromolitho)
Tomb of Count Johann von Wertheim (1407) (chromolitho)
Tomb of Count Rudolf von Thierstein, 1318 (chromolitho)
Portrait of Giuseppe Balsamo, known as Alessandro Count of Cagliostro (Palermo, 1743-San Leo, 1795), Italian adventurer, alchemist and esoteric, Engraving by Friedrich Wilhelm Bollinger (1777-1825)
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Close-up of Ugo Tognazzi on the set of My Friends
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Children of King Louis IX of France: Isabella, 1241-1271, and Robert, Count of Clermont, 1256-1317, father of the House of Bourbon
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Death of King Harold II at the Battle of Hastings
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Aubrey de Vere - male costume of 13th century
Kasteln Educational Institution, 1943 (b/w photo)
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Cavalry battle between Crusaders and Saracens, 12th century (engraving)
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Uschi Glas and Max von Lamberg, 1971 (b/w photo)
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Francesco Maria Lampugnani, 1729, oil on canvas
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William Longuespee, Long Sword, Third Earl of Salisbury, 1176-1224. In chainmail hood that covers the mouth, hauberk, shoes, spurs. He wears an armorial tunic and coat of arms of six lions rampant on his shield. Handcoloured lithograph by Maddocks after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Jousting helm 1, horned helmet of the Earl of Dammartin 2, winged helm of the Constable of Clisson 3, royal helm 4 and chainmail hood and cap 5, and flat-headed helms circa 1230 during the reign of King Philip II, 6,7. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844.
Richard Fitzhugh, Constable of Chester and Standard Bearer of England, 1141. Richard Fitzhugh, Earl of Chester, carries the royal standard with two lions passant guardant. He wears a long chainmail tunic, conical nasal helmet and remarkably long shoes. Handcoloured lithograph after an illustration by S.R. Meyrick from Sir Samuel Rush Meyrick's A Critical Inquiry into Antient Armour.
Philip, Count of Artois (Philippe d'Artois), died of his wounds after the Battle of Furnes, 1265-1298. He wears a hooded chainmail hauberk, sleeveless tunic, and carries the escutcheon with his coat of arms: gold fleurs de liys on a blue field, red label with three gold castles on each point. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Portrait of Guy I (ca. 1020-1100), Count of Ponthieu, who to mark his high rank wears a coat. From the 8th century onwards, leather and mesh battles were introduced, and under the rebellion of Pepin Le Brif, the diversity of arms among the Franks was enrich, spears and slings (83,84) axes and arches, and the use of heaumes was more common (Figure 24 is a very unusual form). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.