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'Museo Correr' immagini e video risultati page 1 of 16

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Immagini di 'Museo Correr' trovate, 1,399

Städtisches Museum - Museo Correr
 
Städtisches Museum - Museo Correr

UTD2841056

Städtisches Museum - Museo Correr

UTD2841056

Alexandria, Egypt, from portolan atlas consisting of six charts, by Placido Caloiro and Francesco Oliva, Parchment. 1646.
 
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Alexandria, Egypt, from portolan atlas consisting of six charts, by Placido Caloiro and Francesco Oliva, Parchment. 1646.

Oliva, Placido Caloiro e (c.1621-65)

A Dagli Orti

DGA548987

Alexandria, Egypt, from portolan atlas consisting of six charts, by Placido Caloiro and Francesco Oliva, Parchment. 1646.

Oliva, Placido Caloiro e (c.1621-65)

A Dagli Orti

DGA548987

Prediction of good fortune, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)
 
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Prediction of good fortune, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)

Grevenbroeck, Jan van (1731-1807)

DGA3067649

Prediction of good fortune, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)

Grevenbroeck, Jan van (1731-1807)

DGA3067649

Set design for fourth scene of Lucrezia Borgia, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice
 
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Set design for fourth scene of Lucrezia Borgia, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769397

Set design for fourth scene of Lucrezia Borgia, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769397

War-galleon with just one light, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.
 
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War-galleon with just one light, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.

DGA549155

War-galleon with just one light, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.

DGA549155

Set design for Anna Bolena (Anne Boleyn), opera by Gaetano Donizetti (1797-1848)
 
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Set design for Anna Bolena (Anne Boleyn), opera by Gaetano Donizetti (1797-1848)

DGA769394

Set design for Anna Bolena (Anne Boleyn), opera by Gaetano Donizetti (1797-1848)

DGA769394

Italy, Venice, Set design for Norma by Vincenzo Bellini for performance at Teatro La Fenice in Venice
 
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Italy, Venice, Set design for Norma by Vincenzo Bellini for performance at Teatro La Fenice in Venice

DGA592435

Italy, Venice, Set design for Norma by Vincenzo Bellini for performance at Teatro La Fenice in Venice

DGA592435

Italy, Venice, Set design for the performance Cinderella, or Goodness Triumphant by Gioacchino Rossini, at the Teatro La Fenice, Venice
 
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Italy, Venice, Set design for the performance Cinderella, or Goodness Triumphant by Gioacchino Rossini, at the Teatro La Fenice, Venice

DGA592250

Italy, Venice, Set design for the performance Cinderella, or Goodness Triumphant by Gioacchino Rossini, at the Teatro La Fenice, Venice

DGA592250

Standard of Venetian Republic fleet in Battle of Lepanto, Italy, 16th century
 
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Standard of Venetian Republic fleet in Battle of Lepanto, Italy, 16th century

DGA773592

Standard of Venetian Republic fleet in Battle of Lepanto, Italy, 16th century

DGA773592

Set design by Pietro Bertoja (1828-1911) for Moses, opera by Gioachino Rossini (1792-1868), performed at Malibran Theatre in Venice, 1872
 
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Set design by Pietro Bertoja (1828-1911) for Moses, opera by Gioachino Rossini (1792-1868), performed at Malibran Theatre in Venice, 1872

DGA769644

Set design by Pietro Bertoja (1828-1911) for Moses, opera by Gioachino Rossini (1792-1868), performed at Malibran Theatre in Venice, 1872

DGA769644

The Museo Correr, seen from the Grand Canal, in Venice
 
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The Museo Correr, seen from the Grand Canal, in Venice

Unknown photographer, (19th century)

FAF3566437

The Museo Correr, seen from the Grand Canal, in Venice

Unknown photographer, (19th century)

FAF3566437

Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act II
 
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act II

DGA769645

Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act II

DGA769645

Set design by Francesco Bagnara for third scene of L'ultimo giorno di Missolungi (The Last Day of Missolonghi), opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for third scene of L'ultimo giorno di Missolungi (The Last Day of Missolonghi), opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769401

Set design by Francesco Bagnara for third scene of L'ultimo giorno di Missolungi (The Last Day of Missolonghi), opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769401

Set design by Pietro Bertoja (1828-1911) for Fausta, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1833-1834
 
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Set design by Pietro Bertoja (1828-1911) for Fausta, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1833-1834

DGA769269

Set design by Pietro Bertoja (1828-1911) for Fausta, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1833-1834

DGA769269

Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act V
 
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act V

DGA769648

Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act V

DGA769648

Set design by Pietro Bertoja (1828-1911) for Alina, regina di Golconda (Alina, Queen of Golconda), opera by Gaetano Donizetti (1797-1848), performed at Carignano Theatre in Turin, 1840
 
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Set design by Pietro Bertoja (1828-1911) for Alina, regina di Golconda (Alina, Queen of Golconda), opera by Gaetano Donizetti (1797-1848), performed at Carignano Theatre in Turin, 1840

DGA769275

Set design by Pietro Bertoja (1828-1911) for Alina, regina di Golconda (Alina, Queen of Golconda), opera by Gaetano Donizetti (1797-1848), performed at Carignano Theatre in Turin, 1840

DGA769275

Portrait of Pope Alexander VIII, born Pietro Vito Ottoboni (Venice, 1610-Rome 1691), pope from 1689, engraving. Italy, 17th century
 
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Portrait of Pope Alexander VIII, born Pietro Vito Ottoboni (Venice, 1610-Rome 1691), pope from 1689, engraving. Italy, 17th century

DGA2583881

Portrait of Pope Alexander VIII, born Pietro Vito Ottoboni (Venice, 1610-Rome 1691), pope from 1689, engraving. Italy, 17th century

DGA2583881

Portrait of Pope Innocent XII, born Antonio Pignatelli di Spinazzola (Spinazzola, 1615-Rome, 1700), pope from 1691, engraving. Italy, 17th century
 
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Portrait of Pope Innocent XII, born Antonio Pignatelli di Spinazzola (Spinazzola, 1615-Rome, 1700), pope from 1691, engraving. Italy, 17th century

DGA2583885

Portrait of Pope Innocent XII, born Antonio Pignatelli di Spinazzola (Spinazzola, 1615-Rome, 1700), pope from 1691, engraving. Italy, 17th century

DGA2583885

Set design by Francesco Bagnara for first scene of Fausta, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for first scene of Fausta, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769402

Set design by Francesco Bagnara for first scene of Fausta, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769402

Set design by Pietro Bertoja (1828-1911) for Pia dei Tolomei, opera by Gaetano Donizetti (1797-1848), performed at Apollo Theatre (present Goldoni Theatre) in Venice, 1836-1837
 
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Set design by Pietro Bertoja (1828-1911) for Pia dei Tolomei, opera by Gaetano Donizetti (1797-1848), performed at Apollo Theatre (present Goldoni Theatre) in Venice, 1836-1837

DGA769273

Set design by Pietro Bertoja (1828-1911) for Pia dei Tolomei, opera by Gaetano Donizetti (1797-1848), performed at Apollo Theatre (present Goldoni Theatre) in Venice, 1836-1837

DGA769273

Set design by Francesco Bagnara for third scene of Guglielmo Tell (William Tell), opera by Gioachino Rossini (1792-1868), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for third scene of Guglielmo Tell (William Tell), opera by Gioachino Rossini (1792-1868), performed at La Fenice Theatre in Venice

DGA769415

Set design by Francesco Bagnara for third scene of Guglielmo Tell (William Tell), opera by Gioachino Rossini (1792-1868), performed at La Fenice Theatre in Venice

DGA769415

Set design by Peter Bertoja (1828-1911) for Story of Les Huguenots, by Giacomo Meyerbeer (1791-1864).
 
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Set design by Peter Bertoja (1828-1911) for Story of Les Huguenots, by Giacomo Meyerbeer (1791-1864).

DGA769634

Set design by Peter Bertoja (1828-1911) for Story of Les Huguenots, by Giacomo Meyerbeer (1791-1864).

DGA769634

Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act IV
 
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act IV

DGA769647

Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act IV

DGA769647

Set design for third scene of Gabriella di Vergy, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice
 
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Set design for third scene of Gabriella di Vergy, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769393

Set design for third scene of Gabriella di Vergy, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769393

Portrait of Pope Alexander VIII, born Pietro Vito Ottoboni (Venice, 1610-Rome 1691), pope from 1689, engraving. Italy, 17th century
 
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Portrait of Pope Alexander VIII, born Pietro Vito Ottoboni (Venice, 1610-Rome 1691), pope from 1689, engraving. Italy, 17th century

DGA2583884

Portrait of Pope Alexander VIII, born Pietro Vito Ottoboni (Venice, 1610-Rome 1691), pope from 1689, engraving. Italy, 17th century

DGA2583884

Set design by Pietro Bertoja (1828-1911) for Moses, opera by Gioachino Rossini (1792-1868), performed at Malibran Theatre in Venice, 1872
 
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Set design by Pietro Bertoja (1828-1911) for Moses, opera by Gioachino Rossini (1792-1868), performed at Malibran Theatre in Venice, 1872

DGA769643

Set design by Pietro Bertoja (1828-1911) for Moses, opera by Gioachino Rossini (1792-1868), performed at Malibran Theatre in Venice, 1872

DGA769643

Set design by Pietro Bertoja (1828-1911) for Gemma di Vergy, opera by Gaetano Donizetti (1797-1848), performed at San Benedetto Theatre in Venice, 1830
 
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Set design by Pietro Bertoja (1828-1911) for Gemma di Vergy, opera by Gaetano Donizetti (1797-1848), performed at San Benedetto Theatre in Venice, 1830

DGA769272

Set design by Pietro Bertoja (1828-1911) for Gemma di Vergy, opera by Gaetano Donizetti (1797-1848), performed at San Benedetto Theatre in Venice, 1830

DGA769272

Set design by Pietro Bertoja (1828-1911) for Gemma di Vergy, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1839
 
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Set design by Pietro Bertoja (1828-1911) for Gemma di Vergy, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1839

DGA769271

Set design by Pietro Bertoja (1828-1911) for Gemma di Vergy, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1839

DGA769271

Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act II
 
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act II

DGA769646

Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act II

DGA769646

Set design by Pietro Bertoja (1828-1911) for Don Pasquale, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1844
 
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Set design by Pietro Bertoja (1828-1911) for Don Pasquale, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1844

DGA769278

Set design by Pietro Bertoja (1828-1911) for Don Pasquale, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1844

DGA769278

Set design by Francesco Bagnara for first scene of L'Elisir d'Amore (The Elixir of Love) opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for first scene of L'Elisir d'Amore (The Elixir of Love) opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769403

Set design by Francesco Bagnara for first scene of L'Elisir d'Amore (The Elixir of Love) opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769403

Templar knight, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)
 
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Templar knight, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)

Grevenbroeck, Jan van (1731-1807)

DGA3067646

Templar knight, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)

Grevenbroeck, Jan van (1731-1807)

DGA3067646

Set design by Francesco Bagnara for second scene of Anna Bolena (Anne Boleyn), opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for second scene of Anna Bolena (Anne Boleyn), opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769392

Set design by Francesco Bagnara for second scene of Anna Bolena (Anne Boleyn), opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769392

Battle of Lepanto, which led to defeat of Turkish fleet by League of Christians fleet, 1571, Greece, 16th century
 
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Battle of Lepanto, which led to defeat of Turkish fleet by League of Christians fleet, 1571, Greece, 16th century

DGA773588

Battle of Lepanto, which led to defeat of Turkish fleet by League of Christians fleet, 1571, Greece, 16th century

DGA773588

Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Comunale in Bologna, 1854
 
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Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Comunale in Bologna, 1854

DGA769276

Set design by Pietro Bertoja (1828-1911) for Lucia di Lammermoor, opera by Gaetano Donizetti (1797-1848), performed at Teatro Comunale in Bologna, 1854

DGA769276

Set design by Francesco Bagnara for second scene of La Sonnambula (The Sleepwalker), opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for second scene of La Sonnambula (The Sleepwalker), opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

A Dagli Orti

DGA769411

Set design by Francesco Bagnara for second scene of La Sonnambula (The Sleepwalker), opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

A Dagli Orti

DGA769411

Set design by Pietro Bertoja (1828-1911) for Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice
 
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Set design by Pietro Bertoja (1828-1911) for Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

DGA769639

Set design by Pietro Bertoja (1828-1911) for Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

DGA769639

Turkish Ambassador in Venice, colored engraving by Giovanni di Grevembroch, from Gli abiti de veneziani (costumes of Venetians), volume II, plate 121, 18th century
 
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Turkish Ambassador in Venice, colored engraving by Giovanni di Grevembroch, from Gli abiti de veneziani (costumes of Venetians), volume II, plate 121, 18th century

Grevenbroeck, Jan van (1731-1807)

DGA5186711

Turkish Ambassador in Venice, colored engraving by Giovanni di Grevembroch, from Gli abiti de veneziani (costumes of Venetians), volume II, plate 121, 18th century

Grevenbroeck, Jan van (1731-1807)

DGA5186711

Set design by Pietro Bertoja (1828-1911) for L'assedio di Corinto (The Siege of Corinth) opera by Gioachino Rossini (1792-1868)
 
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Set design by Pietro Bertoja (1828-1911) for L'assedio di Corinto (The Siege of Corinth) opera by Gioachino Rossini (1792-1868)

DGA769642

Set design by Pietro Bertoja (1828-1911) for L'assedio di Corinto (The Siege of Corinth) opera by Gioachino Rossini (1792-1868)

DGA769642

Turkish flagship with three lights, which was called Bastard Galeazza by the Venetians, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.
 
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Turkish flagship with three lights, which was called Bastard Galeazza by the Venetians, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.

DGA549158

Turkish flagship with three lights, which was called Bastard Galeazza by the Venetians, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.

DGA549158

Portrait of Pope Clement XIII, born Carlo della Torre di Rezzonico (Venice, 1693-Rome, 1769), pope from 1758, engraving. Italy, 18th century
 
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Portrait of Pope Clement XIII, born Carlo della Torre di Rezzonico (Venice, 1693-Rome, 1769), pope from 1758, engraving. Italy, 18th century

DGA2583887

Portrait of Pope Clement XIII, born Carlo della Torre di Rezzonico (Venice, 1693-Rome, 1769), pope from 1758, engraving. Italy, 18th century

DGA2583887

Mediterranean Sea, from portolan atlas of six charts, by Placido Caloiro and Francesco Oliva, Parchment. 1646.
 
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Mediterranean Sea, from portolan atlas of six charts, by Placido Caloiro and Francesco Oliva, Parchment. 1646.

Oliva, Placido Caloiro e (c.1621-65)

A Dagli Orti

DGA548984

Mediterranean Sea, from portolan atlas of six charts, by Placido Caloiro and Francesco Oliva, Parchment. 1646.

Oliva, Placido Caloiro e (c.1621-65)

A Dagli Orti

DGA548984

Fenice Theatre, by Francesco Guardi (1712-1793), drawing
 
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Fenice Theatre, by Francesco Guardi (1712-1793), drawing

DGA580157

Fenice Theatre, by Francesco Guardi (1712-1793), drawing

DGA580157

Set design by Pietro Bertoja (1828-1911) for second scene, act II of Mefistofele (Mephistopheles), opera by Arrigo Boito (1842- 1918), performed at Padua in 1881
 
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Set design by Pietro Bertoja (1828-1911) for second scene, act II of Mefistofele (Mephistopheles), opera by Arrigo Boito (1842- 1918), performed at Padua in 1881

Unknown Artist, (20th century)

A Dagli Orti

DGA769631

Set design by Pietro Bertoja (1828-1911) for second scene, act II of Mefistofele (Mephistopheles), opera by Arrigo Boito (1842- 1918), performed at Padua in 1881

Unknown Artist, (20th century)

A Dagli Orti

DGA769631

Portrait of Pope Clement XIII, born Carlo della Torre di Rezzonico (Venice, 1693-Rome, 1769), pope from 1758, engraving. Italy, 18th century
 
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Portrait of Pope Clement XIII, born Carlo della Torre di Rezzonico (Venice, 1693-Rome, 1769), pope from 1758, engraving. Italy, 18th century

DGA2583886

Portrait of Pope Clement XIII, born Carlo della Torre di Rezzonico (Venice, 1693-Rome, 1769), pope from 1758, engraving. Italy, 18th century

DGA2583886

Portrait of Cardinal Pietro Vito Ottoboni (Venice, 1610-Rome 1691), later Pope Alexander VIII in 1689, engraving. Italy, 17th century
 
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Portrait of Cardinal Pietro Vito Ottoboni (Venice, 1610-Rome 1691), later Pope Alexander VIII in 1689, engraving. Italy, 17th century

DGA2583882

Portrait of Cardinal Pietro Vito Ottoboni (Venice, 1610-Rome 1691), later Pope Alexander VIII in 1689, engraving. Italy, 17th century

DGA2583882

Set design by Francesco Bagnara for first scene of L'ultimo giorno di Missolungi (The Last Day of Missolonghi), a ballet by Cortesi
 
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Set design by Francesco Bagnara for first scene of L'ultimo giorno di Missolungi (The Last Day of Missolonghi), a ballet by Cortesi

Bagnara, Francesco (1784-1866)

DGA769399

Set design by Francesco Bagnara for first scene of L'ultimo giorno di Missolungi (The Last Day of Missolonghi), a ballet by Cortesi

Bagnara, Francesco (1784-1866)

DGA769399

Italy, Venice, Set design for performance Lucia di Lammermoor by Gaetano Donizetti, at the Teatro La Fenice
 
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Italy, Venice, Set design for performance Lucia di Lammermoor by Gaetano Donizetti, at the Teatro La Fenice

DGA592247

Italy, Venice, Set design for performance Lucia di Lammermoor by Gaetano Donizetti, at the Teatro La Fenice

DGA592247

Set design for fifth scene of Gabriella di Vergy, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice
 
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Set design for fifth scene of Gabriella di Vergy, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769398

Set design for fifth scene of Gabriella di Vergy, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769398

Set design by Francesco Bagnara for second scene of Parisina, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for second scene of Parisina, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769404

Set design by Francesco Bagnara for second scene of Parisina, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769404

Set design by Francesco Bagnara for third scene of L'ultimo giorno di Missolungi (The Last Day of Missolonghi), opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for third scene of L'ultimo giorno di Missolungi (The Last Day of Missolonghi), opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769400

Set design by Francesco Bagnara for third scene of L'ultimo giorno di Missolungi (The Last Day of Missolonghi), opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769400

Set design by Pietro Bertoja (1828-1911) for La straniera (The Stranger Woman), opera by Vincenzo Bellini (1801-1835)
 
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Set design by Pietro Bertoja (1828-1911) for La straniera (The Stranger Woman), opera by Vincenzo Bellini (1801-1835)

DGA769636

Set design by Pietro Bertoja (1828-1911) for La straniera (The Stranger Woman), opera by Vincenzo Bellini (1801-1835)

DGA769636

Italy, Venice, Set design for the performance The Marriage of Figaro (or the Day of Madness) by Wolfgang Amadeus Mozart at the Teatro La Fenice
 
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Italy, Venice, Set design for the performance The Marriage of Figaro (or the Day of Madness) by Wolfgang Amadeus Mozart at the Teatro La Fenice

DGA592248

Italy, Venice, Set design for the performance The Marriage of Figaro (or the Day of Madness) by Wolfgang Amadeus Mozart at the Teatro La Fenice

DGA592248

Sampler, embroidery depicting floral motifs to decorate man's vest, Venice, ca 1780-1800, Italy, 18th century
 
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Sampler, embroidery depicting floral motifs to decorate man's vest, Venice, ca 1780-1800, Italy, 18th century

DGA760713

Sampler, embroidery depicting floral motifs to decorate man's vest, Venice, ca 1780-1800, Italy, 18th century

DGA760713

Miniature from a Venetian Mariegola (statute book) for couriers in political and trade relations with Rome, manuscript, Italy.
 
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Miniature from a Venetian Mariegola (statute book) for couriers in political and trade relations with Rome, manuscript, Italy.

DGA519086

Miniature from a Venetian Mariegola (statute book) for couriers in political and trade relations with Rome, manuscript, Italy.

DGA519086

Confraternity of Intercession of Our Lady for dead, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)
 
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Confraternity of Intercession of Our Lady for dead, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)

Grevenbroeck, Jan van (1731-1807)

DGA3067647

Confraternity of Intercession of Our Lady for dead, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)

Grevenbroeck, Jan van (1731-1807)

DGA3067647

Set design by Pietro Bertoja (1828-1911) for Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice
 
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Set design by Pietro Bertoja (1828-1911) for Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

DGA769640

Set design by Pietro Bertoja (1828-1911) for Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

DGA769640

Set design by Francesco Bagnara for La gazza ladra (The Thieving Magpie), 1817, opera by Gioachino Rossini (1792-1868), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for La gazza ladra (The Thieving Magpie), 1817, opera by Gioachino Rossini (1792-1868), performed at La Fenice Theatre in Venice

DGA769416

Set design by Francesco Bagnara for La gazza ladra (The Thieving Magpie), 1817, opera by Gioachino Rossini (1792-1868), performed at La Fenice Theatre in Venice

DGA769416

Italy, Venice, Set design for the performance Cinderella, or Goodness Triumphant by Gioacchino Rossini, at the Teatro La Fenice, Venice
 
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Italy, Venice, Set design for the performance Cinderella, or Goodness Triumphant by Gioacchino Rossini, at the Teatro La Fenice, Venice

DGA592251

Italy, Venice, Set design for the performance Cinderella, or Goodness Triumphant by Gioacchino Rossini, at the Teatro La Fenice, Venice

DGA592251

Ottoman empire, from portolan atlas consisting of six charts, by Placido Caloiro and Francesco Oliva, Parchment. 1646.
 
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Ottoman empire, from portolan atlas consisting of six charts, by Placido Caloiro and Francesco Oliva, Parchment. 1646.

Oliva, Placido Caloiro e (c.1621-65)

A Dagli Orti

DGA548985

Ottoman empire, from portolan atlas consisting of six charts, by Placido Caloiro and Francesco Oliva, Parchment. 1646.

Oliva, Placido Caloiro e (c.1621-65)

A Dagli Orti

DGA548985

Set design by Pietro Bertoja (1828-1911) for La straniera (The Stranger Woman), opera by Vincenzo Bellini (1801-1835), performance at Carignano Theatre in Turin
 
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Set design by Pietro Bertoja (1828-1911) for La straniera (The Stranger Woman), opera by Vincenzo Bellini (1801-1835), performance at Carignano Theatre in Turin

DGA769637

Set design by Pietro Bertoja (1828-1911) for La straniera (The Stranger Woman), opera by Vincenzo Bellini (1801-1835), performance at Carignano Theatre in Turin

DGA769637

Set design by Francesco Bagnara for scene III of Lucrezia Borgia, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for scene III of Lucrezia Borgia, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769396

Set design by Francesco Bagnara for scene III of Lucrezia Borgia, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice

DGA769396

Set design by Francesco Bagnara for first scene of Guglielmo Tell (William Tell), opera by Gioachino Rossini (1792-1868), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for first scene of Guglielmo Tell (William Tell), opera by Gioachino Rossini (1792-1868), performed at La Fenice Theatre in Venice

DGA769414

Set design by Francesco Bagnara for first scene of Guglielmo Tell (William Tell), opera by Gioachino Rossini (1792-1868), performed at La Fenice Theatre in Venice

DGA769414

Interior of mirror production foundry, engraving, Italy, 18th century
 
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Interior of mirror production foundry, engraving, Italy, 18th century

DGA1086799

Interior of mirror production foundry, engraving, Italy, 18th century

DGA1086799

Set design by Francesco Bagnara for fourth scene of La Sonnambula (The Sleepwalker), opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for fourth scene of La Sonnambula (The Sleepwalker), opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

A Dagli Orti

DGA769412

Set design by Francesco Bagnara for fourth scene of La Sonnambula (The Sleepwalker), opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

A Dagli Orti

DGA769412

Gondola reserved for Ambassador of France navigating towards Serene Republic of Venice, 1682, engraving, Italy, 17th century
 
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Gondola reserved for Ambassador of France navigating towards Serene Republic of Venice, 1682, engraving, Italy, 17th century

DGA3074434

Gondola reserved for Ambassador of France navigating towards Serene Republic of Venice, 1682, engraving, Italy, 17th century

DGA3074434

Italy, Venice, Portrait of Italian Composer Claudio Monteverdi (1567 - 1643)
 
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Italy, Venice, Portrait of Italian Composer Claudio Monteverdi (1567 - 1643)

Grevenbroeck, Jan van (1731-1807)

A Dagli Orti

DGA592430

Italy, Venice, Portrait of Italian Composer Claudio Monteverdi (1567 - 1643)

Grevenbroeck, Jan van (1731-1807)

A Dagli Orti

DGA592430

Set design by Francesco Bagnara for first scene of Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for first scene of Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

A Dagli Orti

DGA769406

Set design by Francesco Bagnara for first scene of Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

A Dagli Orti

DGA769406

Set design by Francesco Bagnara for La Straniera (The Stranger Woman), opera by Vincenzo Bellini (1801-1835)
 
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Set design by Francesco Bagnara for La Straniera (The Stranger Woman), opera by Vincenzo Bellini (1801-1835)

A Dagli Orti

DGA769395

Set design by Francesco Bagnara for La Straniera (The Stranger Woman), opera by Vincenzo Bellini (1801-1835)

A Dagli Orti

DGA769395

Set design by Francesco Bagnara for second scene of Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for second scene of Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

Bellini, Vincenzo (1801-1835)

A Dagli Orti

DGA769407

Set design by Francesco Bagnara for second scene of Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

Bellini, Vincenzo (1801-1835)

A Dagli Orti

DGA769407

Portrait of Ibrahim I (1615-1648), Sultan of Ottoman Empire, illustration from Turkish Memories, Arabic manuscript, Cicogna Codex, 17th century
 
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Portrait of Ibrahim I (1615-1648), Sultan of Ottoman Empire, illustration from Turkish Memories, Arabic manuscript, Cicogna Codex, 17th century

DGA777516

Portrait of Ibrahim I (1615-1648), Sultan of Ottoman Empire, illustration from Turkish Memories, Arabic manuscript, Cicogna Codex, 17th century

DGA777516

Set design by Francesco Bagnara for fifth scene of Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for fifth scene of Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

Bellini, Vincenzo (1801-1835)

A Dagli Orti

DGA769408

Set design by Francesco Bagnara for fifth scene of Norma, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

Bellini, Vincenzo (1801-1835)

A Dagli Orti

DGA769408

Italy, Venice, Eulogy to Italian composer Claudio Monteverdi and his works, engraving from "Gli abiti de' veneziani"
 
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Italy, Venice, Eulogy to Italian composer Claudio Monteverdi and his works, engraving from "Gli abiti de' veneziani"

DGA592432

Italy, Venice, Eulogy to Italian composer Claudio Monteverdi and his works, engraving from "Gli abiti de' veneziani"

DGA592432

Sorceress, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)
 
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Sorceress, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)

Grevenbroeck, Jan van (1731-1807)

DGA3067645

Sorceress, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)

Grevenbroeck, Jan van (1731-1807)

DGA3067645

Fisherman Giving the Ring to the Doge of Venice Bartolomeo Gradenigo, 1738-1740 (oil on canvas)
 
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Fisherman Giving the Ring to the Doge of Venice Bartolomeo Gradenigo, 1738-1740 (oil on canvas)

Guardi, Giovanni Antonio (1699-1760)

DGA2580618

Fisherman Giving the Ring to the Doge of Venice Bartolomeo Gradenigo, 1738-1740 (oil on canvas)

Guardi, Giovanni Antonio (1699-1760)

DGA2580618

Pantaloon, Merchant of Venice, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)
 
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Pantaloon, Merchant of Venice, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)

Grevenbroeck, Jan van (1731-1807)

DGA3067648

Pantaloon, Merchant of Venice, illustration from Costumes of Venetians of almost every age, diligently collected and painted in 18th century, Giovanni di Grevembroch (1731-1807)

Grevenbroeck, Jan van (1731-1807)

DGA3067648

Set design by Pietro Bertoja (1828-1911) for Don Sebastiano, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1856
 
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Set design by Pietro Bertoja (1828-1911) for Don Sebastiano, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1856

DGA769270

Set design by Pietro Bertoja (1828-1911) for Don Sebastiano, opera by Gaetano Donizetti (1797-1848), performed at La Fenice Theatre in Venice, 1856

DGA769270

Set design by Francesco Bagnara for fourth scene of Capuleti and Montecchi, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice
 
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Set design by Francesco Bagnara for fourth scene of Capuleti and Montecchi, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

Bellini, Vincenzo (1801-1835)

A Dagli Orti

DGA769410

Set design by Francesco Bagnara for fourth scene of Capuleti and Montecchi, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

Bellini, Vincenzo (1801-1835)

A Dagli Orti

DGA769410

Turkish encampment with a look out tower, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.
 
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Turkish encampment with a look out tower, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.

DGA549174

Turkish encampment with a look out tower, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.

DGA549174

The hall of the large sofa, where the court dignitaries used to meet, high up on the wall was a grate for spying and eavesdropping in the meetings below, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.
 
Permessi
  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
Il Content Partner applica le seguenti restrizioni
  • Not available to clients invoiced in Italy
The hall of the large sofa, where the court dignitaries used to meet, high up on the wall was a grate for spying and eavesdropping in the meetings below, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.

DGA549171

The hall of the large sofa, where the court dignitaries used to meet, high up on the wall was a grate for spying and eavesdropping in the meetings below, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.

DGA549171

Set design by Francesco Bagnara for third scene of Capuleti and Montecchi, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice
 
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  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
Il Content Partner applica le seguenti restrizioni
  • Not available to clients invoiced in Italy
Set design by Francesco Bagnara for third scene of Capuleti and Montecchi, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

Bellini, Vincenzo (1801-1835)

A Dagli Orti

DGA769409

Set design by Francesco Bagnara for third scene of Capuleti and Montecchi, opera by Vincenzo Bellini (1801-1835), performed at La Fenice Theatre in Venice

Bellini, Vincenzo (1801-1835)

A Dagli Orti

DGA769409

Procession of Doge and his entourage in Piazza San Marco in Venice, by Cesare Vecellio (1521-1601), Italy, 16th century
 
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  • Not available to clients invoiced in Italy
Procession of Doge and his entourage in Piazza San Marco in Venice, by Cesare Vecellio (1521-1601), Italy, 16th century

DGA773604

Procession of Doge and his entourage in Piazza San Marco in Venice, by Cesare Vecellio (1521-1601), Italy, 16th century

DGA773604

Turkish and Venetian ships face each other in the waters of the eastern Mediterranean, miniature from Turkish Memories, Ms, Cicogna, 1971, 17th century
 
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  • Not available to clients invoiced in Italy
Turkish and Venetian ships face each other in the waters of the eastern Mediterranean, miniature from Turkish Memories, Ms, Cicogna, 1971, 17th century

DGA1086612

Turkish and Venetian ships face each other in the waters of the eastern Mediterranean, miniature from Turkish Memories, Ms, Cicogna, 1971, 17th century

DGA1086612

Execution witnessed by dignitaries from the court, miniature from Turkish Memories, Arabic manuscript Cicogna Codex, Turkey 17th Century.
 
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  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
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Execution witnessed by dignitaries from the court, miniature from Turkish Memories, Arabic manuscript Cicogna Codex, Turkey 17th Century.

DGA549167

Execution witnessed by dignitaries from the court, miniature from Turkish Memories, Arabic manuscript Cicogna Codex, Turkey 17th Century.

DGA549167

Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act V
 
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  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
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Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act V

DGA769649

Scenography by Pietro Bertoja (1828-1910) for La Juive (The Jewish Woman), by Halevy (1799-1862), Act V

DGA769649

Europe, from Atlas of the World in thirty-three Maps, by Battista Agnese, 1553
 
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  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
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Europe, from Atlas of the World in thirty-three Maps, by Battista Agnese, 1553

Agnese, Battista (1514-64)

DGA549008

Europe, from Atlas of the World in thirty-three Maps, by Battista Agnese, 1553

Agnese, Battista (1514-64)

DGA549008

The Venetian ambassador to Constantinople is imprisoned in the Great Tower on the Bosphorus, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.
 
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  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
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  • Not available to clients invoiced in Italy
The Venetian ambassador to Constantinople is imprisoned in the Great Tower on the Bosphorus, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.

DGA549182

The Venetian ambassador to Constantinople is imprisoned in the Great Tower on the Bosphorus, miniature from Turkish Memories, Arabic manuscript, Cicogna Codex, Turkey 17th Century.

DGA549182

Italy, Venice, Sketch for the scenic design by Francesco Bagnara (1784-1866), scene two of The Marriage of Figaro or the Day of Madness (Le nozze di Figaro, ossia la folle giornata, 1786) by Wolfgang Amadeus Mozart (1756-1791), performed at Teatro La Fenice in Venice
 
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  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
Il Content Partner applica le seguenti restrizioni
  • Not available to clients invoiced in Italy
Italy, Venice, Sketch for the scenic design by Francesco Bagnara (1784-1866), scene two of The Marriage of Figaro or the Day of Madness (Le nozze di Figaro, ossia la folle giornata, 1786) by Wolfgang Amadeus Mozart (1756-1791), performed at Teatro La Fenice in Venice

DGA592249

Italy, Venice, Sketch for the scenic design by Francesco Bagnara (1784-1866), scene two of The Marriage of Figaro or the Day of Madness (Le nozze di Figaro, ossia la folle giornata, 1786) by Wolfgang Amadeus Mozart (1756-1791), performed at Teatro La Fenice in Venice

DGA592249

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