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'Federico I Barberousse 1122 1190' immagini e video risultati page 1 of 1

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Immagini di 'Federico I Barberousse 1122 1190' trovate, 58

Portrait of Frederic I of Hauhenstaufen known as Frederic Barberousse, German Roman Emperor. Engraving of the 19th century.
Equestrian portrait of Frédéric Barberousse - chromo., deb. 20th century
Emperor Frederic I Barberossa (1122-1190) during the Battle of Legnano on 29/05/1176 against the troops of the Lombardy League commanded by Alberto da Giussano in Italy (The Battle of Legnano fought on 29th May 1176, between the forces of the Holy Roman Empire, led by Emperor Frederick Barbarossa (on the white horse), and the Lombard League) Illustration by Tancredi Scarpelli (1866-1937) from “” Storia d'Italia”” (History of Italy) by Paolo Giudici, 1930 Private collection
Frederik 1st Barbarossa (c.1122-1190), emperor of Holy Empire and king of Germany (1152-1190), engraving
Frederic Barberousse
Federico Barbarossa and Duke Henry the Lion in Chiavenna, 1156,  by Filippo Carcano, 1861
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The Emperor Frederick Barbarossa with his sons Henry VI and Frederick Duke of Swabia, from the Welfenchronik chronicle from the Abbey of Weingarten, Germany 12th Century
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The History of Pope Alexander III (1105-81): The Entrance of the Pope and Emperor Frederick Barbarossa (c.1123-90) into Rome, 1407 (fresco) (detail)
Frederick I of Hohenstaufen, known as Barbarossa (Waiblingen, 1122-Saleph, 1190), Emperor of Holy Roman Empire, engraving, Germany
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Emperor Frederick Barbarossa at siege of Alexandria, 1174-1175, by Carlo Arienti (1801-1873), 1851, oil on canvas, 310x510 cm, Age of communes and lordships, Italy
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Stained glass windows from Vienna Cathedral portraying Rudolph I of Habsburg (Limburg, 1218, Speyer, 1291), Albert I (Rheinfelden, 1255, Brugg, 1308), and Frederick I
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Handwritten signature of Frederick I Barbarossa on diploma for hospital of Mantua, manuscript, Italy, 12th century
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Frederick Barbarossa kneels before Pope, 1582, fresco by Federico Zuccari (1539-1609), Hall of Great Council, Palazzo Ducale, Venice, Italy, 16th century
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The Envoy of Pope Alexander III (1105-81) and Doge Sebastiano Ziani (d.1178) with Emperor Frederick Barbarossa (1122-90) (oil on canvas)
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Meeting between Frederick I Hohenstaufen, known as Barbarossa, Emperor of the Holy Roman Emperor, and Pope Adrian IV in 1155, engraving, 1679
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War against Frederick I Barbarossa, Venetian fleet setting sail from San Marco pier, painting by Francesco Bassano Younger (1540-1592), Italy, 16th century
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The Oath of Pontida Ceremony of Alliance on 07/04/1167 between the communes of Lombardy against the Holy Roman Empire of Frederic Barberousse - It is at the origin of the Lega Lombarda (League of North) (Oath of Pontida, April 7, 1167 marking the foundation of the Lombard League, which nine years later would go on to defeat Emperor Frederick I Barbarossa at the Battle of Legnano) Engraving from “I misteri del vaticano” by Franco Mistrali 1861 Private collection
Frederick Barbarossa laying siege to Gubbio, 1921, by Francesco Mossmeyer (1852-active until 1928), stained-glass, Basilica of St Ubaldo, Gubbio, Umbria, Italy, 20th century
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Frederick Barbarossa rendering public homage to Alexander III, by Federico Zuccari (circa 1541-1609), oil on canvas, Middle Ages, Italy, 12th century
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The Doge of Venice, Sebastian Ziani (died 1178) presents his sword to Pope Alexander III (Rolando Bandinelli, circa 1105-1181), as a sign of commitment to the fight against Emperor Frederic Barberousse (Frederic I de Hohenstaufen, 1122-1190) - Pope Alexander III presenting the Doge of Venice with a sword to fight Frederick Barossa, 14th century - The Pope wears a papal tiara, scarlet chasuble, white pallium, and white gloves - The Doge wears a ducal bonnet, tunic in Siena brown with coats of arms of Saint Mark (gold lion on red field) over a suit of plate armour and chainmail - From a fresco by Spinello Aretino in the Palazzo Pubblico, Siena - Handcoloured illustration drawn and lithographed Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860