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'Halb Mensch' immagini e video risultati page 1 of 2

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Immagini di 'Halb Mensch' trovate, 105

Germany: The Nuremberg Chronicle, half man, half horse.
Half-Man, Half-Goat creature appearing to St. Anthony in the desert, 1560 (engraving)
Germany: Strange beings, half human and half-reptilian. From the alchemical manuscript 'Clavis Artis', 1738
Human-bird figure, Nok, Nigeria (terracotta)
Garuda (half man, half eagle).  Singapore. (sculpture)
Vase, ealry 19th century (chiselled & gilt bronze and marble)
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The skull sectioned, 1489 (pen & ink over black chalk on paper)
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Istruzioni particolari
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Sitting Faun with Club (charcoal on paper)
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Anubis. Temple of Hatshepsut. Egypt.
Advertising poster for Fiat 509, 1925 (lithograph)
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Silver italian coin (half ecu) from Sardinia kingdom: reign of Carlo Emanuele III di Savoia (1701-1773) (Charles Emmanuel III of Sardinia). 1756. Diam. 3.7 cm Naples, museo archeologico
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Man with a Fish, 1996 (acrylic on cedar wood)
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Ancient San Rock Art (photo)
The Dying Gaul (marble)
Detail of The Triumph of Dionysos - Return of the god from a military expedition to India - From left to right: a Baccante with a crown of flower holding a thyrsus, a second Baccante holding a libation bowl, an indian slave and Pan god of the wood, half man half goat - Paphos mosaics, House of Dionysos, End of the 2nd Century AD - Cyprus - The Triumph of Dionysus - Long mosaic retracing the triumphant cortege of Dionysus returning from his expedition to India - Characters on the back of the cortege: A Baccante wearing a flower wreath and a cist, a second Baccante with a libation cup, an Indian slave and Pan god of wood half-man half-goat - Mosaic of Paphos, Aion House -End II Century after JC - UNSECO website - Cyprus
Detail of the The Triumph of Dionysos - Return of the god from a military expedition to India - From left to rignt: A baccante holding a libation bowl, an indian slave, Pan god of the wood, half man half goat, and a young tailed satyr - Paphos mosaics, House of Dionysos, End of the 2nd Century AD - Cyprus - Detail of the triumph of Dionysos - Long mosaic aic retracing the triumphal cortege of Dionysus returning from his expedition to India - Characters at the back of the cortege: a young satyr with tail, behind the satyre Pan god of wood half man half goat, an Indian slave and a Baccante holding a libation cup - Mosaic of Paphos, Aion House - UNESCO Site, Cyprus
Cupid overcoming Pan (after Annibale Carracci), 1650-56 (oil on panel)
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I Saw Their Eyes, 1968 (oil over pencil on canvas)
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Garuda. Singapore. (sculpture)
Faun
Horibe Kanamaru, from 'The Lives of the Loyal Ronin', 1885 (colour litho)
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Chow, c.1924 (gouache on paper)
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Hazama Mitsunobu, from 'The Lives of the Loyal Ronin', 1885 (colour litho)
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War of 14-18 (1914-1918) - Stereoscopic photographic glass plate LSU (L.S.U. The Universal Stereoscopy): group of French soldiers (hairy) in a trench in Champagne after an attack (indetermine place) - they stand in front of the corpse of a soldier half buried by the float caused by a bombardment - The editors during the first world war, had regular newspaper calls for hairy people to transmit their photos. These produced in large quantities were sold by the publishing companies. LSU is one of the most important (if not the most) for the sale of these series of positive glass clicks -
Normandy nobility in the 12th century. The mantle of kings and nobles was very long, sometimes so long that they dragged on the ground or on other occasions shortened to mid-leg (111,112). The clergy and the lower-rank laics generally wore boots, mainly for riding, often very short, half calf, sometimes decorated with embroidery (113). Hand-coloured copper engraving, in “Images historiques des costumes des principaux peuples de l'Antiquite et du Middle Ages” by Robert Von Spalart, published in 1796.
War of 14-18 (1914-1918) - Stereoscopic photographic glass plate LSU (L.S.U. The Universal Stereoscopy): group of French soldiers (hairy) in a trench in Champagne after an attack (indetermine place) - they stand in front of the corpse of a soldier half buried by the float caused by a bombardment - The editors during the first world war, had regular newspaper calls for hairy people to transmit their photos. These produced in large quantities were sold by the publishing companies. LSU is one of the most important (if not the most) for the sale of these series of positive glass clicks -
Faun Running on a Beach; Faune courant sur une plage, 1937 (wax crayon, pen and brush and India ink on paper)
PAN PLAYS HIS PIPES
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Monica in Half Slip, 1986 (enamel on cut-out aluminium)
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El Centauro, 1996 (oil on linen)
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BLUNT/SAGITTARIUS/PL 46
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Lion light liberty VII, 1945 (encaustic, pen and black ink on paper mounted at the edges on ma)
Voluptuous Centaurs, 1947 (pen and ink on paper)
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Did They really do It ?, 1997 (oil on linen)
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Woman and Bird in the Night, 1972 (oil on canvas)
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The Dancing Faun or Satyr
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Blood and Iron play in The Strand, October 1917
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Study for Proposed Vacuum Formed Nude, 1965 (graphite and liquitex on card)