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Immagini di 'Palazzo Bernardo' trovate, 179

The minstrel, by Bernardo Celentano (1835-1863), oil on canvas, 63x46 cm, Palazzo San Giacomo, Naples.
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Piper, by Bernardo Strozzi (1581-1644), oil on canvas, 73x61 cm. Italy, 17th century.
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Roman Capriccio with Colosseum, 1742-1746, by Bernardo Bellotto, known as Canaletto (1721-1780), Oil on canvas, 1325x117 cm
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Facade of the Cathedral designed by Bernardo Rossellino (1409-64), the pediment bearing the papal arms of Pope Pius II, 1459-62 (Istrian stone)
Roman Capriccio with Capitol, 1743-1745, by Bernardo Bellotto, known as Canaletto (1721-1780), oil on canvas, 134x116 cm
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Multi-mullioned window on the noble floor of Palazzo Bernardo (15th century), Venice (UNESCO World Heritage List, 1987), Veneto, Italy
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Portrait of prelate, by Giovanni Bernardo Carbone (about 1614-1683)
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Roman Capriccio with turreted walls and city gates, 1742-1747, by Bernardo Bellotto, known as Canaletto (1721-1780), oil on canvas, 116x131 cm, Detail
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Portrait of a Lady, by Giovanni Bernardo Carbone (1614-83), oil on canvas, 236x156 cm.
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God Father, by Bernardo Castello (1557-1629), 17th century, fresco
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Fresco by Bernardo Castello (1557-1629) in Hall of Cupid and Psyche of Palazzo Odescalchi at Bassano Romano, Lazio, Italy, 16th century
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Palazzo della Prefettura, Siena (formerly Palazzo di Pandolfo Petrucci), 1490
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Palazzo della Prefettura, Siena (formerly Palazzo di Pandolfo Petrucci), 1490
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Palazzo della Prefettura, Siena (formerly Palazzo di Pandolfo Petrucci), 1490
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Roman Capriccio with turreted walls and city gates, 1742-1747, by Bernardo Bellotto, known as Canaletto (1721-1780), oil on canvas, 116x131 cm
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Relief with eagle, Palazzo Nonfinito, 1593-1613, Florence (UNESCO World Heritage List, 1982), Tuscany, Italy, 16th-17th century.
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Detail from frescoes by Bernardo Castello (1557-1629) in Hall of Cupid and Psyche of Palazzo Odescalchi at Bassano Romano, Lazio, Italy
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Fresco by Bernardo Castello (1557-1629) in Hall of Cupid and Psyche of Palazzo Odescalchi at Bassano Romano, Lazio, Italy, 16th century
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Tolar, silver grosso, Prince-Bishop Bernardo Clesio, 1520, Trento Mint, obverse, 30 mm, 16th century
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Fresco by Bernardo Castello (1557-1629) in Hall of Cupid and Psyche of Palazzo Odescalchi at Bassano Romano, Lazio, Italy, 16th century
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Roman Capriccio with triumphal arch, pyramid of Caius Cestius, St. Peter's in Vatican and Castel Sant'Angelo, 1742-1747, by Bernardo Bellotto, known as Canaletto (1721-1780), oil on canvas, 114x130 cm
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Palazzo Rucellai, Florence, built 1446-51 (photo)
The cook, ca 1625, by Bernardo Strozzi (1581-1644), oil on canvas.
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Lapis lazuli flask with cover, gold chain and enamelled gold and gilded copper strips, by Bernardo Buontalenti and Jacques Bylivelt, 1583.
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Portrait of Bernardo Dovizi da Bibbiena, 1516 (painting)
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Lapis lazuli flask with cover, gold chain and enamelled gold and gilded copper strips, Bernardo Buontalenti and Jacques Bylivelt, 1583.
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Tolar, silver grosso of Prince-Bishop Bernardo Clesio, 1520, Trento Mint, reverse, 30 mm, 16th century
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Lapis lazuli flask with cover, gold chain and enameled gold and gilded copper strips by Bernardo Buontalenti and Jacques Bylivelt, 1583
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Lapis lazuli flask with cover, gold chain and enameled gold and gilded copper strips, by Bernardo Buontalenti (1531-1608), Jacques Bylivelt (1550-1603), 1583
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Blessed Bernardo Tolomei in a fake construction, 1533 (fresco)
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Town Hall, formerly the Public Palace or Palazzo dei Priori, the draft Bernardo Rossellini (1409-1464), Pienza. The photo was taken before the restoration of 1901
16th century fresco in Hall of Zodiac of Palazzo Odescalchi at Bassano Romano, Lazio, Italy
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Palazzo Rucellai, Florence, Italy (photo)
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Scene depicting Psyche, fresco by Bernardo Castello (1557-1629) in Hall of Cupid and Psyche of Palazzo Odescalchi at Bassano Romano, Lazio, Italy, 16th century
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Facade of the cave made by Bernardo Buontalenti (1531-1608) (Grotta del Buontalenti) (1583-1588) Palazzo Pitti, Giardino di Boboli, Florence, Italy
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Interior of the cave made by Bernardo Buontalenti (1531-1608) (Grotta del Buontalenti) (1583-1588) Detail Palazzo Pitti, Giardino di Boboli, Florence, Italy
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Portrait of Bernardo Clesio (oil on panel)
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Portrait of Bernardo Clesio (oil on panel)
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Cave of Buontalenti or Great Cave, by Bernardo delle Girandole (1531-1608), detail, Boboli Gardens, Florence, Italy
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Town Hall, formerly the Public Palace or Palazzo dei Priori, the draft Bernardo Rossellini (1409-1464), Pienza. The photograph was taken after the restoration of 1901, during the works was eliminated the last floor in the facade
Portico of the Uffizi, and Palazzo Vecchio; in the background the Dome of Santa Maria del Fiore. In the Piazza of the Uffizi two horse-drawn coaches and a few passers-by can be identified
Portrait du Cardinal Bernardo Dovizi da Bibbiena (1470 - 1520)
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Cave of Buontalenti or Great Cave, by Bernardo delle Girandole (1531-1608), detail, Boboli Gardens, Florence, Italy, 16th-17th century
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Cave of Buontalenti or Great Cave, by Bernardo delle Girandole (1531-1608), detail, Boboli Gardens, Florence, Italy, 16th-17th century
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Representation of the craftsmen of Giorgio Vasari's workshop, 16th century (fresco)
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Vase with gold and gilded copper settings, designed by Bernardo di Buontalenti (1531-1608) (lapis lazuli, gold, copper)
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Bernardo Buontalenti (1531-1608) Presenting a model of the facade of the cathedral of Santa Maria del Fiore, c.1587 (gold on precious stone)
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The imperial palace of Sclosshof, 1760-63 (oil on canvas)
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The Piffero Player (Il Pifferaio), ca. 1624-1625 (Oil on canvas)
Madonna in throne has the child and saints (oil on canvas, 1522)
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Study of weapons and hands
Portrait of Elena and Claudio Cerasi, 2016 (oil on canvas)
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Study of young man in armor (drawing)
Saint Paul. 17th century (Painting)
Facade seen from Piazza della Signoria, designed by Arnolfo di Cambio (c.1245-1310) Duca d'Atene, Cronaca (1457-1508) Giorgio Vasari (1511-74) Giovanni Battista del Tasso (1500-55) and Bernardo Buontalenti (1531-1608) (photo)
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Lapis lazuli flask with enamelled gold trim and gold
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Female Portrait (oil on canvas)
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Allegory of Painting, c.1635 (oil on canvas)
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Vase, 1583 (lapis lazuli)
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The triumph of David, detail, c.1620-29 (fresco)
Fruitseller
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The parting of st. Peter and st. Paul, 1645-50 (oil on canvas)
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Madonna in Adoration
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Allegory of Painting, c.1635 (oil on canvas)
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St. Lawrence Distributes his Wealth to the Poor (oil on canvas)
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