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So the Treasure was Divided, 1905 (oil on canvas)
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The Buccaneer Was a Picturesque Fellow, from 'The Fate of Treasure Town' by Howard Pyle, published in Harper's Monthly Magazine, December 1905 (oil on canvas)
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Extorting tribute from the citizens, or The sack of Carthagena, from 'The Fate of a Treasure Town' by Howard Pyle, published in Harper's Monthly Magazine, December 1905 (oil on canvas)
Truth in the Temple, from 'The Pilgrimage of Truth' by Howard Pyle, 1900 (oil on wood)
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Who are we that Heaven should make of the Old Sea a Fowling Net?, from 'The Second Chance' by James Branch Cabell (1879-1958), published in Harper's Monthly Magazine, October 1909 (oil on canvas)
I Began to Play, from 'Sinbad in Burrator' by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
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Poster for 'To Have and To Hold' by Mary Johnston, published 1900 (pen & ink on paper)
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I am the daughter of that unfortunate Captain Keitt!, from 'The Ruby of Kishmoor' by Howard Pyle, published in Harper's Monthly Magazine, August 1907 (oil on canvas)
Playing the Organ, original 1920's artwork
Tailpiece for 'The Mysterious Chest' by Howard Pyle, published in Harper's Monthly Magazine, December 1908 (pen & ink & w/c on paper)
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'If I Catch you Here Again You'll Need Someone to Sew You Up', from 'Sinbad in Burrator' by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
We Started to Run Back to the Raft for our Lives, from 'Sinbad on Burrator' by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
The Dancer, from 'Lola' by Perceval Gibbon (1879-1926), published in Harper's Monthly Magazine, January 1909 (oil on canvas)
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Her Captain was a Cuban, from 'The Cruise of the Caribee' by Thomas V. Briggs, published in Harper's Monthly Magazine, December 1907 (oil on paper)
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David Sat Down on the Wooden Bench and Took Up a Big Blue Star, from 'The Garden Behind the Moon' by Howard Pyle, published 1895 (oil on board)
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Breton Peasants at a Wayside Cross, from 'The Pardon of St. Anne d'Auray' by William Perry Northrup, published in Scribner's Magazine, September 1901 (oil on canvas)
The Gigantic Monster Dragged the Hacked and Headless Corpse of his Victim up the Staircase, from 'In Ole Virginia' by Thomas Nelson Page (1853-1922), published 1896 (oil on board)
Head of Minerva, Roman copy of an original Greek artwork
He Lost his Hold and Fell, Taking Me with him, from 'The Grain Ship' by Morgan Robertson, published in Harper's Monthly Magazine, March 1909 (oil on canvas)
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The Fishing of Thor and Hymir, from 'North Folk Legends of the Sea' by Howard Pyle, published in Harper's Monthly Magazine, January 1902 (w/c on paper)
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The Boat and I Went by him with a Rush, from 'Sinbad on Burrator', by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
I Sat at her Feet While she Drilled the Island Language into Me, from 'Sinbad in Burrator', by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
I Clutched at his Ankle, from 'Sinbad in Burrator' by Arthur Quiller-Couch (1863-1944), published in Scribner's Magazine, August 1902 (oil on canvas)
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He Watched Me as a Cat Watches a Mouse, from 'The Grain Ship', by Morgan Robertson (oil on canvas)
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Old Jacob van Kleeke Had Never Favored our Hero's Suit, for 'The Mysterious Chest' by Howard Pyle, published in Harper's Monthly Magazine, December 1908 (oil on canvas)
She Tricked Me, Little Maid, from 'The Maid of Landevennec' by Justus Miles Foreman, published in Harper's Monthly Magazine, September 1904 (oil on canvas)
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Original set design sketch for third act of opera La boheme, by Ruggero Leoncavallo (1857-1919)
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Original set design sketch for fourth act of opera La boheme, by Ruggero Leoncavallo (1857-1919)
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The Attack Upon the Chew House, from 'The Story of the Revolution' by Henry Cabot Lodge (1850-1924), published in Scribner's Magazine, June 1898 (oil on canvas)
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A Sailor's Sweetheart, from 'By Land and Sea' by Howard Pyle, published in Harper's Monthly Magazine, December 1895 (oil on canvas)
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Edric the Singer, from 'Edric and Sylvaine' by Brian Hooker, published in Harper's Monthly Magazine, August 1908 (oil on canvas)
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Asclepius, god of healing. Marble. Roman work, 2nd century AD. After the Greek original of the 5th century BC.
Scottish Pine Forest
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Tuberose, Agave amica (Agave polianthes), digital reproduction of an original artwork from the 18th century
Meregrett, Daughter of Phillipe the Bold for "The Rat-Trap" by James Branch Cabell in Harper's Monthly Magazine, December 1907
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Tulip, cultivated form, Tulip (Tulipa) culta, digital reproduction of an original artwork from the 18th century
Portrait of Josiah Webbe, Madras Civil Service, head and shoulders to left, in original frame.
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Heathland
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Fountain. Work by Marcel Duchamp (1887-1968) made in 1964 (reproduced after his original sign R. Mutt in 1917) for the Galerie Schwarz. Milan collection Schwarz courtesy Mudima
La Salle Petitions the King for Permission to Explore the Mississippi, from 'The Great La Salle' by Henry Loomis Nelson (1846-1908), published in Harper's Monthly Magazine, February 1905 (oil on canvas)
Eros drawing his bow. Marble. Roman work. 2nd century AD.
Original title page of score of Act III, scene I, from La Caduta del Decemviri (The Fall of Ten Men), by Alessandro Scarlatti (1660-1725)
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Statue of a goddess. Roman work after original about 420 BC. Glyptothek. Munich.
Two faced male herm, roman work inspired by a greek original from the 5th century (marble)
Eros drawing his bow. Marble. Roman work. 2nd century AD.
Dancing satyr, Roman adaptation of the bronze original by Lysipps (marble)
Eros drawing his bow. Marble. Roman work. 2nd century AD.
The Fight on Lexington Common, April 19, 1775, from 'The Story of the Revolution' by Woodrow Wilson (1856-1924)  (oil on canvas)
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Venus Landolina or Venus Anadyomene, Roman copy of Greek original
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Statue of Thalia, the Muse of Comedy (Marble)
Marble head of Heracles, Copy of Greek original by Lysippus
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Restrizioni immagine
  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
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Bust of Athena. Roman work. 2nd c. AD. After the Greek original of the late 5th c. BC.
Hope, 2023 (digital illustration from original collage on paper)
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