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Immagini di 'Farnese Gallery' trovate, 65

Portrait of Alessandro Farnese (oil on canvas)
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Interior of the Farnese Theatre in Parma, by Giovanni Contini
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Equestrian statue of Alessandro Farnese in cavea of Farnese Theatre, Palazzo della Pilotta, Parma, Emilia-Romagna, Italy, 17th century
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Portrait of Pierluigi Farnese with armature, by Titian, 1546, oil on canvas
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Wedding feast of Elizabeth Farnese and Philip V of Spain, Parma, 1714
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The Triumph of Bacchus and Ariadne, 1597-1600, by Annibale Carracci (1560-1609), fresco. Farnese Palace, vault in the gallery, Rome.
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Various studies for atlantes & other decorations for the Farnese Gallery,  A seated Virgin & Child & a figure with a large basket (pen & ink and black chalk on paper)
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Istruzioni particolari
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A view of the north wall of the Gallery in the Palazzo Farnese in Rome, with Annibale Carracci's Loves of the Gods painted above classical sculptures and busts within niches
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Study for the staircase of Palazzo Farnese,
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Interior of Farnese Theatre, 1617-1618, Palazzo della Pilotta, Parma, Emilia-Romagna, Italy, 17th century
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Portrait of Cardinal Alessandro Farnese, future Pope Paul III (Canino, 1468-Rome, 1549), painting from Raphael's (1483-1520) workshop, oil on canvas, 139 x 91 cm,
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A view of the ceiling of the Gallery in the Palazzo Farnese in Rome, with Annibale Carracci's Triumph of Bacchus and scenes of the Loves of the Gods
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Parma, wedding party for marriage of Elizabeth Farnese and Philip V of Spain, King of Spain, 1714, painting, Italy
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Alessandro Farnese, 1557 (oil on canvas)
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Portrait of Alessandro Farnese (Rome, 1545-Arras, 1592), painting by Antonio Moro (1520-1578)
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Farnese Hercules, copy of the original statue by Lysippus,  (marble)
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Portrait of Ranuccio I Farnese (Parma, 1569-1622), Duke of Parma and Piacenza and Castro.
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Visitors contemplate the Loves of the Gods painted by Annibale Carracci on the vaulted ceiling of the Farnese Gallery in Rome, with a draughtsman copying the paintings on the left. An open door can be seen in the background
Marriage of Elizabeth Farnese and Philip V of Spain, Parma, Italy, 1714
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Farnese Hercules, 2nd century AD, (marble)
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Alessandro Farnese, c.1559 (oil on canvas)
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Plan/design/layout of the courtyard of Palazzo Farnese in Rome, 1514 (brown ink on paper)
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Interior of Farnese Theatre, 1617-1618, Palazzo della Pilotta, Parma, Emilia-Romagna, Italy, 17th century
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Arion and Dolphin (1604-1605), fresco by Giovanni Lanfranco (1582-1647), gallery, Farnese Palace, Rome, Lazio, Italy
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Farnese coat of arms, 17th century (carved wood)
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Portrait of Francesco Farnese, c.1693 (oil on canvas)
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Portrait of Alessandro Farnese, 1590-1600 (oil on paper)
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Alessandro Farnese as a Boy, 1913 (oil on panel)
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Portrait of Ottavio Farnese, 1590-1600 (oil on paper)
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Cassetta Farnese, embossed silver-gilt setting with engraved rock crystal panels by Manno di Bastiano Sbarri and Giovanni Bernardi, 1548-1561
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Plan of Villa Farnese in Caprarola, near Viterbo, design by Baldassarre Peruzzi (1481-1536), Italy, 16th century
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Portrait of Alessandro Farnese Younger (Vale, 1520-Rome, 1589), Italian cardinal and patron, Oil on canvas by Scipione Pulzone (1544-1598), 1579
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Cardinal Alessandro Farnese, 16th century (oil on wood)
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Study of the Farnese Hercules (verso) (pen & ink on paper) [see 5934524]
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Study of the Farnese Hercules (recto) (pen and ink on paper) [see also 5934525]
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Portrait of Ranuccio I Farnese, 1600-10 (oil on canvas)
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A view of the arched west wall of the Gallery in the Palazzo Farnese in Rome, with Annibale Carracci's Perseus and Phineas and Polyphemus Furioso painted over the doors
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A view of the arched east wall of the Gallery in the Palazzo Farnese in Rome, with Annibale Carracci's Perseus and Andromeda and Polyphemus Innamorato painted over the doors
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Portrait of Francesco Farnese on horseback, c.1705 (oil on canvas)
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Portrait of Odoardo Farnese, 17th century, unknown artist (oil on canvas)
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Portrait of Paul III, Tiziano copy from the 16th century, oil on canvas, 97x119 cm.
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A view of the north wall of the Gallery in the Palazzo Farnese in Rome, with Annibale Carracci's Loves of the Gods painted above classical sculptures and busts within niches and windows through which Roman rooftops can be seen in distance
Portrait of Ranuccio I Farnese, by Alessandro Mazzola Bedoli, 16th Century, oil on canvas
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Maria Caterina Farnese (Parma, 1615-Sassuolo, 1646), wife of Francesco I d'Este (1610-1658), Duke of Modena and Reggio, detail from painting Family of Francesco I d'Este by Justus Suttermans (1597-1681)
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Portrait of Ranuccio II Farnese, 17th century, unknown emilian artist (oil on canvas)
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Portrait of Alessandro Farnese (Rome, 1545-Arras, 1592), Italian General, painting by Alonso Sanchez Coello (1531-1588)
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Head of the Farnese Hercules (recto), c.1608-10 circa (black & white chalk on grey paper)
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Studies of the head and profile of the Farnese Hercules by Glycon, verso, 1606-08 (black & white chalk on paper)
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Study for the corner and window - north-east facade of Palazzo Farnese, Rome, 1516 - 1527 (brown ink on paper)
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Parma, Piacenza and Castro in front of Ranuccio II Farnese's effigy, by Frans Denys (ca 1610-1670).
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Juno (study for the fresco in the Farnese Palace, Rome), 1597 - 1608 (graphite, pen and brown ink and brown wash on laid paper)
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Studies of the head and profile of the Farnese Hercules seen from a lower viewpoint (verso), c.1608-10 (black & white chalk on grey paper)
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Aurora abducts Cephalus, detail of the vault of the Gallery, 1597-1604 (fresco)
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A Virgin with a unicorn, 1604-05, fresco by Domenico Zampieri known as il Domenichino (1581-1641),
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Head of Zeus, 1st century AD (marble)
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Healing of the blind (Guarigione del cieco), 1573 (oil on canvas)
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