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Immagini di 'Mantello Foderato In Pelliccia' trovate, 97

Elizabeth, Countess of Northampton (oil on canvas)
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Louis XVIII (oil on canvas)
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Charles X (oil on canvas)
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Crusader knights on horseback with lances, and male costume of robe and cloak lined with ermine fur, 13th century
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Portrait of Antonio Cappello (oil on canvas)
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George III, when Prince of Wales, c.1759 (oil on canvas)
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Portrait of Andrea Cappello (oil on canvas)
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Beatrice Elizabeth Cowx, Lady Armstrong, 1928 (oil on canvas)
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Maria Walpole (1735-1807) Countess of Waldegrave and her Daughter, Elizabeth Laura (1760-1816) 1761 (oil on canvas)
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Woman wearing ball gown with fur lined cape, woman wearing checked dress and hat with bow, 8-9 year-old girl wearing skirt with flounce, woman wearing ball gown and cape, Brun-Cailleux designs
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King John VI (oil on canvas)
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Wife of a Doge of Venice, 1581. Fur-lined cloak with large hood, bodice decorated with pearls, necklace and gloves. Handcolored copperplate engraving from Robert von Spalart's “” Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,”” Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
FUR PONCHO 1913
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Sir Thomas Pope (w/c on vellum)
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Elegant lady in winter dress and cape by Molyneux
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Portrait of Elizabeth Stuart, Queen of Bohemia (1595-1662) (oil on canvas)
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William of Gellone (Guillaume de Gellone or d'Aquitaine or Le Grand, ca. 750-814), Count of Toulouse, died in the 9th century but depicted in 13th century costume. He wears a corselet (bodice), a tunic, and cape lined with fur. His felt turban is tied in a bow at front and falls loose at the rear. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Costume d'un homme de la nobility Milanese (Italy), 14th century - Nobleman of Milan, 14th century - He wears a fur almuce, scarlet cape lined with fur, green robe, doublet with black sleeves and white buttons - From a painting in the porticos of the Basilica of Sant'Ambrogio, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Dress (Dress) of the reign of Edward III, 1327-1377. She wears a gold crown over a hairnet, an ermine-lined mantle over a green dress, with a purse hanging from her belt.Based on a brassed of the wife of William de Wynston, Necton Church, Royal manuscript, “” Vision of Piers Ploughman,”” brassed of Lady Harvick, South Acre Church, Norfolk. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Costume d'un senateur venitien (Italy), 14th century - Venetian senator, 14th century - He wears a scarlet toque, scarlet cape lined with ermine with slit sides over black robes - From the painting “” Procession of the True Cross in Piazza San Marco””” by Gentile Bellini, 1496 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Dress (Dress) of the reign of King Henry II, Curtmantle, 1154-1189. Long red ermine-lined mantle over long green dress, white veil and wimple. Based on an effigy of Queen Eleanora in Fontevraud Abbey, Miss Agnes Strickland's description of this dress, and Matthew Paris's Observations and Quotations. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Philip III the Bold, (Philippe Le Hardi, Philipe III de France, 1245-1285) King of France, 13th century. He wears the ceremonial robes of the Count of Toulouse, crown and sceptre. Over a red tunic, he wears a full ermine-lined simar or cape in blue decorated with gold fleurs de liys. From a 13th-century manuscript in Toulouse library. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Emperor Joseph I (enamel)
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Louis IX, King of France, in ceremonial robes seated on a throne, 13th century. He wears a crown and holds two sceptres. His cape is in blue decorated with fleurs de liys and lined with ermine. His tunic is red, as is the foot cushion. From a stainless-glass window in the church of Saint Louis at Poissy. Handcoloured copperplate drawn and engraved by Leopold Massard from “” French Costumes from KingClovis to Our Days,”” Massard, Mifliez, Paris, 1834.
Costumes d'hommes de la nobility de Florence (Italy), 15th century - Costume of noblemen of Florence, 15th century - The man in front wears a scarlet hood, cape lined in brown fur, black velvet doublet, scarlet stockings - The man behind wears a pink hood and cape, trimmed with squirrel, scarlet doublet and stockings - From the painting “” Triumph of Julius Caesar”” by Giovanni di Ser Giovanni (originally attributed to Dello Delli) - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Portrait of Anne, Duchess of Monmouth and Buccleuch (1651-1732) (oil on canvas)
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Military costume: un soldat italien, 14eme century - Italian military costume, 14th century - He wears a round helmet with chainmail neck protector, chainmail suit, gauntlets, greaves, spurs - His cape is scarlet and lined with fur, and the tabard is white - From a figure in the tomb of Mastino II della Scala - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Portrait of Lady Mary Craven (oil on canvas)
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Costume d'un medecin italian, 14th century - Italian doctor or physician, 14th century - He wears a velvet cap trimmed with fur, a black cape lined in white, scarlet robe, green sleeves, red shoes - He carries a gold box and pincers - From a painting by an unknown artist in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Dress (Dress) of the reign of King Henry I, 1100-1135. She wears a long veil, a sand-lined cloak over a full dress with flared sleeves. “” Golden Book of St. Albans,”” 12th century manuscript, Ordericus vitalis, and a suit of fur (black sable with white spots) presented by the Bishop of Lincoln to the king. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Portrait of George Montagu (died 1718), 1739 (oil on canvas)
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King Henry VIII with a shield
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Man Xhosa (South Africa), dressed in a loaf of leaves and woman with a loincloth of pearls, feeding his baby. Between them, traditional musical instruments. Lithography for the book: “” Galerie complete en tableaux fideles des peuples d'Afrique” by Friedrich Wilhelm Goedsche (1785-1863), edition Meissen (Germany), 1835-1840. Xhosa man in grass belt with spears and woman suckling a baby in fur lined cloak over beaded apron. Musical instruments: drum and gourd bow. Handcoloured lithograph from Friedrich Wilhelm Goedsche's “” Vollstaendige Voelkergallerie in getreuen Abbildungen”” (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840.
NOBLEWOMAN OF C14TH
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Portrait of Mary, Duchess of Queensberry (oil on canvas)
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Portrait of John, Lord Brudenell, 1758 (oil on canvas)
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Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho)
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Portrait of Henry, 3rd Duke of Buccleuch and 5th Duke of Queensberry, K.G., c. 1770 (oil on canvas)
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Illustration from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," 19 th century (litho)
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Portrait of Edward Seymour, 1st Duke of Somerset, Lord Protector of England, 1713 (engraving)
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Anglo-Norman king with crown, 11th century ,1864 (engraving)
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Italian doctor -  14th century costume
Captain William Joseph Eastwick (1808-89), Bombay Army 1827-41, and Director of the East India Company 1849-58.
A half-length figure, with body turned towards the right. The face is seen almost in full. Eastwick wears a red-lined black cape with a fur collar and gold chain. Dark background with archway. arrived in India in 1827 and served with the Bombay army in the Kolhapur and South Maratha country. He became Assistant to Sir H. Pottinger in Sind and negotiated the 1839 Treaty with the Amirs. He served in the 1st Afghan War and obtained supplies for Nott at Kandahar. He retired in 1841 and became a Director of the East India Company 1849-58. He was the last Deputy Chairman, and member of the Council of India 1858-68. He must have sat for the present portrait just before sailing for India in 1827.
Knight of the Order of Calatrava. , 1802 (engraving)
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Interior with a Woman, Child and Maidservant
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BALL DRESS 1821
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ITALIAN COSTUME C14TH
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German Nobles circa 1425
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English Costume 1675-80
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Lady - German costume of the 15th century
German Nobles 14th century
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Costume of a Goth woman, 16th century. , 1859-1860 (engraving)
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Portrait of Sebald Beham, 1534. , 1867 (engraving)
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Prince Frederick Louis, Prince of Wales (1707¿1751) (right half of a diptych) and Princess Augusta of Saxe-Gotha, Princess of Wales (1719¿1772)(left half of a diptych)
Prince Frederick Louis, Prince of Wales (1707¿1751) (right half of a diptych) and Princess Augusta of Saxe-Gotha, Princess of Wales (1719¿1772)(left half of a diptych)
Full-length portrait of an unidentified soldier, probably a Polish mercenary leader, c.1630.
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Persons of high-rank of the 15th century. , 1842 (engraving)
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Queen Maria Antonia, Queen of Sardinia (1729-1785)
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