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Il quarto stato (The Quarter State), 1901 (oil on canvas)
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Romeo and Juliet- title page of the second quarto
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Scout cruiser Quarto sailing
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Hamlet, First Quarto, 1603 (print)
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Hamlet, First Quarto, 1603 (print)
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Roman necropolis, Quarto, Campania, Italy
Roman necropolis, Quarto, Campania, Italy
Giuseppe Garibaldi leaves from Quarto for the expedition of the Thousand (painting)
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The Beginning of the Expedition at Quarto (La partenza da Quarto), by Giuseppe Nodari, 1860, 19th Century (engraving)
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First page of the first quarto edition of Hamlet
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Marcello Marchesi and Maurizio Costanzo at Quarto Programma
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Feminists in Quarto Oggiaro, Milan, Italy, 1976 (photo)
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Feminists in Quarto Oggiaro, Milan, Italy, 1976 (photo)
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Feminists in Quarto Oggiaro, Milan, Italy, 1976 (photo)
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Marcello Marchesi and Maurizio Costanzo at Quarto Programma, Italy
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Feminists in Quarto Oggiaro, Milan, Italy, 1976 (photo)
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Feminists in Quarto Oggiaro, Milan, Italy, 1976 (photo)
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Feminists in Quarto Oggiaro, Milan, Italy, 1976 (photo)
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Feminists in Quarto Oggiaro, Milan, Italy, 1976 (photo)
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Marcello Marchesi and Maurizio Costanzo at Quarto Programma, Italy
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Panoramic view of Quarto dei Mille, Liguria, Italy
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View of a Roman road, Quarto d'Altino, Venice, Italy (photo)
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National Archeological Museo, Altino, Quarto d'Altino, Veneto, Italy
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Ferrovie nord, Quarto Oggiaro, Milan, Italy (b/w photo)
The Fourth Estate (Il Quarto Stato), by Giuseppe Pellizza da Volpedo, 1898 - 1902, (oil on canvas)
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Boarding of Thousand at Quarto, 5 May 1860 by Girolamo Induno, oil on canvas
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Quarto Oggiaro, Milan deposizione, Milan, Italy, 1970s (b/w photo)
Parish area of Bollate and Quarto Oggiaro, Milan, planimetry, 1879, Italy, 19th century
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Blown glass unguentaria found in the necropolis of Altino, Veneto, Italy. Roman Civilization, 1st century.
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Cupid, Flora, Ceres and Esculapius honouring the bust of Linnaeus
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Artichoke or King protea, Protea cynaroides
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Boarding of the Thousand at Quarto, 5 May 1860 by Girolamo Induno, 1825-1890, oil on canvas
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Peso monetale, quarto di Spain, obverse, coat of arms, Spain, 18-19th century
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Libri Come, Festival of Books and Reading, Rome 2014 Italian writer Mario De Quarto
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Libri Come, Festival of Books and Reading, Rome 2014 Italian writer Mario De Quarto
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Italy, Glass amphora from the tomb n.41, necropolis of Altino
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Ribbed cup in amber coloured glass found in the necropolis of Altino, Veneto, Italy. Roman Civilization, 1st century.
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Departure from Quarto dei Mille, May 15, 1860, by Theodor Tetar Petrus van Elven (1831-1908), oil on canvas
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The Superb Lily, Lilium superbum
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Francesco Guccini performing on stage at Teatro Quartiere in Quarto Oggiaro, Italy, 1976 (b/w photo)
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Temple of Flora, title page with vignette of cupids and Flora
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Luigi Carlo Farini (Russi, 1812-Quarto, 1866) in House of Parliament, engraving, Italy, 19th century
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Italy, Mosaic floor from necropolis of Altino
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Boarding of the Thousand at Quarto, circa 1860, by Gerolamo Induno (1825-1890), oil on canvas, 110x150 cm
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Libri Come, Festival of Books and Reading, Rome 2014. Italian writer Mario De Quarto (photo)
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Francesco Guccini performing on stage at Teatro Quartiere in Quarto Oggiaro, Italy, 1976 (b/w photo)
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Francesco Guccini performing on stage at Teatro Quartiere in Quarto Oggiaro, Italy, 1976 (b/w photo)
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Francesco Guccini performing on stage at Teatro Quartiere in Quarto Oggiaro, Italy, 1976 (b/w photo)
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Francesco Guccini performing on stage at Teatro Quartiere in Quarto Oggiaro, Italy, 1976 (b/w photo)
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Libri Come, Festival of Books and Reading, Rome 2014. Italian writer Mario De Quarto (photo)
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Portrait of Roman lady, marble artifact from necropolis at Altino near Via Annia, Veneto, Italy, Roman Civilization, 1st century
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Marble erma from the necropolis at Altino near the Via Annia, Veneto, Italy. Roman Civilization, 1st century.
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Rocks in Quarto, 1881, By Serafino de Avendano (1838-1916), Oil on canvas, 85x132 cm, 19th century, Italy
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Tulip varieties from Thornton's "The Temple of Flora"
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View of Church of Saint Michael Archangel, Quarto Inferiore, Granarolo dell'Emilia, Emilia-Romagna, Italy, lithograph, circa 13x17 cm
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Genoa, 1960, The rock of Quarto from which the Thousand embarked the night between 5 and 6 May 1860 (b/w photo)
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Boarding of the Thousand at Quarto, May 5, 1859, Italy, Expedition of the Thousand, engraving from drawing by Matania, engraving by Centenari from L'Illustrazione Italiana, No 22, June 1, 1884
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Prague, the capital of the Czech Republic, crossed by the river Vltava or Moldau in German. 1,295,000 inhabitants. Baroque City
Statue of Karolo Quarto, Charles IV
Frontispice de” De lactibus, sive, Lacteis venis, quarto vasorum mesaraicorum genere, novo invento" de 1628. Gaspare Aselli - Biblioteca Nazionale Braidense, Milano
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Two-handled glass amphora found in tomb No 41 of the necropolis of Altino, Veneto, Italy. Roman Civilization, 1st century.
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Battle of Adrianople or Hadrianopolis
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Group of Carnations from Thornton's "Temple of Flora"
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Statue of Triton found in the Belgiardino area, Sperlonga, Lazio, Italy. Roman Civilization, 2nd century.
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Battle of Adrianople (Gold Hadrianopolis)
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Regency-era library table and chair in mahogany and bronze
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Detail of statue depicting siren from necropolis at Altino near Via Annia, Veneto, Italy, Roman Civilization, 1st century
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A circular moveable bookcase, 1810
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Rome; about 1960 Politicians members of the Italian Socialist Party Bettino Craxi and Pietro Nenni (third and fourth from the left)/Roma, 1960 circa I politici socialisti Bettino Craxi e Pietro Nenni (rispettivamente terzo e quarto da sinistra) - Marcello Mencarini Historical Archives
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Cataphract and Clibanarii of the Late Roman Empire
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Light and auxiliary troop of the Late Roman Empire
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Cataphract and Clibanarii of the Late Roman Empire
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Pear varieties, Pyrus communis: Orange Bergamot and Bergamot de Chantilly. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Light and auxiliary troop of the Late Roman Empire
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White sweet water grape, Vitis vinifera. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.
Botanical board: watermelon - Polinac melon, Cucumis melo, and segment of fruit, leaf, flower, tendril. Handcoloured stipple engraving of an illustration by George Brookshaw from his own “” Pomona Britannica,”” London, Longman, Hurst, etc., 1817. The quarto edition of the original folio edition published from 1804-1812. Brookshaw (1751-1823) was a successful cabinet maker who disappeared in the 1790s before returning as a flower painter with the anonymous “” New Treatise on Flower Painting,””” 1797.