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Immagini di 'Opere D'arte Scultoree' trovate, 51

An illustration of the scenes from the Elgin Marbles, from the Parthenon at Athens.
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Choice examples of Wedgwood Art, designs and motifs found on pottery in England during the late 19th century. Classical subjects. Mythology. Silhouettes. People.
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Sculptured figures from mythology.
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A sculpture of various female figures from antiquity.
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A drawing of a monumental sculpture for a knight in Pershore Church, Worcestershire
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Rock carved with Bhuddist figures, [Lhasa].
The caption in Tibet and Lhasa reads: 'The Ling-Kor, or sacred circular road of Lhasa. The pilgrims can be seen wending their way round the sacred road, turning their prayer wheel, and acquiring merit by avoiding the puddles...Above the road is a vast rock, on which are carved Bhuddas innumerable, large and small, painted in every colour imaginable'.
Depictions of architectural and sculptural elements of the Thillai Natarajah Temple, Chidambaram
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An antique reservoir near Colar, in the Mysore. This stone cistern, which is very singular in its form, and in its style of decoration, was evidently intended for the purpose of containing water. Attached once to a now vanished temple, it is carved with Vijayanagar-style reliefs of dancers and elephants
A bust.
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'Sculptures in the Great Pagoda in the Fort of Vellore 1803'
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Primeval Sculpture.
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Sculpture of Parsvanath removed from Nagarabastikere by Colin Mackenzie in 1808. 'Statue of Parsa Naat belonging to the Jain religion. Sent home to the E.I. Company in Octr 1808'
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Five standing figures. 'Sculptured Figures on the South side of the Second story of the Square Ruddam at Mahabalipooram. 16th July 1816. Copied by J. Mustie April 1819'.
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A frieze
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Head from one of the Colossi of Monte Cavallo, Rome, By Phidias.
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Image in Debung Monastery [Drepung].
Detail of a large carved seated figure.
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Ornamental Sculpture at the back of the Roman Court.
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Colossal Head of Aboo Simbel.
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Burmese idols. A group of sculptures arranged in a tableau, a reclining figure of a Buddha in the centre, monks and other praying figures positioned around him
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The Pieta of the Corsini Chapel in San Giovanni Laterano, Rome, by Bernini.
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Visitors contemplate the Loves of the Gods painted by Annibale Carracci on the vaulted ceiling of the Farnese Gallery in Rome, with a draughtsman copying the paintings on the left. An open door can be seen in the background
The Toto Farnese and other Sculpture in the Greek Court.
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Statue of "The Nymph of the Danube," by Schwanthaler.
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Mission Post.
The caption in Tibet and Lhasa reads: 'This is where the Mission sustained what may almost be called a state of siege for several months. They were under constant fire from the Jong, and on the occasion of the first fight at Kha-Ru-La, when many of the garrison were away with the force, a large body of the enemy attempted to rush the Mission Post, and one man actually got over the wall'.
The rock sculpture of Arjuna's Penance, Mahabalipuram.
Inscribed: 'A view of the Sculptures representing the tapass or intense penance of Arjoona Mahabalipoorum from a Sketch by Mr J. Braddock. J. Gantz'.
"Virgin and Child", By Donatello.
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Temple of Ramses II
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Sculptural detail on the Hoysalesvara Temple, Halebid
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View of Indra Sabha, looking outward. The monolithic shrine, with a pyramidal superstructure topped by an octagonal roof, stands in the middle of the inner court of Indra Sabha cave. Beside it are a free-standing elephant and a column with Jain figures seated on top. The sides of the court are decorated with lion and elephant friezes and Tirthankaras
Head of the Colossal Sphinx.
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A piece of the frieze of the Parthenon.
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Temple of Ramses II
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'Part of the French Court, No. 2'.
The sideboard of carved walnut is the work of the Paris manufacturer Fourdinois. A nude sculpture in the foreground.
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Five railing pillars, with dancing girls standing on dwarves Mathura. A photograph of the five pillars, finely carved in deep relief, standing side by side in a garden
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View in the East Nave. Godfrey of Bouillon, by Simonis'.
The centrepiece of the Belgian display was a statue of the medieval hero Godfrey of Bouillon by Eugène Simonis.
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'View in the East Nave (The Amazon, by Kiss)'.
This view shows objects from the Zollverein, the collective name for the German states belonging to the German Customs Union formed in 1834. The centre key exhibit is a sculpture of The Amazon by August Karl Eduard Kiss.
'Part of the China Court'.
Porcelain vases, a sculpture, lanterns and a screen.
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Facade, Mundapum, Trichinopoly. View looking along the facade of the mandapa, with its piers carved in the form of rearing horses. A later (1880s?) print from a photograph taken by Bourne in 1869.
A man, a woman and a young child dressed in classical robes stand by a stream under a coffered arch, with fragments of ancient sculpture and architecture abandoned on the grass on the right
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Britannia being presented with the riches of the East. Symbolical group illustrating the commercial wealth of Britain. Commissioned by the East India Company in 1728 for the Court Room of East India House.
Symbolical group illustrating the commercial wealth of Britain, 1729-30. Britannia, seated on a globe under a rock by the sea shore is looking towards the east. Her right hand leans on a Union shield and her left holds a trident. She wears a naval crown. Before her stand three female figures; India offering a casket, Asia leading a camel and Africa a lion. On the left two putti pour out treasures from a cornucopia. On the right, Father Thames in the form of a reed-crowned river-god leans on the rudder of a ship. In the background mercantile labour and commerce are symbolised by ships and a man cording a bale. Marble bas-relief above mantlepiece with bearded caryatids supporting the mantle shelf and a lion's pelt draped between them.
Viswakarma. The interior of the chaitya hall of the 7th century Vishvakarma cave, the last important such chaitya hall made in western India, is divided into three aisles by 28 octagonal pillars with plain bracket capitals (omitted in the print). Above the columns there is a frieze of ganas, dwarf attendants and preaching Buddhas with Boddhisattvas. The vault of the ceiling is carved with ribs imitating a wooden structure. In the far end of the central nave there is a large seated Buddha in the teaching position carved on the front of the votive stupa, with attendant Bodhisattvas
Photograph of the Egyptian landscape monuments and archaeological sites. Taken in 1858.
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Photograph of the Egyptian landscape monuments and archaeological sites. Taken in 1858.
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Workshop of the Egyptian Court, resotoration of Monuments.
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The Colebrooke Dome.
Illustrated title page depicting people of various nations, gathered around a monument to Shakespeare.
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The South Transept, from the Second Terrace.
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View in the East Nave (The Greek Slave, by Power[Sic.]). The sculpture, by Hirim Powers, caused great controversy.
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Temple of Nefertari
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A woman reading a guide beside a sculpture by Jean Tinguely at the 32nd Art Biennale, Venezia, Italy, 1964 (b/w photo)
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Shape Shift, 2021 (acrylic on canvas)
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