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Ulysses and the cyclops Polyphem
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Ulysses - Polyphem (photo)
Ulysses receives the wine from Maron, Priest of Apollo
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Ulysses receives the wine from Maron, Priest of Apollo
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Polyphemus.
Odyssey - Polyphemus
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POLYPHEMUS & GALATEA
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Portraits of James Barry and Edmund Burke in the characters of Ulysses and his companion fleeing from the Cave of Polyphemus, 1776 (oil on canvas)
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Odysseus gives wine to Polyphemus, The Odyssey (print)
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The blinding of Polyphemus
Polyphemus and Acis (Fresco, 1597-1600)
Ulysses hands the sleeping draught to Polyphemus
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Polyphemus and Galatea (oil on canvas)
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Polyphemus and Galatea, 1-50 AD (fresco)
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The Odyssey, detail of Polythemus, 1554-56 (fresco)
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The giant Polyphemus with Galatea and the herdsman Acis, from the Sala di Amore e Psiche, 1528 (fresco)
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Polyphemus discovering Galatea and Acis, after 1500 (oil on canvas)
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Polyphemus and Galatea (Fresco, 1597-1600 )
Acis, Galatea and Polyphemus, 1627-30 (brown ink & wash on paper)
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Ulysses Blinding Polyphemus the Cyclops, frieze representing scenes from the Quests of Ulysses (fresco) (b/w photo)
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The Blinding of Polyphemus by Ulysses, 1st century (marble)
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Polyphemus and Galatea, Herculaneum, 1st century (fresco)
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Polyphemus and Galatea, Herculaneum, 1st century (fresco)
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Polyphemus and Galatea, Herculaneum, 1st century (fresco)
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Polyphemus and Galatea, Herculaneum, 1st century (fresco)
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Ulysses dig the eye of the Cyclops Polypheme fresco by Pellegrino Tibaldi (or Tibaldo) dit il Pellegrini (1530-1596) at the Poggi Palace in Bologna, Italy. “Ulysses and Polyphemus (Ulisse acceca il ciclope).
Odysseus blinding the cyclops Polyphemus, 650 BC (terracotta)
France, Paris, Fontaine de Medicis, statues on fountain, Polyphemus (Polypheme) cast in dark bronze over acis and galatea (Galatee) sculpted from white marble.
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Polyphemus and Aeneas, Pompeii, 1st century BC - 1st century AD (fresco)
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Head of Ulysses (Odysseus), Roman copy after an Hellenistic sculpture of the Rhodian school, probably from the blinding of Polyphemus statuary group, marble
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Hydria with representation of Ulysses blinding Polyphemus the Cyclops, Cerveteri, Italy, 450-400 BC (terracotta)
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Polyphemus Receives Galatea's Letter, 62 -79, detail (painted stucco)
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France, Paris, Fontaine de Medicis, fountain surrounded by greenery with Polyphemus (Polypheme) cast in dark bronze over acis and galatea (Galatee) sculpted from white marble.
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Head of Ulysses (Odysseus), Roman copy after an Hellenistic sculpture of the Rhodian school, Probably from The Blinding of Polyphemus statuary group, marble
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Detail of Galatea and Polyphemus, from the House of the Priest Amandus, c.15 BC-50 AD (fresco)
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Painting of  Galatea and Polyphemus, South wall of triclinium , from the House of the Priest Amandus, c.15 BC-50 AD
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Relief with masks of Polyphemus and Galatea, second half of the 1st century AD (sculpture)
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The Triumph of Galatea (oil on canvas)
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Antiquity: Head of Odysseus from a Greek 2nd century BC marble group representing Odysseus blinding Polyphemus, found at the villa of Tiberius at Sperlonga, Italy.
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Horseshoe crab, Limulus polyphemus, and lobster, Homarus gammarus (Crevisse molucca, Monoculus polyphemus, and lobster, Astacus marinus). From the collection of G.W. Knorr. Handcoloured copperplate engraving by Georg Wolfgang Knorr from his Deliciae Naturae Selectae of Kabinet van Zeldzaamheden der Natuur, Blusse and Son, Nuremberg, 1771.
Ulysses creeps the eye of the Polypheme Cyclops with an olive stake. Sequence inspired by the Odyssee of Homere. Original gouache by Marie Joly., 2010. Private collection, rights artist OK.
History of Ulysses: “” The Polypheme Cyclops in his cave””” Fresco by Pellegrino Tibaldi (or Tibaldo) dit il Pellegrini (1530-1596), 1549. Palazzo Poggi Bologna
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Olympia seduced by Jupiter, Polyphemus guarding Acis and Galatea, Pasiphae entering the cow constructed by Daedalus, from the Sala di Amore e Psiche, 1527-31 (fresco) (post restoration)
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2 frescoes of ancient inspiration (Greek mythology) - Race of centaurs to gallop (centhaur) - Ulysses creeps the eye of the Polypheme Cyclops and runs away with his companions by clinging to the beliers. Original gouaches by Marie Joly. Private collection, rights artist OK.