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'Signac Paul 1848 1903' immagini e video risultati page 1 of 1

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Immagini di 'Signac Paul 1848 1903' trovate, 77

The Milliner, 1885
Antibes, Umbrella Pine In The Foreground (Antibes, Pin Pignon Au Premier Plan) (black ink drawing with black pencil on tan wove paper)
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Le Dimanche Parisien, From Revue Independent (Edition De Luxe) (lithograph)
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Front cover of Avant et après, 1903 (pen and black ink on hardboard cover)
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Avant et après - text and drawing of Adam and Eve with the snake winding around the tree behind them, 1903 (pen and black ink (text), black chalk (drawing) on wove paper)
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Avant et après - Landscape with a hut and palm trees, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down horizontally on album page; white bodycolour at all corners and centre of edges to conceal brown stains caused by adhesive on the verso; unable to lift and check verso. )
Avant et après - seated Japanese woman fanning herself from 'The Sixth Month: Summer airing of clothes', 1854 (polychrome woodblock print laid down on album page)
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Avant et après, Atuana, Marquesas Islands, January- February 1903 (manuscript)
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Avant et après - drawing "À quoi-penses-tu? Je ne sais pas", 1903 (graphite, pen and black ink on wove paper)
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Avant et après - Bonjour Monsieur Gauguin, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; possibly only partially traced on the verso)
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Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 14), 1903 (pen and black ink on wove paper)
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Avant et après - First page of main text , 1903 (pen and black ink on wove paper)
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Avant et après - Head of a Marquesan woman, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on the verso)
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Avant et après - Last page of main text, 1903 (pen and black ink on wove paper)
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Avant et après - text and drawings of 'le petit mignon' and his dogs in Cythera and two heads (a self-portrait?) in a café, 1903 (pen and black ink on wove paper; the upper drawing also has graphite underdrawing)
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Avant et après - L'Appel, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down on album page; unable to lift to see verso)
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Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 16), 1903 (pen and black ink on wove paper)
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Avant et après - drawing "Les saintes images", 1903 (graphite, pen and black ink, black wash on wove paper)
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Avant et après - drawing "Les ailes sont lourdes. Le tout est primitif", 1903 (pen and black ink on wove paper)
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Avant et après - drawing "Non dépourvues de sentiment", 1903 (traces of graphite, black wash, pen and black ink on wove paper)
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Avant et après - Study of legs, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; no drawing on verso)
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Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 11), 1903 (pen and black ink on wove paper)
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Avant et après - Causeries sans paroles, 1903 (traced monotype printed in black ink (recto), graphite and pen and black ink (verso) on wove paper, laid down on album page)
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Avant et après - Return from the hunt, 1903 (traced monotype printed in black ink (recto), graphite and pen and black ink (verso) on wove paper, laid down on album page)
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Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, oriented horizontally on album page; white bodycolour added to cover prominent brown stains caused by adhesive; unable to lift to see verso)
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Avant et après - Les anges à tout le monde, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; verso blank)
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Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 8), 1903 (pen and black ink on wove paper)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 10), 1903 (pen and black ink on wove paper)
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Il Content Partner applica le seguenti restrizioni
  • Manipulation of the image, cropping and overlay of text forbidden
Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 9), 1903 (pen and black ink on wove paper)
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Il Content Partner applica le seguenti restrizioni
  • Manipulation of the image, cropping and overlay of text forbidden
Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 15), 1903 (pen and black ink on wove paper)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - Parao Hano Hano, 1903 (zincograph on paper laid down on pastedown inside front cover)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - Description of Gauguin's stay with Vincent van Gogh in Arles (P. 13), 1903 (pen and black ink on wove paper)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - drawing "En route pour le festin", 1903 (graphite and black wash, pen and black ink on wove paper)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - Two women conversing in a landscape, 1903 (traced monotype printed in black ink, reinforced in areas in pen and black ink (recto), graphite and pen and black ink (verso) on wove paper, hinged at the left edge to album page; some black ink offset on the verso from the monotype now on page 153)
Avant et après - Woman carrying an urn on her shoulder and two heads from L'Appel, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; has horizontal orientation and so lower edge is toward the gutter; unable to lift to see verso)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - drawing "Décorative personne", 1903 (pen and black ink on wove paper)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - Hue Coco, 1903 (traced monotype printed in black ink (recto), graphite (verso) on wove paper, laid down on album page in horizontal orientation )
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Il Content Partner applica le seguenti restrizioni
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Avant et après - drawing of a nude native woman seated, in profile, her knees drawn up, 1903 (graphite, pen and black ink, black wash on laid paper, laid down on album page)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - Nativity fragment, 1903 (traced monotype printed in black ink on blue-ruled notebook paper with several 'white line voids', laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and along the edges; unable to lift to see verso)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - text and two drawings of a girl's head, 1903 (pen and black ink (text), black chalk and black wash (drawing) on wove paper)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - On en mange, 1903 (traced monotype printed in black ink on wove paper, trimmed around outline of the image and laid down on album page, unable to lift to see verso)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - Te tamari ('The child'), 1903 (traced monotype printed in black ink (recto), only a few lines from recto traced in graphite and pen and black ink (verso) on wove paper, laid down on album page with the right side free, the left edge is now unevenly folded over)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - Changement de résidence, 1903 (traced monotype printed in black ink on wove paper, laid down horizontally on album page; limited view of verso, shows no sign of any drawing)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - The kabuki actor Kataoka Ainosuke III in the role of Karaito (from the play ‘Iribune soga nihon no torikara’), 1857 (colcolour woodblock print laid down on pastedown inside back cover)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - Seated woman, cat with kittens and a pig, 1903 (traced monotype printed in black ink on wove paper, laid down on album page; oriented horizontally with lower edge toward the gutter; limited view of verso, presumably no verso drawing)
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Il Content Partner applica le seguenti restrizioni
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Avant et après - Woman and child, 1903 (traced monotype printed in black ink on blue-ruled notebook paper, laid down on album page; prominent brown stains caused by adhesive on the verso at all four corners and centre of edges; unable to lift to see verso)
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Il Content Partner applica le seguenti restrizioni
  • Manipulation of the image, cropping and overlay of text forbidden