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Polyanthus, Mixed Hybrids
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Pansy hybrids "Bambini"
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Fuchsia hybrids
Cats, c.1940 (oil on panel)
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Animal-fish hybrids.
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Arctotis x hybrids
Harley 3973 f.1, Inhabited initial 'H'(umane) with hybrid creatures and pen-flourishing forming a three-sided border (vellum)
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Wings, 1979 (oil on canvas)
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Illustrations with foliate, animals, hybrids. Text.
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Autumn chrysanthemum hybrids, 19th century (print)
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Hybrid lion and tiger cubs. ,1834 (engraving)
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Uruguay. Feast-day celebrations among the nomadic hybrid inhabitants of Uruguay. 1920
Triumph of Neptune (oil on canvas)
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The American steamer SAVANNAH was the first steamship to cross the Atlantic Ocean in 1819. The Savannah to Liverpool trip took 29 days and most of the voyage was conducted by sail with engines in use only 80 hours. lifeofrobertfult00reigrich_0291
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Agriculture experimental plot ecological test corn hybrids Ukraine 1991
River (oil on canvas)
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Bas-de-page scene of mounted grotesque hybrids fighting
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Bas-de-page scene of two grotesque hybrids fighting with each other
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Agriculture experimental plot ecological test corn hybrids Ukraine 1991
Hybrid Zinnia Flowers Orange Color And Plastic Oil Lamp, India
Freeze, 1999 (porcelain)
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Bas-de-page scene of two grotesque hybrids (with grotesque mounts) jousting each other
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Illustration of two human-elephant hybrid creatures standing upright, and a baby on the ground.
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The Night Game, 1936 (oil on canvas)
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Askos with Figures, c.280 BC (ceramic)
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Waterlappers Sinai (oil on canvas)
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A full-page depiction of the Menorah surrounded by foliate scrolls inhabited by hybrids, at the end of the Pentateuch
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Piebald Centaur, 2013 (oil on panel)
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Looking Back (oil on canvas)
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Platz (Square), 2000 (oil on canvas)
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Decorated initial-word panel Ha-masa (the burden) accompanied with a foliate border inhabited by hybrids, at the beginning of Habakkuk
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Not from Earth, 1973 (oil on canvas)
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Green Machines, 2012 (oil on panel)
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The first figural poem of book 1, bordered by hybrid animals and the four Evangelist symbols, depicting Christ's body in cruciform
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Decorated initial-word panel Wa-yehi (and it came to pass) accompanied with a foliate border inhabited by hybrids, at the beginning of the Book of Jonah
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Decorated initial-word panel Bi-shnat (in the year of) accompanied with a foliate border inhabited by hybrids, at the beginning of the Book of Haggai
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Inhabited illuminated initial 'P'(er) at the beginning of the prefaces to the Mass, with foliage, men, animals, hybrids and animal heads
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Temptation of St. Anthony, 1945 (oil on canvas)
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Pitcher with a handle and lid, from Khorasan, Safavid Dynasty (brass engraved with silver inlay)
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Decorated initial-word panel Ba-hodesh (in the month) accompanied with a foliate border inhabited by hybrids, at the beginning of the Book of Zechariah
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Bas-de-page scene of two grotesque hybrids (half-man, half-lion) fighting each other with swords, axes and shields
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Decorated initial-word panel Ish (a man) accompanied with a foliate border inhabited by hybrids and a fish, at the beginning of the Book of Job
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Bas-de-page scene of two grotesque hybrids (one half-man, half-bear) fighting each other with swords and shields
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Decorated initial-word panel U-vi-shnat (and in the year of) accompanied with a foliate border inhabited by hybrids, at the beginning of the Book of Ezra-Nehemiah
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Decorated initial-word panel with gold and penwork, at the beginning of the tenth book, the Book of Ritual Purity (Sefer Tohorah) with a full foliate border with two hybrids and a peacock in the lower margin
Initial-word panel Wa-yedaber (and the [Lord] said) decorated with penwork and accompanied by a foliate border inhabited by hybrids, at the beginning of Numbers
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Homo Ramens (oil on canvas)
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Add MS 14761 f.24 'The Barcelona Haggadah' (ink & colour on vellum)
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Add. 21160, f.63v, Initial word We-elle shmot (And these are the names) inhabited by dragons, birds, hybrids, in brown ink, at the beginning of Exodus.
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Initial-word panel Wa-yiqra (And the [Lord] called) decorated with penwork and accompanied by a foliate border inhabited by two hybrids, at the beginning of Leviticus
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Initial-word panel We-ha-melekh (and the king) decorated with penwork and inhabited by two birds. The panel is accompanied by a foliate border inhabited by hybrids, at the beginning of 1 Kings
Tomb of Seti I - KV17 - chamber paintings
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Fuchsia hybrids: North Star 1, the Fair Oriana 2, and Chiswick Souvenir 3. Handcoloured lithograph from Carl Hoffmann's Book of the World, Stuttgart, 1857.
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Harlequin's Carnival, 1924-25 (oil on canvas)
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Indian shot, Canna indica hybrids. Chromolithograph from an illustration by Desire Bois from Edward Step’s Favourite Flowers of Garden and Greenhouse, Frederick Warne, London, 1896.
Initial-word panel Wa-yehi (and it came to pass) decorated with penwork and inhabited by a rooster. The panel is accompanied by a foliate border inhabited by hybrids, at the beginning of 1 Samuel
Add. 14761, f.26v Havdalah. A decorated initial-word panel Barukh (Blessed) from The 'Barcelona Haggadah', c.1340 (ink, colour & gold on vellum)
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Tomb of Seti I - KV17 - burial chamber art
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Autumn chrysanthemum hybrids: Belle poitevine, Le Reveil, M. Dargonne, J.A. Laing and J.M. Davis. Drawn and chromolithographed by Pieter de Pannemaeker from Jean Linden's l'Illustration Horticole, Brussels, 1888.
Initial-word panel Bereshit (in the beginning) decorated with penwork, and full foliate border inhabited by hybrids, at the beginning of the Book of Genesis. Beneath the initial-word panel, there are seven medallions representing the seven days of Creation
Miniature of a man teaching students, decorated initial 'C'(his), and a three-sided border with animals, birds and hybrids, including a centaur shooting a bird; a battle between a squirrel, mounted on a bicorn (two-horned unicorn) and a monkey, mounted on a unicorn; a bagpiper and a fiddler
Ms Ar 5847 f.121, An island in the Indian Ocean: the boat is caught in the storm, passengers approach an island populated by monkeys, birds, and hybrid fabulous animals, from "Al Maqamat" by Al Hariri, c.1240 (gouache on vellum)
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Sea of Dreams, 2018 (oil, acrylic, paper, card, cotton)
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Hybrid cineraries: of purple colour Lady kilmorey and black and purple variete John Standish. Lithograph by Worthington G.Smith (1835-1917), published in Floral Magazine, 1872, edited by Henry Honywood Dombrain (1818-1905).
Miniature of the Annunciation, with Gabriel holding a scroll with 'Ave Maria gracia penta dominus te', the Virgin holding a closed book. Around the bar border, hybrids, unfinished drawings of animals, a fidler, and a prophet holding an emply scroll
Barbacenia hybrid cultivars. Handcoloured lithograph from Louis van Houtte and Charles Lemaire's Flowers of the Gardens and Hothouses of Europe, Flore des Serres et des Jardins de l'Europe, Ghent, Belgium, 1856.
Miniature of God creating animals, with a full border showing hybrids and the royal arms of England. An illuminated initial 'E'(n) of the York badge of the white rose en soleil with the motto 'dieu et mon droit', at the beginning of chapter 1