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'Paura Della Barba' immagini e video risultati page 1 of 1

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Immagini di 'Paura Della Barba' trovate, 75

Little Person (gouache on paper)
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The Rape, 1940 (indian ink on paper)
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Pilar is afraid of Butterflies, 1977 (oil on canvas)
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Blue beard: Blue beard's young wife, Fatima, asks her sister Anne if she sees her brothers from the tower, c.1910
The Commander's Head (oil on canvas)
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The proposal, from 'Bluebeard' by Charles Perrault (1628-1703) (oil on canvas)
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Honorable Mr Ivanoe Bonomi's pistols, satirical cartoon from L'Asino magazine, 7 January, 1922, Italy
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Beard wire rust and fog.
Blue Beard's wife.
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Ali: Fear Eats the Soul (Angst essen Seele auf), 1974 (filmstill)
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Self portrait, 1550 (oil on panel)
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From the Apennines to the Andes, from Heart, by Edmondo De Amicis, drawing
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Marble statue of kneeling Gaul, Roman copy of Pergamon school original
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The Barber
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Marble statue of kneeling Gaul, head detail, Roman copy of Pergamon school original
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Marble statue of kneeling Gaul, Roman copy of Pergamon school original
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Joel, by Eugene Spiro, (1874-1972)
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Marble statue of wounded Gaul, Roman copy of Pergamon school original
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Self-Portrait, 1946 (oil on canvas)
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Partition Wall with Mask and , by unknown artist, 40-30, 1st Century B.C., ripped fresco, 118 x 60 cm
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Biblical scenes, by Guariento di Arpo, 1340 - 1370, 14th Century, fresco
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Biblical scenes, by Guariento di Arpo, 1340 - 1370, 14th Century, fresco
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The Departure of Attilius Regulus for Carthage (La partenza di Attilio Regolo per Cartagine), detail, 1826 (oil on canvas)
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Charon (Caronte), by Renato Guttuso, 20th Century, ink and tempera on paper
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King Robert I, 1965 (gouache on paper)
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Ego sonto un homo salvadego per natura, chi me ofende ge fo pagura (I'm wild man by nature, those who offend me I will put fear), fresco, Homo Salvadego museum, Sacco, Cosio Valtellino, Lombardy, Italy, 15th century
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Elijah and Elisha's Stories. Prophtes of Baal Sacrifice, by Bruxelles Manifacture, 1550 - 1560, 16th century, tapestry
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The Passion of Jesus, 1365-1368 (fresco)
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Monster Park or Sacred Wood, by Pirro Ligorio, 1552 - 1585, 16th Century, peperino
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Rebel giants punished by Jupiter, 1532-1535, detail from fresco by Giulio Romano (1499-1546), Chamber of Giants, Palazzo Te, Mantua (UNESCO World Heritage List, 2008), Lombardy, Italy, 16th century
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Susanna and the Elders, by Sisto Badalocchio (Badalocchi), 1609 ca., 17th Century, oil on canvas, 161,3 x 111,4 cm
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Monster Park or Sacred Wood, by Pirro Ligorio, 1552 - 1585, 16th Century, peperino
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The Story of Rumpelstiltskin, 1959 (gouache on paper)
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Tale of a Bearded Giant, c.1900 (colour slide)
Kiss of Judas, detail (fresco)
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Noah's Stories. Embarkation of animals on the Ark, by Gilam Van Cortenberg's Manifacture, 1650 - 1660, 17th Century, woll and silk tapestry, with a warp made of 8 threads per cm
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Christ driving the traders from the Temple (fresco)
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St. Philip forced to sacrifice to an idol, by Guariento di Arpo, 1335 - 1340, 14th Century, fresco
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Kiss of Judas (Bacio di Giuda), by Giotto, 1303-1305, 14th century (fresco)
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The Passion of Jesus, 1365-1368 (fresco)
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Sodom and Gomorrah (oil on canvas)
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Rib Vault with the Navigation of St. Peter, 1365-1367 (fresco)
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Brawl between musicians (oil on canvas)
Kiss of Judas, detail (fresco)
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” Bluebeard”, 1907 (poster)
Lüneburg, Rathaus, Altes Archiv
Last Judgement, by Unknown Artist, 15th Century, fresco
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Detail of the Temptation of St Anthony the Great, Altarpiece of Issenheim, c.1512-16 (oil on panel)
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Last Judgement, by Unknown Artist, 15th Century, fresco
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EMBARKATION OF THE PILGRIMS, by Robert W. Weir, 1843, US Capitol Rotunda. The Pilgrims pray on the deck of the ship Speedwell on July 22, 1620, before they depart from Delfs Haven, Holland, for North America. Right from central figure of Elder William Brewster (holding a book), is Governor John Carver (wearing ruff), then Mr. Robinson, pastor of the congregation (with beard), and kneeling is Myles Standish and his wife Rose. The well-dressed couple standing on left are Mr. And Mrs. Edward Winslow. The Speedwell sailed to Southampton, England, to join the Mayflower, for the voyage. When the leaks proved her unseaworthy, its passengers boarded the Mayflower. Five months later the Pilgrims arrived at the Plymouth Colony (oil on canvas)
Les foberies de Scapin, piece by Jean Baptiste Poquelin dit Moliere (1622-1673), act 3, scene 2: Geronte, hiding in a bag, arose, to the great fear of Scapin, who was keen to hit the bag with a stick. This scene inspired Boileau, who did not appreciate the piece, the famous critic Alexandrin; “” in this ridiculous bag or envelope Scapin, I do not recognize the author of the Misanthrope””. The piece, first presented on 24 May 1671, was played 16 consecutive times. Engraving by Janet-Lange, popular Barba edition, 19th century.
Ferdinand Hodler
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The great comet of October 1528 describes and thus figured by Ambroise Pare in his “Book of Monsters and Wonders”” (1573): “The elders have left us by escrit that the face of Heaven has been so many times defigured of bearded Comettes, hair, torches, torches, coulonnes, spears, shields, battle of nukes, dragons, duplication of Moons & Suns, & other things... This Comette is so horrible and unbearable, that it provoked so great terror to the vulgar that none of them died of fear. The others got sick. This strange Comette lasted an hour & a quarter, and commended to perform from the coste of the rising sun, then fired towards the midnight. It appears to be of excessive length, and if it is of blood color. At the top of this one sees the figure of a curved arm, holding a great espee in the hand as if he had wanted to strike. At the end of the tip there were three estoiles. But the one that is right on the tip, is clearer and brighter than the others. At both sides of this comet's rays, he sees himself a great number of axes, cousteals, espees, bloodshed, parmy which there were many hideous human faces with beards, and hair hairise, as seen by this figure.” Ambroise Pare reproduces in reality a description and an engraving published in 1560 by Pierre Boaistuau (or Pierre Launay) in his “Histoires prodigieuses”, copying those published in 1557 by Conradus Lycosthenes (in fact the German erudit Conrad Wolfhart), who draws these elements from a book published the same year by astrologer Peter Zer- celestial prodigy, sword, mysterious star, mystery, meteore -