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Immagini di 'Percepito' trovate, 133

Planet earth as perceived by Cosmas
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I perceived it was the burial ground of the elephants (engraving)
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Enclosed planet earth as perceived by Cosmas
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The watchman perceived a huge beast, c.1920 (colour litho)
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Chapter I. 'I perceived the lion had, by the eagerness with which he sprung at me, jumped forward, as I fell, into the crocodile's mouth!'
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Oslo April 8, 1991. Viking Tires Production A/S Thousands of trade unions and others from Indre Østfold on Monday demonstrated in Oslo in protest against what is perceived as broadcast, from the government, in the Viking-Askim case …, 1990 (photo)
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Headshot of Jonas Savimbi, leader of the Angolan rebel UNITA movement, listening to reporters' questions during a news conference in Bonn where he said that he had detected a new mood of optimism arising fromo peace talks between Cuba, SOuth Africa, ANgola, 1988-07-12 (photo)
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Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.
Pierre DuPont, noted Financier (right), talking with his lawyer, James Ivins, at a NYC hearing. May 5, 1937. The Bureau of Internal Revenue's investigation of the income tax returns of DuPont, John J. Raskob and other Financial Figures. The government charges that a transaction between Raskob and DuPont deprived the government of almost ,000,000 in taxes. May 5, 1937. The businesses had committed disreputable tax avoidance rather than illegal tax evasions and were embittered against the New Deal for what they perceived as persecution. -
Aurora boreale 12 - 2001 - Aurora borealis 12 - 2001 - Aurora boreale observed in Alaska, December 24, 2001. The film recorded much more colours than those visible by human vision; visually, only a slight green glow was perceived. Image taken on Christmas Eve of 2001. Often the film will pick up more color than we see visually at night and this is a good example. Our eyes are somewhat color blind in dim conditions but the film is not. Visually one could only see a little green
Government begins probe of Pierre DuPonts' tax returns. The noted financier, (left) and one of his aids, Gerald Montaigne, appeared at the initial hearing in New York City, May 3, 1937. The government is also investigating John J. Raskob. The Bureau of the Internal Revenue Service contends that through transactions involving more than ,000,000, DuPont and Raskob were enabled to report taxable income considerably under what they should have declared. The businesses had committed disreputable tax avoidance rather than illegal tax evasions and were embittered against the New Deal for what they perceived as persecution. -
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Codex Atlanticus, sheet 348 recto, 1478-1518 (pen & ink)
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Codex Atlanticus, sheet 348 verso, 1478-1518 (pen & ink)
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Aron's rod becomes a serpent
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Adolf Hitler with members of his regiment from the 1st World War, 1939 (b/w photo)
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VEILED GULF ARAB WOMEN LOOK AT DRESSES AT A SYRIAN FASHION SHOP IN
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Brixton riots, London, September 1985
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