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Immagini di 'Percezione Sensoriale' trovate, 64

Sensory Homunculus (plaster)
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The human cranial nerves and their areas of innervation.
A lens magnifying an object.
Diagram, by Wilhelm Wundt, Contributions to the Theory of Sensory Perception, Leipzig, 1862 (print)
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The auditory system in different types of insects.
The analysis of sound frequencies by the basilar membrane.
Image formation in a microscope, according to the Abbe theory.
Cross section of a crystal microphone.
Young woman's face showing creases in corner of eye
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The components of a scanning electron microscope (SEM).
The mechanical components of a compound microscope.
The auditory ossicles of the middle ear and the structures surrounding them.
Closed eye of young woman showing eyelid and brown eyelashes
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Marquetry depicting perspective view of building, wood carving
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Diagram of a mammalian muscle spindle.
Birds: Eyes, illustration
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Open eye of young woman showing green pupil and brown eyelashes
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Open eye of young woman showing hazel pupil and brown eyelashes
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The components of a transmission electron microscope (TEM).
USA, 1950s: animation of effects of sensory perception of food on the stomach and brain
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Structure of the human ear.
Sensory Homunculus (plaster)
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Sagittal view of the human nasal cavity.
Marquetry depicting perspective view of building, wood carving
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Cross-staff in navigation
Sir Joseph Norman Lockyer, FRS (1836 –1920)
Marquetry depicting perspective view of building, wood carving
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Marquetry depicting perspective view of building, wood carving
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Marquetry depicting perspective view of building, wood carving
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Madonna Palafrenieri, 1605 (oil on canvas)
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Blind Feeling, 1996 (computer graphics)
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Touch, by Gillis van Tilborgh the Younger (1625-1678).
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Head-Sense, 2002 (computer graphics)
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Sight, by Gillis van Tilborgh the Younger (1625-1678).
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Human-Instincts, 2002 (computer graphics)
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Hearing, 1678, by Gillis van Tilborgh the Younger (1625-1678).
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Seven Works of Mercy, 1606 - 1607 (oil on canvas)
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Martyrdom of St Peter, 1600 - 1601 (oil on canvas)
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Detail representing sense of sight: Lady before the mirror, from Series of the Five Senses, by unknown artist after engraving by Abraham Bosse (1604-1676) Detail, painting, around 1635
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Mercury and Argus, 1659 - 1659 (oil on canvas)
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Madonna di Loreto, 1604 - 1606 (oil on canvas)
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Intractable consciousness, 2009-10 (acrylic on board)
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Rhine ESP Experiment
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U. Merbold in Spacelab STS - 42 01/1992 - Ulf Merbold in Spacelab - Physical experiment. - Ulf D. Merbold, equipped with a helmet with sensors connected to a camera, prepares for the experience of the rotating chair in order to experiment with the effects of microgravite on the vestibular system (the main sensory system of perception of motion and orientation relative to vertical). 22 - 30/01/1992. STS-42 Payload Specialist Ulf D. Merbold prepares for a Microgravity Vestibular Investigation experiment while in front of International Microgravity Laboratory 1 (IML-1) module Rack 7. Wearing a lightweight headset and with sensors applied around his eye, Merbold will don a helmet mounted camera and record measurements while he is spun in the MVI rotator chair. IML - 1 spacelab module is located in the payload bay of Discovery, Orbiter Vehicle 103. 01/199
Descartes' idea of vision, showing passage of nervous impulse from the eye to the pineal gland and so to the muscles, 1677 (Woodcut)
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Astronaut Roberta Bondar in the rotating chair 01/1992 - Astronaut Roberta Bondar in rotator chair - Roberta Bondar in the spacelab module, prepares for the experience of the rotating chair in order to experiment with the effects of microgravite on the vestibular system (the main sensory system of perception of motion and orientation in relation to vertical). 01/1992. STS - 42 Payload Specialist Roberta L. Bondar gets into the Microgravity Vestibular Investigations rotator chair to begin an experiment. The chair is mounted in the center aisle of the International Microgravity Laboratory 1 spacelab module. Just above Bondar's head is the helmet assembly which is outfitted with accelerometers to measure head movements and visors that fit over each eye independently to provide visual stimuli. The chair system has three movement patterns: “” sinusoidal”” or traveling predictably back and forth over the same distance at a constant speed; “” pseudorandom””” or moving back and forth over varying distances; and “” stepped”””” or varying speeds beginning and stopping suddenly. 01/199
LSD Narcotics, c. 1960s-1970s (Part 3 of 4)
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LSD Narcotics, c. 1960s-1970s (Part 1 of 4)
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LSD Narcotics, c. 1960s-1970s (Part 4 of 4)
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LSD Narcotics, c. 1960s-1970s (Part 2 of 4)
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