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Immagini di 'Landkunst' trovate, 67

Slate Ring, 1985 (slate)
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Construction of the 'Floating Piers' of Christo
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Medicine Wheel, c.1982-3 (mixed media)
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Griffin Heads from Bishopsgate, London (stone)
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Boxed Monument, 1969
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Cornish Stone Circle, 1978 (stone)
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Cloud Installation, from the Series `Sky Theatre', in the countryside near Moscow, 1986
10 Square, 1969
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Construction of the 'Floating Piers' of Christo
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Ring of Flint / East West Circle, 1996 (English flint and black river stones)
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Construction of the 'Floating Piers' of Christo
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East West Circle, 1996 (black river stones)
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Richard Long, London, England, 1990 (b/w photo)
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Grounds of Houghton Hall with Full Moon Circle sculpture by Richard Long (b.1945), Norfolk (photo)
An aerial view of a crop circle on Stonehenge Down, 1996 (photo)
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Musee Guggenheim in Bilbao, Spain. End of construction 1997, architect Frank Gehry. Photography 1997.
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River Avon Mud Drawings, 1998 (litho)
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River Avon Mud Drawings, 1998 (litho)
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Untitled (photography)
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Untitled (photography)
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Intervention by Michel Desvigne and Christine Dalnoky at the festival des jardins in Chaumont sur Loire (Chaumont-sur-Loire) in 2001. Photography 15/06/01
The Data-Lande garden of Groupe Talgo at the garden festival in Chaumont sur Loire (Chaumont-sur-Loire) in 2001. Photography 15/06/01
Untitled (photography)
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Untitled (photography)
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Untitled (photography)
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Untitled (photography)
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River Avon Mud Drawings, 1998 (grano litho)
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Untitled (photography)
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Untitled (photography)
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Untitled (photography)
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The garden of the City of Blois at the festival of gardens in Chaumont sur Loire (Chaumont-sur-Loire), Anamorphoses, 2001. Photography 15/06/01
Intervention by Haruto Kosayashi at the Festival des Jardins de Chaumont sur Loire (Chaumont-sur-Loire) in 2001. Photography 15/06/01
Untitled (photography)
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Untitled (photography)
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Untitled (photography)
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'Stone and Man' art project by Aka Hoegh, Qaqortoq, Kujalleq Municipality, Greenland (photo)
Field, 1973 (colour litho)
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Dragged Mass Displacement by Michael Heizer, 1971 (photo)
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'Stone and Man' art project by Aka Hoegh, Qaqortoq, Kujalleq Municipality, Greenland (photo)
The United States Pyramid, 1973 (colour litho)
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Dragged Mass Displacement by Michael Heizer, 1971 (photo)
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Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.
EX LIBRIS, homage to Jean Francois Champollion (1790-1832) at Figeac (Lot) in 1991, by Joseph Kosuth (born 1945).
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.
EX LIBRIS, homage to Jean Francois Champollion (1790-1832) at Figeac (Lot) in 1991, by Joseph Kosuth (born 1945).
Renovation of the glass court of the Palais des Etudes des Beaux-Arts in Paris. The courtyard is an extraordinary architectural ensemble designed by Felix Duban (1798-1870) during the 1830s. In 1867, in order to protect the carving castings from the Musee du Louvre, this courtyard was covered with a glass on a metal frame which then constituted all its wealth. At the death of Felix Duban, Ernest Coquart (1831-1903) took over the construction site by covering the facades of a polychrome decor from Italian inspiration. The Palais des Etudes is an exceptional testimony of 19th century architecture. With the Cour vitree, Felix Duban completed the formidable educational program. In 1970, most of the castings were transferred to the Petite stables of the Chateau de Versailles. For its reopening in April 2009, after two years of construction, the school welcomes Giuseppe Penone's sculpture “Matrix de Seve””. It is a tree of 24 meters cut in its length and whose hollow heart is covered with seve. Photography 03/06/09.
A Trace in the Wood in the Form of an Angle of 30° - Crossing the Path, 1969 (paper collage on black and white photograph)
Rheinlandschaften 1, 1992 (b/w photo)
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Dragged Mass Displacement by Michael Heizer, 1971 (photo)
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The garden “” Entre Epingles”” at the festival des jardins in Chaumont sur Loire (Chaumont-sur-Loire) Levin Monsigny Paysagistes en Germany, 2001. Photography 15/06/01
Windzeichen 1 (b/w photo)
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Nonsite Petrified Coral with Mirrors, 1971 (petrified coral limestone, mirrors)
Small White Pebble Circles, 1987 (white marble pebbles)
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Windzeichen 3 (b/w photo)
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Small White Granite Circle, 1984 (126 white marble stones)
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Small Napoli Spiral, 1984 (thirty-three stones)
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Whitechapel Spiral, 1987 (river Avon mud on board mounted on panel)
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Untitled, 1963-1964 (painted steel and Plexiglas mirror)
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