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Flayed, or The Skeleton (stone)
Flayed, or The Skeleton, detail (stone)
Flayed, or The Skeleton (stone)
Flayed, or The Skeleton, detail (stone)
The Last Judgement, detail of St. Bartholomew holding his flayed skin, 1538-41 (fresco)
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Flayed, or The Skeleton, detail (stone)
Flayed, or The Skeleton, detail (stone)
Flayed, or The Skeleton, detail (stone)
Flayed, or The Skeleton, detail (stone)
Anatomy of the human body, from 'Traite Complet d'Anatomie de l'Homme' by Jean-Baptiste Marc Bourgery, 1831 (lithograph)
Anatomy of the human body, from 'Traite Complet d'Anatomie de l'Homme' by Jean-Baptiste Marc Bourgery, 1831 (lithograph)
Musculature of the hand, plate from 'Traite Complet de l'Anatomie de l'Homme' by Jean-Baptiste Marc Bourgery (1797-1849) engraved by Bernard, Paris, 1831 (colour litho)
Apollo and Marsyas, 1637 (oil on canvas)
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The Flayed Angels, diptych, left compartment, 1961 (oil on canvas)
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St Bartholomew The Apostle being flayed
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The Muscles of the face, from Charles Bell's (1774-1842) 'Essays on the Anatomy of Expression in Painting', 1806 (lithograph)
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The Flayed Angels, diptych, right compartment, 1961 (oil on canvas)
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The Martyrdom of St. Bartholomew
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Eve and the Child Abel; Marsyas Being Flayed
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Apollo and Marsyas, c.1545 (oil on canvas)
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Musculature of the face, plate from 'Traite Complet de l'Anatomie de l'Homme' by Jean-Baptiste Marc Bourgery (1797-1849) engraved by Bernard, Paris, 1831 (colour litho)
The Last Judgement, detail of St. Bartholomew holding his flayed skin, 1538-41 (fresco)
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Polychrome ceramic depicting god of earth and spring, known as Xipe Totec, our lord the flayed one
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A historiated initial 'O' showing Bartholomew being flayed
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satyr Marsyas flayed by god Apollo, engraving, 18th century
Musculature of the face, plate from 'Traite Complet de l'Anatomie de l'Homme' by Jean-Baptiste Marc Bourgery (1797-1849) engraved by Bernard, Paris, 1831 (colour litho)
Statue of the satyr Marsyas receiving Apollo's punishment, flayed alive
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Statue of Marsyas (marble)
Statue of the satyr Marsyas tied to a tree and flayed alive. 1779 (engraving)
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Statue of Marsyas (marble)
Musculature plate from 18th century anatomy treatise by Bernhard Albinus, with engravings by Jan Wandelaar (1690-1759). The elaborate background of architectural and botanical elements distinguished the 1747 book
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Apollo and Marsyas, 1637 (oil on canvas) (detail of 188726)
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Plate depicting god of earth and spring, known as Xipe Totec, our lord the flayed one
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Le Bon Samaritain (The Good Samaritan) 1861 (pen litho)
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Statue of the flayed Saint Bartholomew from 1562 Milan Cathedral in white marble, Milan, Lombardy, Italy, Europe (photo)
Poster of a beaten miner from the Ruhr area by Arthur Kampf, 1923
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Ceiling of the Sala delle Muse showing stories of Apollo and the Muses, c.1782-87 (fresco)
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Stone head of god Xipe Totec, Flayed, Rear view, Mexico, Aztec civilization, 14th-16th century
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Gold mask of God Xipe Totec (Our Lord the Flayed One) from tomb no 7 at the Monte Alban archaeological site, Mexico
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Stone head of the god Xipe Totec, Flayed One, front view, Mexico, Aztec civilization, 14th-16th century
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