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Vitruvian Man, c.1492 (pen & ink on paper)
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Da-Dandy, 1919 (photomontage)
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Head of a Young Woman with Tousled Hair or Leda (gouache on wood)
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Portrait of Leonardo da Vinci (engraving)
La Gioconda Nude (gouache & black chalk on paper)
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Leonardo da Vinci
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Torso of a Man in Profile, the Head Squared for Proportion, and Sketches of Two Horsemen, c.1490 and c.1504 (pen & ink and red chalk over metalpoint on paper
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Leonardo da Vinci painting the portrait of the Mona Lisa
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Fight between a Dragon and a Lion (brown ink with wash on paper)
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Self-portrait, c.1515-16 (red chalk on white paper)
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Portrait of Leonardo da Vinci .
A plan of Imola, 1502 (pen & ink, wash and chalk on paper)
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Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)
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Leonardo da Vinci self-portrait
St. John the Baptist, 1513-16 (oil on canvas)
Studies of flowing water, with notes, c.1510-13 (pen & ink of black chalk on paper)
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Portrait of Leonardo da Vinci
L.H.O.O.Q., 1919 (litho)
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Leonardo da Vinci
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A rearing horse, c.1503-04 (pen & ink and chalk on paper)
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Composition sketch for The Adoration of the Magi, 1481 (pen and ink on paper)
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The muscles of the shoulder, arm and leg, c.1510 (pen & ink with wash over black chalk on paper)
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Yu the Great (Da Yu) (print)
Two profiles of men, an old man and a young man. The young man represents Gian Giacomo Caprotti known as Andrea Salai or Salaij (around 1480-1524), Leonardo's student and lover. Chalk drawing by Leonardo da Vinci (Leonardo da Vinci) (1452-1519) Florence, Galleria degli Uffizi (Offices)
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A woman in a landscape, c.1517 (black chalk on paper)
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Sala dei Giganti, detail of the destruction of the giants by Jupiter's thunderbolts, 1536 (fresco) (for detail see 78488)
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Vitruvian Man, 1490 (pen & ink on paper)
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Portrait of Giovanni da Verrazano (ca. 1485 - 1528) (Verrazzano) (John of Verrazane) Italian explorer.
Cats, lions and a dragon, c.1513-16 (pen & ink with wash over blue chalk)
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Leonardo da Vinci painting Mona Lisa by Cesare Maccari (1840-1919), 1863
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Vasco da Gama
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A comparison of the legs of a man and of a horse, c.1506-10 (pen & ink with red chalk on paper)
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Raniero da Calzabigi portrait
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ms.ASPi, C.M 15, c.3v Page of text with an apocalyptic dragon, from 'Liber Figurarum e le Proemisssiones Gioachimitiche' by Joachim of Flora (c.1132-1202) (vellum)
The muscles of the shoulder, c.1510 (pen & ink with wash over black chalk on paper)
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A Cranium Sectioned, 1489 (pen & ink over black chalk on paper)
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A horse in profile, and from the front (metalpoint on paper)
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Portrait of Leonardo da Vinci (Leonardo da Vinci) (1452-1519).
Study of a Horse and Rider, c.1481 (metalpoint on paper)
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Drapery study for a kneeling figure in Profil Perdu to the right, c.1472-75 (brush & grey tempera with white on canvas)
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A Scheme for a canal to bypass the Arno, c.1503 (brush & ink over black chalk on paper)
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Presumed Self-portrait (Lucan portrait of de Vinci), 1490-1500 (tempera on panel)
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Neptune, c.1504-05 (chalk on paper)
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Leonardo da Vinci
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Study for the Head of Mary Magdalene (charcoal on paper)
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The vertebral column, c.1510 (pen & ink with wash, over traces of black chalk on paper)
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A study of a woman's hands, c.1490 (metalpoint, heightening and charcoal on paper)
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Head of St. Anne, c.1510-15 (chalk on paper)
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Landscape of Santa Maria della Neve: the landscape of the Arno Valley (pencil drawing, 1473)
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A design for a costume of an imaginary beast, c.1517-18 (black chalk with pen & ink on paper)
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