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Eliseo Mattiacci
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The Piccolo Eliseo Theatre, Rome, 2003 (photo)
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Habakkuk (or Eliseo), 1434-36 (sculpture)
Portrait of sculptor Eliseo Mattiacci in the early 1960s.
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Venice Art Biennale 1988. Italian artist Eliseo Mattiacci/Venice Art Biennale 1988. The artist Eliseo Mattiacci -
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Venice Art Biennale 1988. Italian artist Eliseo Mattiacci/Venice Art Biennale 1988. The artist Eliseo Mattiacci -
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Aroldo Tieri and Giuliana Lojodice at Teatro Eliseo
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Eliseo Mattiacci, Rome, Italy, 1980 (b/w photo)
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Portrait of Cesare Bonesana Beccaria (1738-94) by Eliseo Sala (1813-1879), 19th century (oil on canvas)
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Photograph of Brigadier General Don Eliseo Alvarez-Arenas y Romero,
ELISEO SALAZAR SIGNS AUTOGRAPHS AT INDY, 2001-05-09 (photo)
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Stage director Franco Zeffirelli on the stage of Eliseo Theatre in Rome, Rome, Italy
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Stage director Franco Zeffirelli on the stage of Eliseo Theatre in Rome, Rome, Italy
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ELISEO SALAZAR TALKS WITH A.J. FOYT AT INDY, 2001-05-19 (photo)
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ELISEO SALAZAR SITS IN RAIN AT INDY 500, 1997-05-26 (photo)
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Italy, Milan, Italian cavalleggeri, light cavalry, by Eliseo Macchiby, 1900
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ELISEO SALAZAR PREPS TO PRACTICE AT INDY, 2001-05-24 (photo)
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ELISEO SALAZAR CELEBRATES AFTER QUALIFYING FOR INDY, 2001-05-20 (photo)
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Portrait of Marchioness Camilla Litta Lomellini, 1851, Painting by Eliseo Sala (1813-1879)
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CHILEAN ELISEO SALAZAR PREPARES FOR PRACTICE IN PITS AT INDY, 1998-05-11 (photo)
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Motor-cyclists by Eliseo Salino (1919-1999) and Torido Mazzotti (1895-1988)
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ELISEO SALAZAR CRASHES DURING INDY QUALIFICATIONS, 1998-05-16 (photo)
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JEFF WARD AND ELISEO SALAZAR TALK SPEED AT INDY, 2000-05-19 (photo)
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Stage director Franco Zeffirelli lies down on the stage of Eliseo Theatre in Rome, Rome, Italy
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CHILEAN ELISEO SALAZAR DRIVES INDY PRACTICE LAPS, 2000-05-25 (photo)
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Costume for the role of Henry IV from the play of the same name by Luigi Pirandello, performed in Rome, Teatro Eliseo, directed by Giorgio de Lullo, 1977, 20th century
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Igor Stravinsky au Théatre Eliseo à Rome le 29 novembre 1956 (b/w photo)
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Costumes for the roles of the Marchioness Matilda Spina and Frida for Henry IV by Luigi Pirandello, performed in Rome, Teatro Eliseo, directed by Giorgio de Lullo, 1977, 20th century
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Rome, 1974. Italian actor and playwright Eduardo De Filippo on stage at the Eliseo Theater thanking the audience/Roma, 1974. L'attore e drammaturgo Eduardo De Filippo sul palco del teatro Eliseo mentre ringrazia il pubblico -
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Davy Jones, Michel Fert and Eliseo Salazar Jaguar XJR, Le Mans, 16 June 1990 (photo)
Chorographic map of Calabria Ulterior or Greek Calabria, by Father Eliseo of Conception, Naples, 1784, Italy, 18th century
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Nino Manfredi, Illa Brignone, Gino Cervi and Collegues, Teatro Eliseo, Italy, 1967 (b/w photo)
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Olivia de Havilland and Pierre Galante in the café of the foyer of Eliseo Theatre, Italy, 1955 (b/w photo)
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GREG RAY LEADS ELISEO SALAZAR INTO TURN ONE AT START OF INDY 500, 2000-05-28 (photo)
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Rome, 1974. Italian actor and playwright Eduardo De Filippo on stage at the Eliseo Theater thanking the audience (photo)
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Portrait of Antonio Litta (1700-1770), cavalry general, knight of Golden Fleece, husband of Paola Visconti Borromeo (1707-1763), rich Italian heiress
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Olivia de Havilland and Pierre Galante in the café of the foyer of Eliseo Theatre, Italy, 1955 (b/w photo)
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Collegiate church. Interior. Painting (Elías echa su manto a Eliseo). Madrid school. Oil on canvas. 16th century.
36 Chris Craft and Eliseo Salazar Dome RC82 at the Mulsanne Corner at Le Mans, 20th June 1982 (photo)
Monarch butterflies flutter around Eliseo, a guide on the Cerro del Campanario in the El Rosario but.., 2003-03-11 (photo)
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Melancholy or Pia de' Tolomei (13th century), Painting by Eliseo Sala (1813-1879), 1846, oil on canvas, 100x90 cm
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CHILEAN RACE CAR DRIVER ELISEO SALAZAR STANDS BY HIS CAR AT THE INDIANAPOLIS MOTOR SPEEDWAY, 2000-05-25 (photo)
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The wagon of Elijah, miniature from Latin Bible from Saint Amand's Abbey, Latin manuscript folio 200, France 16th Century.
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4 Davy Jones, Michel Ferte and Eliseo Salazar Jaguar XJR night pit stop, Le Mans, 16 June 1990 (photo)
Austrian Gunther Weidlinger (2nd R) and Spain's Eliseo Martin (3rd R) jump a hurdle along with compe.., 1998-08-20 (photo)
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Rome, Italy, 1958, Teatro Eliseo, The actress Ilaria Occhini in theatre during the rehearsals “A look from the bridge” by Arthur Miller (b/w photo)
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Rome, Eliseo Theater, 1984. Actor Paolo Stoppa in his dressing room before performing in “” Il biglietto a sonagli”” (The cap and bells) by Luigi Pirandello, directed by Luigi Squarzina/Roma, Teatro Eliseo, 1984. L'attore Paolo Stoppa prima di entrare in scena nel “Berretto a sonagli”” by Luigi Pirandello diretto da Luigi Squarzina -
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Rome, Eliseo Theater, 1984. Actor Paolo Stoppa in his dressing room before performing in “” Il biglietto a sonagli”” (The cap and bells) by Luigi Pirandello, directed by Luigi Squarzina/Roma, Teatro Eliseo, 1984. L'attore Paolo Stoppa prima di entrare in scena nel “Berretto a sonagli”” by Luigi Pirandello diretto da Luigi Squarzina -
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Rome, Eliseo Theater, 1984. Actor Paolo Stoppa in his dressing room before performing in “” Il biglietto a sonagli”” (The cap and bells) by Luigi Pirandello, directed by Luigi Squarzina/Roma, Teatro Eliseo, 1984. L'attore Paolo Stoppa prima di entrare in scena nel “Berretto a sonagli”” by Luigi Pirandello diretto da Luigi Squarzina -
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Rome, Eliseo Theater, 1984. Actor Paolo Stoppa in his dressing room before performing in “” Il biglietto a sonagli”” (The cap and bells) by Luigi Pirandello, directed by Luigi Squarzina/Roma, Teatro Eliseo, 1984. L'attore Paolo Stoppa prima di entrare in scena nel “Berretto a sonagli”” by Luigi Pirandello diretto da Luigi Squarzina -
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Rome, Italy, 1958, Teatro Eliseo, The actress Rina Morelli tries “A look from the bridge” by Arthur Miller directed by Luschino Visconti (b/w photo)
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Rome, Eliseo Theater, 1984. Actor Paolo Stoppa in his dressing room before performing in “” Il biglietto a sonagli”” (The cap and bells) by Luigi Pirandello, directed by Luigi Squarzina/Roma, Teatro Eliseo, 1984. L'attore Paolo Stoppa prima di entrare in scena nel “Berretto a sonagli”” by Luigi Pirandello diretto da Luigi Squarzina -
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Rome, Eliseo Theater, 1984. Actor Paolo Stoppa in his dressing room before performing in “” Il biglietto a sonagli”” (The cap and bells) by Luigi Pirandello, directed by Luigi Squarzina/Roma, Teatro Eliseo, 1984. L'attore Paolo Stoppa prima di entrare in scena nel “Berretto a sonagli”” by Luigi Pirandello diretto da Luigi Squarzina -
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Italian stage director Franco Zeffirelli photographed in the middle of the set of Eliseo Theatre, upon the stage that's hosting, in these days, a Hamlet play under his direction. Rome (Italy), December 1963. (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, L'attore Paolo Stroppa durante le prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti durante le prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti durante le prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Italian actresses Giulietta Masina, Valentina Cortese and Lea Padovani at the premiere of the play Cat on a Hot Tin Roof at Teatro Eliseo. Rome, January 1958 (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti studia il copione di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti durante le prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti durante le prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti prova "Uno sguardo dal ponte" di Arthur Miller con Paolo Stoppa (b/w photo)
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Rome, Italy, 1958, Teatro Eliseo, The director Luchino Visconti and actress Ilaria Occhini during the rehearsals of “Un sguardo dal ponte” by Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti prova con l'attore Sergio Fantoni "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti durante le prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti durante le prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti durante le prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Italian stage director Franco Zeffirelli observes the set of the Eliseo Theatre, upon the stage that's hosting a Hamlet play under his direction. Rome (Italy), December 1963. (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti durante una pausa delle prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti assiste alle prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti prova con l'attore Sergio fantoni "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Self-portrait, detail, 1943 (oil on canvas)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti e Ilaria Occhini durante le prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti prova "Uno sguardo dal ponte" di Arthur Miller con Ilaria Occhini e Sergio Fantoni (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Gli attori Rina Morelli e Marcello Giorda durante le prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Elisha, disciple of Elijah, receiving his prophetic inheritance, fresco, Crypt of St Mary Cathedral, Anagni, Italy, 13th century
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Italian stage director Franco Zeffirelli smokes a cigarette next to the front curtain of the Eliseo Theatre, upon the stage that's hosting a Hamlet play under his stage direction. Rome (Italy), December 1963. (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti con Marcello Giorda e Paolo Stoppa durante le prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Le attrici Ilaria Occhini e Rina Morelli durante le prove di "Uno sguardo dal ponte" diretto da Luchino Visconti (b/w photo)
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Portrait of Marchesa Luisa d'Azeglio Blondel Maumery, by Elisha Hall (1813-1879), oil on canvas, 99x85 cm, 1850
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti con Sergio fantoni e Ilaria occhini durante le prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti prova con gli attori Sergio Fantoni e Ilaria Occhini "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Italian stage director Franco Zeffirelli knelt between the drapes of the front curtain of the Eliseo Theatre, upon the stage that's hosting a Hamlet play under his stage direction. Rome (Italy), December 1963. (b/w photo)
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Roma, Italia, 1958, Teatro Eliseo, Il regista Luchino Visconti con gli attori Sergio Fantoni e Ilaria Occhini durante le prove di "Uno sguardo dal ponte" di Arthur Miller (b/w photo)
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Italian stage director Franco Zeffirelli studies some personal notes, seated at his desk within the Eliseo Theatre. The roman theatre is hosting a Hamlet play under his stage direction. Rome (Italy), December 1963. (b/w photo)
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Italian stage director Franco Zeffirelli knelt between the drapes of the front curtain of the Eliseo Theatre, upon the stage that's hosting, in theese days, a Hamlet play under his stage direction. Rome (Italy), December 1963. (b/w photo)
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