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'Extravaganz' immagini e video risultati page 1 of 7

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A model for Hong Kong designer Lu Lu Cheung presents a creation at the Hong Kong Fashion Extravaganz.., 2001 (photo)
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A model for Hong Kong designer Henry Lau presents his creation at the "Hong Kong Fashion Extravaganz.., 2000-07-12 (photo)
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French Extravagance
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Gondola dinner at the Savoy in 1905 (litho)
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'Horseman with wings', costume design for 'Le Carrousel des Galants Maures', 1686 (w/c on paper)
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Hurly-Burly Extravaganza and Refined Vaudeville, 1899 (poster)
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Liberality between Avarice and Extravagance, detail, 15th century, fresco
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The Roof Garden at Selfridge's (litho)
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'Horseman with sword', costume design for 'Le Carrousel des Galants Maures', 1686 (w/c on paper)
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Festival in Honour of Queen Christina (1626-89) Of Sweden at the Palazzo Barberini (oil on canvas)
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He shared his throne with Cruelty, from 'The Masters of Rome' (gouache on paper)
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One Round of Pleasure (colour litho)
Wigs alight (gouache on paper)
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Catherine the Great, though extravagant, added greatly to Russia's power (colour litho)
The Gladiator Emperor, from 'The Masters of Rome' (gouache on paper)
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Two incredible (fops) with cudgels hinder the promenade of two wonders by pinning the tails of their dresses. One looks back coquettishly at the ridiculous dandy. Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Illustration for 'The Modern Rake's Progress', published in 1934 (watercolour & pencil on paper)
Size Matters, 2012-13 (oil on linen)
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Woman wearing headdress and dress featuring extravagent pleating and flouncing. Pleated collars, flounces (falbalas) and ruffs (chicories), have never been more in fashion than today. The art of pressing has been raised to the point of perfection. The elegantes no longer send their linen to Neuilly: the coarse hands of the peasants tear the fabric they launder. The delicate hand of a Parisienne is required for fine linen. It costs 6 sous to launder a dress, and 50 to press it.”” Handcoloured engraving from Pierre de la Mesanger's Le Bon Genre, Paris, 1817.
Man in long carrick coat with five pelerines or capes. “Our young men shorten their jackets but lengthen their coats. The coat is long, heavy and awkward, it drags along the ground like a dressing gown. It sweeps the streets, and has to be lifted up like a lady's dress when crossing the gutter. The solution is quite simple - give the excess in the coat to the jacket.””
Noblewoman of Lorraine, wearing an eccentric high headdress of linen. Illustration from Cesare Vecellio's Habiti Antichi e moderni, Venice, 1590. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811.
Louis XIV descending the stairs at Versailles
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