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Immagini di 'Parisienne Sous Louis Xv' trovate, 58

Jansenism: The convulsionaries of the cemetery Saint Medard under Louis XV, c.1890 (chromo)
View of the gardens of the Palais Royal under Louis XV (Engraving)
Les convulsionnaires au cimetiere Saint Medard sous Louis XV (Engraving)
Plan de la ville de Paris sous le regne du roi Louis XV (Engraving)
Parisienne 1760
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Place de la Concorde, Paris 75008, France. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor.
Place de la Concorde, Paris 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor. One of the seated figures of one of the two fountains of Place de la Concorde
Ferris wheel and obelisque de la Concorde, Paris 75008, France. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor.
The torture of the children of the Duc de Nemours, 1844 (engraving)
Ferris wheel and obelisque de la Concorde, Paris 75008, France. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor.
Ferris wheel and obelisque de la Concorde, Paris 75008, France. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Obelisque of Luksor.
Place de la Concorde in Paris, Paris 75008. Architecture by Ange Jacques-Gabriel, 1755-1763. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains that surround the obelisque of Luksor without forgetting the rostral columns and candelabra that surrounded the square
Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. The works began in 1755 and the square was inaugurated in 1763 under the name of Place Louis XV, it became the place of the Revolution in 1792 and became the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867) to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Luxor obelisque.
Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. The works began in 1755 and the square was inaugurated in 1763 under the name of Place Louis XV, it became the place of the Revolution in 1792 and became the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867) to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Luxor obelisque.
Detail of a rostrale column, Place de la Concorde, Paris 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains that surround the obelisque of Luksor without forgetting the rostral columns and candelabra that surrounded the square
column rostrale, place de la Concorde, Paris 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains that surround the obelisque of Luksor without forgetting the rostral columns and candelabra that surrounded the square
Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867), to redesign the square with the eight statues of the big cities of France and the fountains surrounding the obelisque of Luksor, realisation 1835-1840. Phototorgpahie 10/09/04.
column rostrale, place de la Concorde, Paris 75008. Designed by Jacques Ange Gabriel as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis-Philippe will give it back its current name. In 1836, he called the architect Hittorf to reshape the square with the eight statues of the big cities of France and the fountains that surround the obelisque of Luksor without forgetting the rostral columns and candelabra that surrounded the square
View of the Avenue des Champs Elysees from La Place de la Concorde in Paris Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. The works began in 1755 and the square was inaugurated in 1763 under the name of Place Louis XV, it became the place of the Revolution in 1792 and became the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867) to redesign the square with the eight statues of the big cities of France and the fountains surrounding the Luxor obelisque.
Economic system: the speculative bubble at the time of the Law system, the agiotors of Rue Quincampoix - Under Louis XV, some brokers set up on Rue Quincampoix, under the name of bankers, to trade public papers and to make prices play up or down for their profits, around 1720 (View of the rue Quincampoix with the speculators at the time of the system of John Law, Scottish economist, developed between 1716 and 1720 in Paris) Engraving from “Les Rues-de-Paris” by Pierre Zaccone, 1859 Collection privee
Plan of Paris with the Arsenal, 1756 Map
The fountains of the Rivers on the Place de la Concorde in Paris. Designed by Jacques Ange Gabriel (1698-1782) as a French garden, it is one of the most beautiful French squares. Inaugurated in 1763 as Place Louis XV, it became the place of the Revolution from 1792 to become the place of capital executions. Louis Philippe (1773-1850) gave it back its current name. In 1836 he called the architect Jakob Hittorff (1792-1867), to redesign the square with the eight statues of the big cities of France and the fountains surrounding the obelisque of Luksor, realisation 1835-1840. Phototorgpahie 10/09/04.
The speculative bubble at the time of the Law system, 19th century (engraving)
The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation as a laique and patriotic temple. Headquarters to the insurgents of the Commune in 1871, during which Milliere was shot on the steps, the building was definitively transformed into a Republican monument in 1885, during the funeral of Victor Hugo.
The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation as a laique and patriotic temple. Headquarters to the insurgents of the Commune in 1871, during which Milliere was shot on the steps, the building was definitively transformed into a Republican monument in 1885, during the funeral of Victor Hugo.
The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation as a laique and patriotic temple. Headquarters to the insurgents of the Commune in 1871, during which Milliere was shot on the steps, the building was definitively transformed into a Republican monument in 1885, during the funeral of Victor Hugo.
Map of the Monceau Park, 1718, Paris (engraving)
The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation as a laique and patriotic temple. Headquarters to the insurgents of the Commune in 1871, during which Milliere was shot on the steps, the building was definitively transformed into a Republican monument in 1885, during the funeral of Victor Hugo.
The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation as a laique and patriotic temple. Headquarters to the insurgents of the Commune in 1871, during which Milliere was shot on the steps, the building was definitively transformed into a Republican monument in 1885, during the funeral of Victor Hugo.
The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation as a laique and patriotic temple. Headquarters to the insurgents of the Commune in 1871, during which Milliere was shot on the steps, the building was definitively transformed into a Republican monument in 1885, during the funeral of Victor Hugo.
The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation as a laique and patriotic temple. Headquarters to the insurgents of the Commune in 1871, during which Milliere was shot on the steps, the building was definitively transformed into a Republican monument in 1885, during the funeral of Victor Hugo.
Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation as a laique and patriotic temple. Headquarters to the insurgents of the Commune in 1871, during which Milliere was shot on the steps, the building was definitively transformed into a Republican monument in 1885, during the funeral of Victor Hugo.
The Pantheon in Paris. Construction 1757-1790, architect Jacques Germain Soufflot (1713-1780). In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Soufflot the task of drawing the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation as a laique and patriotic temple. Headquarters to the insurgents of the Commune in 1871, during which Milliere was shot on the steps, the building was definitively transformed into a Republican monument in 1885, during the funeral of Victor Hugo.
Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation as a laique and patriotic temple. Headquarters to the insurgents of the Commune in 1871, during which Milliere was shot on the steps, the building was definitively transformed into a Republican monument in 1885, during the funeral of Victor Hugo.
Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation as a laique and patriotic temple. Headquarters to the insurgents of the Commune in 1871, during which Milliere was shot on the steps, the building was definitively transformed into a Republican monument in 1885, during the funeral of Victor Hugo.
Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation as a laique and patriotic temple. Headquarters to the insurgents of the Commune in 1871, during which Milliere was shot on the steps, the building was definitively transformed into a Republican monument in 1885, during the funeral of Victor Hugo.
The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.
Le Pantheon (1757-1790), Paris 5e. In 1744 Louis XV, suffering from a serious illness in Metz, would wish to erect an immense church instead of the abbey of Sainte Genevieve, which was then in ruins. When the war came, he kept his word and assigned the architect Jacques Germain Soufflot the task of drawing up the plans of the monument. A great admirer of Greek Roman architecture, he imagined a gigantic building, built on a plan of Greek cross 110 metres long, 84 metres wide and 83 metres high. At the time, the project seemed so insane that many, in the court and in the salons of the capital, would question Soufflot's abilities and prevent the collapse of the monument. Louis XV confirmed his confidence in the architect and laid the foundation stone in 1764 during a grand ceremony. In 1806, the Pantheon, like all the churches in France closed during the revolution, was restored to its original name of Sainte Genevieve church. Renamed Pantheon in 1830, the building regained its vocation as a laique and patriotic temple. Headquarters to the insurgents of the Commune in 1871, during which Milliere was shot on the steps, the building was definitively transformed into a Republican monument in 1885, during the funeral of Victor Hugo.
The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.
The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.
The theatre Le Ranelagh in the sixteenth in Paris, 5 rue des Vignes, 75016 Paris, France. Architecture of 1894. Photography 07/09/09. In 1755, Alexandre Jean Joseph Le Riche de La Poupliniere, a farmer general under the rule of Louis XV, had a theatre built in his domain of Boulainvilliers at the end of the allee of his castle. In 1815, the gardens of the property were particularly devasted by the English according to the sources required in the Historical, Topographic and Military Dictionary of 1838. Mr. Cabal, notary, sold the estate in 1826 to speculators who traced a new district called Boulainvilliers instead of the estate. Louis Mors, the famous car builder, acquired a large part of this plot, on which he had a theatre built in 1894 at the location of the Salon de Musique de la Poupliniere.
Paris, France - Facade de la Chapelle du College Grandmont.
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Illustration for " Histoire de France illustree de 88 tableaux en 5 couleurs", 1935 (print)