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Immagini di 'Fatidico' trovate, 76

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Once Upon A Time: A King's Fateful Temper

Once Upon A Time: A King's Fateful Temper

Jackson, Peter (1922-2003)

LAL298197

Once Upon A Time: A King's Fateful Temper

Once Upon A Time: A King's Fateful Temper

Jackson, Peter (1922-2003)

LAL298198

The fateful game of chess at Brian Boru's hall AD1013, 1920's (litho)

The fateful game of chess at Brian Boru's hall AD1013, 1920's (litho)

Mackinlay, M. (fl.1920)

IL833100

How Arthur drew his sword, Excalibur, for the first time, illustration from 'The romance of King Arthur and his knights of the Round Table' by Alfred W. Pollard, 1910 (colour litho)

How Arthur drew his sword, Excalibur, for the first time, illustration from 'The romance of King Arthur and his knights of the Round Table' by Alfred W. Pollard, 1910 (colour litho)

Rackham, Arthur (1867-1939)

STC398619

King William Rufus on his fateful hunting trip in 1100

King William Rufus on his fateful hunting trip in 1100

Morrow, George (Geo. M) (1870-1955)

EPL7001048

The bitter conquest of Benghazi, to the fateful cry of Savoy! our people assaulted the enemy (colour litho)

The bitter conquest of Benghazi, to the fateful cry of Savoy! our people assaulted the enemy (colour litho)

Beltrame, Achille (1871-1945)

LLM2815486

Atalanta and Meleager, c.1635-37 (oil on wood)

Atalanta and Meleager, c.1635-37 (oil on wood)

Rubens, Peter Paul (1577-1640) (studio of)

WGL695340

After weeks of weary fighting for the fateful Menin Road, the victors and the vanquished both happy', 1917 (b/w photo)

After weeks of weary fighting for the fateful Menin Road, the victors and the vanquished both happy', 1917 (b/w photo)

Unknown photographer, (20th century)

NAM5924343

A Gdansk resident and workers from the fated Gdansk shipyard hold bricks as they prepare to block th.., 1997-03-19 (photo)

A Gdansk resident and workers from the fated Gdansk shipyard hold bricks as they prepare to block th.., 1997-03-19 (photo)

Pawel Kopczynski

REU7626717

A Fateful day: Namur (map), from The Great War The Amalgamated Press Limited, 1914 (colour litho)

A Fateful day: Namur (map), from The Great War The Amalgamated Press Limited, 1914 (colour litho)

English School, (20th century)

IL5323478

Brennus leader of the Gallic tribe of the Senons pronounces the fateful Vae victis (Woe to the defeated!) throwing his heavy sword into the plateau of the scale, which counterweighed the golden tribute he demanded of the Romans to raise the siege of the Capitol.

Brennus leader of the Gallic tribe of the Senons pronounces the fateful Vae victis (Woe to the defeated!) throwing his heavy sword into the plateau of the scale, which counterweighed the golden tribute he demanded of the Romans to raise the siege of the Capitol.

French School, (19th century)

Bianchetti, Stefano

XEE4412631

Fateful Days of the First (French) Empire. Top: Napoleon's coup, 9 November 1799. Coronation of Napoleon 2 December 1804. Bottom: Napoleon invading Spain 1807. Retreat from Moscow, 1812. French popular coloured print.

Fateful Days of the First (French) Empire. Top: Napoleon's coup, 9 November 1799. Coronation of Napoleon 2 December 1804. Bottom: Napoleon invading Spain 1807. Retreat from Moscow, 1812. French popular coloured print.

UIG543190

Fanny Murray (1729 - 1778), née Fanny Rudman and later Fanny Ross, was an 18th-century English courtesan, mistress to John Montagu, 4th Earl of Sandwich and dedicatee of the fateful Essay on Woman (1763) that led to the downfall of John Wilkes.

Fanny Murray (1729 - 1778), née Fanny Rudman and later Fanny Ross, was an 18th-century English courtesan, mistress to John Montagu, 4th Earl of Sandwich and dedicatee of the fateful Essay on Woman (1763) that led to the downfall of John Wilkes.

BL3292370

Adam and Eve, 1526 (oil on panel)

Adam and Eve, 1526 (oil on panel)

Cranach, Lucas the Elder (1472-1553)

COU470

A woodcut portrait of Fanny Murray (1729-1778), née Fanny Rudman and later Fanny Ross, was an 18th-century English courtesan, mistress to John Montagu, 4th Earl of Sandwich and dedicatee of the fateful Essay on Woman (1763) that led to the downfall of John Wilkes.
The "celebrated Fanny Murray" was one of the most prominent courtesans of her day; a celebrity and fashion leader who rose from destitution to wealth and fame, before settling down into a life of "respectable prosperity". The Memoirs of the Celebrated Miss Fanny Murray are one of the first examples of the "whore's memoir" genre of writing, although they are unlikely to have been actually written by Murray. — A woodcut portrait of Fanny Murray (1729-1778), née Fanny Rudman and later Fanny Ross, was an 18th-century English courtesan, mistress to John Montagu, 4th Earl of Sandwich and dedicatee of the fateful Essay on Woman (1763) that led to the downfall of John Wilkes. The "celebrated Fanny Murray" was one of the most prominent courtesans of her day; a celebrity and fashion leader who rose from destitution to wealth and fame, before settling down into a life of "respectable prosperity". The Memoirs of the Celebrated Miss Fanny Murray are one of the first examples of the "whore's memoir" genre of writing, although they are unlikely to have been actually written by Murray.

A woodcut portrait of Fanny Murray (1729-1778), née Fanny Rudman and later Fanny Ross, was an 18th-century English courtesan, mistress to John Montagu, 4th Earl of Sandwich and dedicatee of the fateful Essay on Woman (1763) that led to the downfall of John Wilkes. The "celebrated Fanny Murray" was one of the most prominent courtesans of her day; a celebrity and fashion leader who rose from destitution to wealth and fame, before settling down into a life of "respectable prosperity". The Memoirs of the Celebrated Miss Fanny Murray are one of the first examples of the "whore's memoir" genre of writing, although they are unlikely to have been actually written by Murray.

BL3294434

Senta Meets Dutchman

Senta Meets Dutchman

EPL6849196

The Red Dzao bride. Lao Cai District, Vietnam 2013 (photo)

The Red Dzao bride. Lao Cai District, Vietnam 2013 (photo)

SGL7154666

Egyptian President Hosni Mubarak meets Palestinian chairman Yasser Arafat at his summer residence Ju.., 2000 (photo)

Egyptian President Hosni Mubarak meets Palestinian chairman Yasser Arafat at his summer residence Ju.., 2000 (photo)

Mona Sharaf

REU7473570

Scene from a Red Dzao wedding. Lao Cai District, Vietnam 2013 (photo)

Scene from a Red Dzao wedding. Lao Cai District, Vietnam 2013 (photo)

SGL7177652

FACTORY AT SURAT

FACTORY AT SURAT

EPL6877501

CAESAR ASSASSINATED

CAESAR ASSASSINATED

Rainey, William (1852-1936)

EPL6850987

PRESIDENT MUBARAK MEETS AHEAD OF CAMP DAVID SUMMIT, 2000-07-09 (photo)

PRESIDENT MUBARAK MEETS AHEAD OF CAMP DAVID SUMMIT, 2000-07-09 (photo)

Mona Sharaf

REU7493165

WW1 - Austrian Scientists at work in Adana, Turkey

WW1 - Austrian Scientists at work in Adana, Turkey

EPL6970643

Oslo February 23, 1981. Hadelands killings ..., 1981 (photo)

Oslo February 23, 1981. Hadelands killings ..., 1981 (photo)

NTB8607992

PEOPLE WAIT IN QUEUE TO BUILD UP A WALL IN GDANSK, 1997-03-19 (photo)

PEOPLE WAIT IN QUEUE TO BUILD UP A WALL IN GDANSK, 1997-03-19 (photo)

Pawel Kopczynski

REU8019041

AMERICAN PILOT LINDA FINCH SHAKES HANDS WITH AN INDONESIAN DANCER, 1997-05-06 (photo)

AMERICAN PILOT LINDA FINCH SHAKES HANDS WITH AN INDONESIAN DANCER, 1997-05-06 (photo)

Str Old

REU7935101

ELIAN MAKES A FACE WHILE PLAYING SOCCER, 2000-04-18 (photo)

ELIAN MAKES A FACE WHILE PLAYING SOCCER, 2000-04-18 (photo)

Rickey Rogers

REU7879876

Kate Millet, January 1891 (pencil on paper)

Kate Millet, January 1891 (pencil on paper)

Alma-Tadema, Lawrence (1836-1912)

MAA2956911

The Bell of Hope at St Paul's Church, World Trade Center, New York, USA (photo)

The Bell of Hope at St Paul's Church, World Trade Center, New York, USA (photo)

Reboredo, Sergi

SRB1202797

The Gallic army leader Brennos (Brennus) defeats the Romans and proclaims the “” Vae Victis”” (Woe to the vanquished) circa 390bc, end of 19th century (engraving)

The Gallic army leader Brennos (Brennus) defeats the Romans and proclaims the “” Vae Victis”” (Woe to the vanquished) circa 390bc, end of 19th century (engraving)

French School, (19th century)

XEE4150991

Front cover of Avant et après, 1903 (pen and black ink on hardboard cover)

Front cover of Avant et après, 1903 (pen and black ink on hardboard cover)

Gauguin, Paul (1848-1903)

COU6356602

Dresden, historical, Research, Science, Technology, Inventor, Manfred …, 1986 (photo)

Dresden, historical, Research, Science, Technology, Inventor, Manfred …, 1986 (photo)

Sächsische Zeitung

IMO8755137

Avant et après - text and drawing of Adam and Eve with the snake winding around the tree behind them, 1903 (pen and black ink (text), black chalk (drawing) on wove paper)

Avant et après - text and drawing of Adam and Eve with the snake winding around the tree behind them, 1903 (pen and black ink (text), black chalk (drawing) on wove paper)

Gauguin, Paul (1848-1903)

COU6356590

St Paul's Chapel

St Paul's Chapel

DPA2493615

Avant et après, Atuana, Marquesas Islands, January- February 1903 (manuscript)

Avant et après, Atuana, Marquesas Islands, January- February 1903 (manuscript)

Gauguin, Paul (1848-1903)

COU6356577

Avant et après - Landscape with a hut and palm trees, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down horizontally on album page; white bodycolour at all corners and centre of edges to conceal brown stains caused by adhesive on the verso; unable to lift and check verso. )

Avant et après - Landscape with a hut and palm trees, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down horizontally on album page; white bodycolour at all corners and centre of edges to conceal brown stains caused by adhesive on the verso; unable to lift and check verso. )

Gauguin, Paul (1848-1903)

COU6356598

Avant et après - drawing "Décorative personne", 1903 (pen and black ink on wove paper)

Avant et après - drawing "Décorative personne", 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356584

Avant et après - seated Japanese woman fanning herself from 'The Sixth Month: Summer airing of clothes', 1854 (polychrome woodblock print laid down on album page)

Avant et après - seated Japanese woman fanning herself from 'The Sixth Month: Summer airing of clothes', 1854 (polychrome woodblock print laid down on album page)

Kunisada, Utagawa (Toyokuni III) (1786-1865)

COU6356599

Avant et après - Parao Hano Hano, 1903 (zincograph on paper laid down on pastedown inside front cover)

Avant et après - Parao Hano Hano, 1903 (zincograph on paper laid down on pastedown inside front cover)

Gauguin, Paul (1848-1903)

COU6356613

Avant et après - Return from the hunt, 1903 (traced monotype printed in black ink (recto), graphite and pen and black ink (verso) on wove paper, laid down on album page)

Avant et après - Return from the hunt, 1903 (traced monotype printed in black ink (recto), graphite and pen and black ink (verso) on wove paper, laid down on album page)

Gauguin, Paul (1848-1903)

COU6356614

Avant et après - Causeries sans paroles, 1903 (traced monotype printed in black ink (recto), graphite and pen and black ink (verso) on wove paper, laid down on album page)

Avant et après - Causeries sans paroles, 1903 (traced monotype printed in black ink (recto), graphite and pen and black ink (verso) on wove paper, laid down on album page)

Gauguin, Paul (1848-1903)

COU6356589

Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper with several 'white line voids', laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and along the edges; unable to lift to see verso)

Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper with several 'white line voids', laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and along the edges; unable to lift to see verso)

Gauguin, Paul (1848-1903)

COU6356601

Avant et après - text and two drawings of a girl's head, 1903 (pen and black ink (text), black chalk and black wash (drawing) on wove paper)

Avant et après - text and two drawings of a girl's head, 1903 (pen and black ink (text), black chalk and black wash (drawing) on wove paper)

Gauguin, Paul (1848-1903)

COU6356605

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 9), 1903 (pen and black ink on wove paper)

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 9), 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356615

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 8), 1903 (pen and black ink on wove paper)

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 8), 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356574

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 10), 1903 (pen and black ink on wove paper)

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 10), 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356619

Avant et après - First page of main text , 1903 (pen and black ink on wove paper)

Avant et après - First page of main text , 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356575

Avant et après - drawing "À quoi-penses-tu? Je ne sais pas", 1903 (graphite, pen and black ink on wove paper)

Avant et après - drawing "À quoi-penses-tu? Je ne sais pas", 1903 (graphite, pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356583

Avant et après - Head of a Marquesan woman, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on the verso)

Avant et après - Head of a Marquesan woman, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on the verso)

Gauguin, Paul (1848-1903)

COU6356595

Avant et après - Bonjour Monsieur Gauguin, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; possibly only partially traced on the verso)

Avant et après - Bonjour Monsieur Gauguin, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; possibly only partially traced on the verso)

Gauguin, Paul (1848-1903)

COU6356607

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 14), 1903 (pen and black ink on wove paper)

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 14), 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356579

Avant et après - On en mange, 1903 (traced monotype printed in black ink on wove paper, trimmed around outline of the image and laid down on album page, unable to lift to see verso)

Avant et après - On en mange, 1903 (traced monotype printed in black ink on wove paper, trimmed around outline of the image and laid down on album page, unable to lift to see verso)

Gauguin, Paul (1848-1903)

COU6356593

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 13), 1903 (pen and black ink on wove paper)

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 13), 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356578

Avant et après - drawing "En route pour le festin", 1903 (graphite and black wash, pen and black ink on wove paper)

Avant et après - drawing "En route pour le festin", 1903 (graphite and black wash, pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356587

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 15), 1903 (pen and black ink on wove paper)

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 15), 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356580

Avant et après - Two women conversing in a landscape, 1903 (traced monotype printed in black ink, reinforced in areas in pen and black ink (recto), graphite and pen and black ink (verso) on wove paper, hinged at the left edge to album page; some black ink offset on the verso from the monotype now on page 153)

Avant et après - Two women conversing in a landscape, 1903 (traced monotype printed in black ink, reinforced in areas in pen and black ink (recto), graphite and pen and black ink (verso) on wove paper, hinged at the left edge to album page; some black ink offset on the verso from the monotype now on page 153)

Gauguin, Paul (1848-1903)

COU6356612

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 16), 1903 (pen and black ink on wove paper)

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 16), 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356581

Avant et après - Last page of main text, 1903 (pen and black ink on wove paper)

Avant et après - Last page of main text, 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356611

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 11), 1903 (pen and black ink on wove paper)

Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 11), 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356576

Avant et après - drawing "Les saintes images", 1903 (graphite, pen and black ink, black wash on wove paper)

Avant et après - drawing "Les saintes images", 1903 (graphite, pen and black ink, black wash on wove paper)

Gauguin, Paul (1848-1903)

COU6356582

Avant et après - drawing "Les ailes sont lourdes. Le tout est primitif", 1903 (pen and black ink on wove paper)

Avant et après - drawing "Les ailes sont lourdes. Le tout est primitif", 1903 (pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356585

Avant et après - drawing "Non dépourvues de sentiment", 1903 (traces of graphite, black wash, pen and black ink on wove paper)

Avant et après - drawing "Non dépourvues de sentiment", 1903 (traces of graphite, black wash, pen and black ink on wove paper)

Gauguin, Paul (1848-1903)

COU6356588

Avant et après - Study of legs, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on verso)

Avant et après - Study of legs, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on verso)

Gauguin, Paul (1848-1903)

COU6356606

Avant et après - Woman and child, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and centre of edges; unable to lift to see verso)

Avant et après - Woman and child, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and centre of edges; unable to lift to see verso)

Gauguin, Paul (1848-1903)

COU6356609

Avant et après - text and drawings of 'le petit mignon' and his dogs in Cythera and two heads (a self-portrait?) in a café, 1903 (pen and black ink on wove paper; the upper drawing also has graphite underdrawing)

Avant et après - text and drawings of 'le petit mignon' and his dogs in Cythera and two heads (a self-portrait?) in a café, 1903 (pen and black ink on wove paper; the upper drawing also has graphite underdrawing)

Gauguin, Paul (1848-1903)

COU6356586

Avant et après - L'Appel, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down on album page; unable to lift to see verso)

Avant et après - L'Appel, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down on album page; unable to lift to see verso)

Gauguin, Paul (1848-1903)

COU6356592

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Manipulation of the image, cropping and overlay of text forbidden

Avant et après - drawing of a nude native woman seated, in profile, her knees drawn up, 1903 (graphite, pen and black ink, black wash on laid paper, laid down on album page)

Gauguin, Paul (1848-1903)

COU6356616

Avant et après - drawing of a nude native woman seated, in profile, her knees drawn up, 1903 (graphite, pen and black ink, black wash on laid paper, laid down on album page)

Gauguin, Paul (1848-1903)

COU6356616

Avant et après - Les anges à tout le monde, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; verso blank)

Avant et après - Les anges à tout le monde, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; verso blank)

Gauguin, Paul (1848-1903)

COU6356596

Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, oriented horizontally on album page; white bodycolour added to cover prominent brown stains caused by adhesive; unable to lift to see verso)

Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, oriented horizontally on album page; white bodycolour added to cover prominent brown stains caused by adhesive; unable to lift to see verso)

Gauguin, Paul (1848-1903)

COU6356600

Halifax Harbor, Nova Scotia, from Dartmouth (b/w photo)

Halifax Harbor, Nova Scotia, from Dartmouth (b/w photo)

American Photographer, (19th century)

LLM11725788

Avant et après - Changement de résidence, 1903 (traced monotype printed in black ink on wove paper, laid down horizontally on album page; limited view of verso, shows no sign of any drawing)

Avant et après - Changement de résidence, 1903 (traced monotype printed in black ink on wove paper, laid down horizontally on album page; limited view of verso, shows no sign of any drawing)

Gauguin, Paul (1848-1903)

COU6356597

Avant et après - Hue Coco, 1903 (traced monotype printed in black ink (recto), graphite (verso) on wove paper, laid down on album page in horizontal orientation )

Avant et après - Hue Coco, 1903 (traced monotype printed in black ink (recto), graphite (verso) on wove paper, laid down on album page in horizontal orientation )

Gauguin, Paul (1848-1903)

COU6356591

Avant et après - Seated woman, cat with kittens and a pig, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; oriented horizontally with lower edge toward the gutter; limited view of verso, presumably no verso drawing)

Avant et après - Seated woman, cat with kittens and a pig, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; oriented horizontally with lower edge toward the gutter; limited view of verso, presumably no verso drawing)

Gauguin, Paul (1848-1903)

COU6356618

Avant et après - Woman carrying an urn on her shoulder and two heads from L'Appel, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; has horizontal orientation and so lower edge is toward the gutter; unable to lift to see verso)

Avant et après - Woman carrying an urn on her shoulder and two heads from L'Appel, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; has horizontal orientation and so lower edge is toward the gutter; unable to lift to see verso)

Gauguin, Paul (1848-1903)

COU6356617

Avant et après - Te tamari ('The child'), 1903 (traced monotype printed in black ink (recto), only a few lines from recto traced in graphite and pen and black ink (verso) on wove paper, laid down on album page with the right side free, the left edge is now unevenly folded over)

Avant et après - Te tamari ('The child'), 1903 (traced monotype printed in black ink (recto), only a few lines from recto traced in graphite and pen and black ink (verso) on wove paper, laid down on album page with the right side free, the left edge is now unevenly folded over)

Gauguin, Paul (1848-1903)

COU6356594

Avant et après - The kabuki actor Kataoka Ainosuke III in the role of Karaito (from the play Iribune soga nihon no torikara), 1857 (colcolour woodblock print laid down on pastedown inside back cover)

Avant et après - The kabuki actor Kataoka Ainosuke III in the role of Karaito (from the play Iribune soga nihon no torikara), 1857 (colcolour woodblock print laid down on pastedown inside back cover)

Kunisada, Utagawa (Toyokuni III) (1786-1865)

COU6356608

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