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'Paillettes Di Rame' immagini e video risultati page 1 of 1

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Immagini di 'Paillettes Di Rame' trovate, 8

Night handbag, embroidered on moire', with silk little ribbons and copper paillettes floral motifs, Venice, 18th century,
 
Permessi
  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
Il Content Partner applica le seguenti restrizioni
  • Not available to clients invoiced in Italy
Night handbag, embroidered on moire', with silk little ribbons and copper paillettes floral motifs, Venice, 18th century,

DGA506436

Night handbag, embroidered on moire', with silk little ribbons and copper paillettes floral motifs, Venice, 18th century,

DGA506436

Woman in the fashion of 1798 (handcoloured copperplate engraving)
 
Il Content Partner applica le seguenti restrizioni
  • Not available to clients invoiced in Japan
Woman in the fashion of 1798 (handcoloured copperplate engraving)

French School, (18th century)

FLO5986583

Woman in the fashion of 1798 (handcoloured copperplate engraving)

French School, (18th century)

FLO5986583

Coat, Oto, c.1890 (mixed media) (see also 349488)
 
Permessi
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Coat, Oto, c.1890 (mixed media) (see also 349488)

American School, (19th century)

DTR349494

Coat, Oto, c.1890 (mixed media) (see also 349488)

American School, (19th century)

DTR349494

Woman in straw hat and black mantle, 1797 (handcoloured copperplate engraving)
 
Il Content Partner applica le seguenti restrizioni
  • Not available to clients invoiced in Japan
Woman in straw hat and black mantle, 1797 (handcoloured copperplate engraving)

French School, (18th century)

FLO5986520

Woman in straw hat and black mantle, 1797 (handcoloured copperplate engraving)

French School, (18th century)

FLO5986520

Coat, Oto, c.1890 (mixed media) (see also 349494)
 
Permessi
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Coat, Oto, c.1890 (mixed media) (see also 349494)

American School, (19th century)

DTR349488

Coat, Oto, c.1890 (mixed media) (see also 349494)

American School, (19th century)

DTR349488

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.
 
Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

Patrice Cartier

PCT4280408

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

Patrice Cartier

PCT4280408

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.
 
Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

Patrice Cartier

PCT4280434

Mereau: metal token (brad or yellow copper) inspired by a Venetian sequin or ducat. This piece was struck in the 19th century by London merchants John Cook (or Wilcox) and Sons (and his sons - Joannes Ille Coquus Sui Filiiove) for trade with colonized Africa - Similar tokens with abstract representations of Christ, Doge and St. Lawrence, but in gold, are known in India. In the eastern Mediterranean, the sequins and ducats, the currency of Venice, have long been a prestigious means of payment and have often been imitated.

Patrice Cartier

PCT4280434

Woman in a kerchief-turban and tunic dress, 1798 (handcoloured copperplate engraving)
 
Il Content Partner applica le seguenti restrizioni
  • Not available to clients invoiced in Japan
Woman in a kerchief-turban and tunic dress, 1798 (handcoloured copperplate engraving)

French School, (18th century)

FLO5986565

Woman in a kerchief-turban and tunic dress, 1798 (handcoloured copperplate engraving)

French School, (18th century)

FLO5986565

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