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"Frage" ("Question") by Ernst Heilemann , 1901
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Die Frage an das Schicksal by Arthur Schnitzel, 1926
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John F. Kennedy 1963 in Berlin
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John F. Kennedy 1963 in Berlin
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American actor Gregory Peck is interviewed by radio reporter Jente von Lossow, March 13th, 1953
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Dad, Charly said...
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Dad, Charly said...
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Dad, Charly said...
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Dad, Charly said...
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Dad, Charly said...
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Dad, Charly said...
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Dad, Charly said...
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Publisher's decorative binding with blocking, ruling, and floral designs and vignettes representing figures from mythology.
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DRITTE KONSENSKONFERENZ ZUR ORTSTAFELFRAGE IN WIEN, 2002-09-11 (photo)
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DRITTE KONSENSKONFERENZ ZUR ORTSTAFELFRAGE IN WIEN, 2002-09-11 (photo)
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DRITTE KONSENSKONFERENZ ZUR ORTSTAFELFRAGE IN WIEN, 2002-09-11 (photo)
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DRITTE KONSENSKONFERENZ ZUR ORTSTAFELFRAGE IN WIEN, 2002-09-11 (photo)
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JOERG HAIDER AUF PRESSEKONFERENZ, 2000-12-21 (photo)
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DRITTE KONSENSKONFERENZ ZUR ORTSTAFELFRAGE IN WIEN, 2002-09-11 (photo)
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DRITTE KONSENSKONFERENZ ZUR ORTSTAFELFRAGE IN WIEN, 2002-09-11 (photo)
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DRITTE KONSENSKONFERENZ ZUR ORTSTAFELFRAGE IN WIEN, 2002-09-11 (photo)
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JOERG HAIDER AUF PRESSEKONFERENZ, 2000-12-21 (photo)
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DRITTE KONSENSKONFERENZ ZUR ORTSTAFELFRAGE IN WIEN, 2002-09-11 (photo)
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DRITTE KONSENSKONFERENZ ZUR ORTSTAFELFRAGE IN WIEN, 2002-09-11 (photo)
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ARCHIVBILD HAIDER UND KABAS, 2000-12-21 (photo)
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JOERG HAIDER UND PETER WESTENTHALER AUF PRESSEKONFERENZ, 2000-12-21 (photo)
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ARCHIVBILD WESTENTHALER UND KABAS, 2000-12-21 (photo)
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Noch einmal betrachten wir abschiednehmend die hochragende Zitadelle von Kairo, lassen Ÿber die anmutigen Formen der Moschee Mohammed Alis unseren Blick schweifen, aber in unseren Herzen lebt eindringlicher das, was wir an kŸnstlerischen Offenbarungen wŠhrend unserer Reise durch das Wunderland am Nil in uns aufnehmen konnten. Die Kunst der €gypter ist alt und doch noch jung, so jung, dass selbst unsere moderne Kunst davon beeinflusst wurde. Unser Kunstgewerbe hat sogar bei der €gyptischen Ornamentik direkte Anleihen gemacht. €gypten in seiner nŸchternen Strenge ist uns und unserer Zeit viel verwandter geworden als das formenschšne Griechenland. Es ist interessant zu beobachten, unter wie verschiedenen Daseinsbedingungen so Šhnliche Formen der Anschauung und kŸnstlerischen Darstellung entstehen. Mit der Kunst wird das ganze Leben dieses alten Volkes uns wieder lebendig, seine Religion und seine Fragen an das Jenseits. Und damit taucht auch wieder das alte RŠtsel auf, das schon viele verschiedene Lšsungen fand, das RŠtsel der Bedeutung der Sphinx, deren Bild wohl auf Sie alle einen starken Eindruck gemacht hat. Sie hat ihre riesengrossen Augen geradeaus gerichtet, unbarmherzige, wissende Augen, die ohne zu antworten Ÿber den Fragenden hinwegstarrten in Leere oder in eine fremde, unsichtbare, ganz unbekannte Welt. Ein Wesen, das der Mensch schuf, der zitternd seine gršsste Frage stellte und in dieser Gestalt sein Bild des erbarmungslosen, Ÿberweltlichen, unnahbaren Geheimnisses aus dem Granit der WŸstenfelsen schlug.

Mšge deshalb dieser Vortrag Ihnen etwas mehr gewesen sein als eine mŸssige Stunde, mšge er in unserer Zeit der Verflachung anregen, uns den grossen Menschheitsfragen von Leben und Sterben, Gott und Fortleben nach dem Tode zuzuwenden. Egypt, Citadel of Cairo, Archive, Carl Simon, history, historical, Africa, Middle East
The Question
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The Estrapade or Question
A Matter of Taste
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THE ETERNAL QUESTION
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Burning Question
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Gregory's thoughts lead him to question the very nature of his existence (ink on paper)
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The question of rope in the 16th century, 1845 (engraving)
The Matter of Time (1994-2005) (steel)
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The Matter of Time, 1997 (sculpture)
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'Existe', from the series 'Questions', 1976 (oil on canvas)
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Question, 2015 (screen print)
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A Matter of Life (photo)
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A Matter of Life (photo)
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Question, 2024 (digital)
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U: A matter of honor