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Immagini di 'Lavas' trovate, 56

Interlaid massive lavas and ash-rich lava units are exposed on the islets of Maug.
Delicious nibbles are served at a Mexican market with a guacamole dip and the typical Mexican liquor, mezcal: Ants, scorpions, migratory locusts, lavas of Comadia redtenbacheri and river shrimp, 2021 (colour photo)
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Miami-recruited Contra rebel Mario Rejas Lavas captured last week by the Sandinista army, pauses before his opening statement during press conference while Sandinista security looks on, 1986-06-25 (photo)
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Snow-covered Mountains, Patagonia, Chile (photo)
Field, Patagonia, Chile (photo)
Snow-covered Mountains and Lake, Patagonia, Chile (photo)
Snow-covered Mountains and Lake, Patagonia, Chile (photo)
Snow-covered Mountains and Lake, Patagonia, Chile (photo)
Snow-covered Mountains and lake, Patagonia, Chile (photo)
Snow-covered Mountains, Patagonia, Chile (photo)
Snow-covered Mountains and Lake, Patagonia, Chile (photo)
Patagonia, Chile (photo)
Darwin's Rhea, Rhea pennata, Chile (photo)
Dessert and Fork on Placemat, Chile (photo)
South American Fox, Culpeo, Chile (photo)
Snow-covered Mountains, Patagonia, Chile (photo)
South American Fox, Culpeo, Chile (photo)
Snow-covered Mountains and Lake, Patagonia, Chile (photo)
Icebergs, Patagonia, Chile (photo)
Icebergs, Patagonia, Chile (photo)
Upland Geese, Chloephaga picta, Chile (photo)
Group of Guanacos, Lama guanicoe, Chile (photo)
Cascades and Snow-covered Mountains, Patagonia, Chile (photo)
Cascades and Snow-covered Mountains, Patagonia, Chile (photo)
Yurt Interior, Patagonia Camp, Chile (photo)
Patagonia Camp, Chile (photo)
Patagonia Camp, Chile (photo)
Aegean Sea from the shuttle Atlantis - 09/2000 - Aegean Sea from the space shuttle Atlantis 09/2000 - The Aegean Sea, with Greece and Turkey, seen by the shuttle Atlantis on 09/09/2000. Crete (foreground), the Cyclades Islands, Greece and Turkey lie along the margin of the Eurasian and African tectonic plates; Africa is moving northward and being driven down beneath Eurasia. As a result volcanic islands, such as Santorini, develop and fault - bounded basin such, as the Gulf of Corinth, are formed. In addition, lavas and sediments that were originally deposited on the Mediterranean seafloor are uplifted and deformed
Color Moon - Colorful Moon - The Moon looks white, even orange or red if it is close to the horizon. In reality different shades exist depending on the composition of the soil. By saturating the colours with a digital treatment, the seas (covered with solidified lava) are mostly blue or rust, while the heavily craterized areas are rosatra. 12 July 2006. The Moon seems to be simply white, or orange/red if it is near the horizon. But in fact some colors appear depending on the nature of its terrains. With a digital process to saturate its color, the seas (covered by solid lavas) are mostly blue or orange, and craterised areas are pinkish
Aegean Sea from Space - Aegean Sea from Space - The Aegean Sea, with Greece, Cyclades, Crete and Turkey, seen from the International Space Station (ISS) in March 2010. Crete (foreground), the Cyclades Islands, Greece and Turkey lie along the margin of the Eurasian and African tectonic plates; Africa is moving northward and being driven down beneath Eurasia. As a result volcanic islands, such as Santorini, develop and fault - bounded basin such, as the Gulf of Corinth, are formed. In addition, lavas and sediments that were originally deposited on the Mediterranean seafloor are uplifted and deformed. Image taken from the International Space Station (ISS) in March 2010
Lava lake on Io - Illustration - Lava lake on Io - Artist's view of a lava lake on the surface of Io, one of Jupiter's satellites. There are places on Io where molten lava has been observed actively welling up from beneath the surface of this otherwise frozen world. Lavas on Io were originally thought to be molten sulfur, but with caldera temperatures far exceeding 1,000o F - - too hot for liquid sulfur - - these eruptions are now thought to be primarily molten silicate rocks. In this image a dormant volcanic caldera re - awakens with a surge of new lava that breaks up and melts a frozen crust. A gibbous Jupiter hangs over the horizon
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Grand Magazine La Samaritaine, Paris 1. Architecture by Frantz Jourdain (1847-1935) and Henri Sauvage (1873-1932), 1926-1928. The Samaritaine is the result of the meeting of three strong personalites: the couple Ernest Cognacq - Louise Jay and the architect Frantz Jourdain. The Samaritan is the shop that went the farthest in the alliance of visual arts and advertising so characteristic of Art Nouveau. He does not prevent the massive use of iron from being forgiven to Frantz Jourdain. Just reserved for the poor, he was approached by the School of Fine Arts and the political community... No salvation except stone. The metallic structure painted in blue is set with ornaments: fresco by Francis Jourdain, enamelled flowery lavas by Francois Gillet and mosaic signs by Eugene Grasset. Note the admirable Art Nouveau ironwork of the staircase. Photography 1996.
Volcano Llullaillaco - Volcano Llullaillaco - Llullaillaco or Llullay - Yacu is an active stratovolcano located in the Andes on the border between Argentina and Chile. This image obtained from the International Space Station on 9 December 2009 shows a vast flow of lava that extends from the volcanic cone. The summit of South America's Llullaillaco Volcano has an elevation of 6,739 meters (22,110 feet) above sea level, making it the highest historically active volcano in the world. The current stratovolcano - - a cone - shaped volcano built from successive layers of thick lava flows and eruption products like ash and rock fragments - - is built on top of an older stratovolcano. This detailed astronaut photograph of Llullaillaco illustrates an interesting volcanic feature known as a coulee (image top right). Coulees are formed from highly viscous, thick lavas that flow onto a steep surface. Image taken on December 9, 2009 from the International space station (ISS)
Radar image obtained by the Magellan probe - This Magellan image from the Atla region of Venus shows several types of volcanic features and superimposed surface fractures. The area in the image is approximately 350 kilometers (217 miles) across, centered at 9 degrees south latitude, 199 degrees east longitude. Lava flows emanating from circular pits or linear fissures form flower-shaped patterns in several areas. A collapse depression approximately 20 kilometers by 10 kilometers (12 by 6 miles) near the center of the image is drained by a lava channel approximately 40 kilometers (25 miles) long. Numerous surface fractures and graben (linear valleys) criss-cross the volcanic deposits in north to northeast trends. The fractures are not buried by the lavas, indicating that the tectonic activity post-dates most of the volcanic activity -: Venus: volcanic structures in Atla Regio - Volcanic features in Atla Regio, Venus
Leda Planitia is a plain located in the northern hemisphere of Venus. On this radar image obtained by the Magellan probe in 1991 appear in clear clear old terrain, fractures. The 40 km diameter Heloise impact crater is visible at the bottom of the picture - This false color Magellan image shows a portion of Leda Planitia (plains) in the northern hemisphere of Venus, centered at 41 degrees north latitude, 52 degrees east longitude. The area is 220 kilometers (135 miles) wide and 275 kilometers (170 miles) long. This image was produced from Magellan radar data collected in Cycle 2 of the mission. Cycle 2 was completed January 15, 1992. This image contains examples of several of the major geologic terrains on Venus and illustrates the basic stratigraphy or sequence of geologic events. The oldest terrains appear as bright, high-fractured or chaotic highlands rising out of the plains. This is seen in the upper left, or northwest, quadrant of the image. The chaotic highlands, sometimes called tessera, may represent older and thicker crustal material and occupy about 15 percent of the surface of Venus. The circular ring structure in the lower left of the image is probably an impact crater. This 40 kilometer (25 miles) diameter crater has been given a proposed name, Heloise, after the French physician who lived from about 1098 to 1164 A.D. The crater was formed by the impact of an asteroid sometime before the plains lavas embayed and covered the region. The plains surround and embay the fractured highland tessera. Plains are formed by fluid volcanic flows that may have once formed vast lava seas which covered all the low lying surfaces. Plains comprise more than 80 percent of the surface of Venus. The most recent activity in the region is volcanism that produced the radar bright flows best seen in the upper right quadrant of the image. Those flows are similar to the darker plains volcanics, but apparently have more rugged surfaces that more efficiently scatter t
First World War: an Italian soldier while you wash your face (b/w photo)
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