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Immagini di 'Società Espressionista Tedesco' trovate, 48

A Cafe in Davos (oil on canvas)
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A Gentleman and a Lady (In the Red Hall)
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Promenade, 1915 (oil on canvas)
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Company in Paris (Gesellschaft Paris), by Max Beckmann, 1931, 20th Century, oil on canvas, 109,2 x 175,6 cm
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Triptych - Prometheus, 1950 (mixed media on canvas) (see also 65752-65753)
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Triptych - Hades and Persephone, 1950 (mixed media on canvas) (see also 65753-65754)
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Boring Dolls, 1927-30 (pencil & watercolour on paper)
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Triptych - Apocalypse, 1950 (mixed media on canvas) (see also 65752 & 65754)
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The last ones, by Max Beckmann (1884-1950), lithograph. Germany, 20th century.
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Self-Portrait with Hat, 1919 (oil on canvas)
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The ideologues, by Max Beckmann (1884-1950), engraving. Germany, 20th century.
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The Disappointed I, by Max Beckmann (1884-1950), lithograph. Germany, 20th century.
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Street Scene, 1919 (pen & ink, crayon and w/c on paper)
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Malepatrus, by Max Beckmann (1884-1950), lithograph. Germany, 20th century.
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The Disappointed II, by Max Beckmann (1884-1950), lithograph. Germany, 20th century.
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The street, by Max Beckmann (1884-1950), engraving. Germany, 20th century.
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Martyrdom, by Max Beckmann (1884-1950), engraving. Germany, 20th century.
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Die II Kompanie wird heute Nacht abgelöst (The Second Company Will Be Relieved Tonight), plate 20 from Der Krieg (The War), 1924
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Shellhaus, Tiergarten to Berlin (Germany). Before he could build this office building, which had the revolutionary look of the period, the architect Emil Fahrenkamp had to review his plans almost three hundred times before the town planning commission gave its approval in 1930. In 1931, Shell House was inaugurated. Its undulating facade in decrochees was born thanks to the use of a metal frame, a first in Berlin. The dynamic wing, visible to the Landwehrkanus, has a height of five levels in its lower part, gradually reaching ten. Damaged during World War II, the Shell House underwent successive restoration work, respecting its historical aspect and the original interior fittings. In 1965-1968, two towers designed by Paul Baumgarten were added to him on his North wing. The final work took place from 1997 to 1999, and enabled the Berlin gas company, GASAG, to set up its headquarters there.
Shellhaus, Tiergarten to Berlin (Germany). Before he could build this office building, which had the revolutionary look of the period, the architect Emil Fahrenkamp had to review his plans almost three hundred times before the town planning commission gave its approval in 1930. In 1931, Shell House was inaugurated. Its undulating facade in decrochees was born thanks to the use of a metal frame, a first in Berlin. The dynamic wing, visible to the Landwehrkanus, has a height of five levels in its lower part, gradually reaching ten. Damaged during World War II, the Shell House underwent successive restoration work, respecting its historical aspect and the original interior fittings. In 1965-1968, two towers designed by Paul Baumgarten were added to him on his North wing. The final work took place from 1997 to 1999, and enabled the Berlin gas company, GASAG, to set up its headquarters there.
The Chimney sweep, by Max Beckmann (1884-1950), lithograph. Germany, 20th century.
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Restaurant Scene, c.1936 (w/c & ink on paper)
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Portrait of the poet Max Hermann Neisse, 1927 (oil on canvas)
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The thief, 1922, satirical drawing by George Grosz (1893-1959). Germany, 20th century.
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Study, 1925 (w/c pen and ink on paper)
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Restaurant Scene, c.1917 (w/c on paper)
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Dawn, from 'In the Shadows' portfolio, published 1921 (photolitho)
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Circe, 1927 (pen & ink with w/c on paper)
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It Stinks Here', Satirical Portrait of Adolf Hitler (litho)
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Posh Couple, 1954 (watercolour, pen and India ink and pencil on paper)
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Economic Crisis in Germany, 1922-24 (litho)
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La rue aux Fiacres, 1917, drawing by George Grosz (1893-1959). Germany, 20th century.
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Copyright/Diritti d'Autore
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Kathleen, Countess of Drogheda, 1944-1947 (oil on canvas)
Copyright/Diritti d'Autore
  • In Copyright
United front, by George Grosz (1893-1959), satirical drawing. Germany, 20th century.
Permessi
  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
Il Content Partner applica le seguenti restrizioni
  • Not available to clients invoiced in Italy
Copyright/Diritti d'Autore
  • In Copyright
In the Street, 1920 (pen and ink with watercolour on paper)
Copyright/Diritti d'Autore
  • In Copyright
United front, satirical drawings by George Grosz (1893-1959), Germany, 20th century.
Permessi
  • Permission required for any use in perpetuity - Please contact us;Permission required for certain ebook uses - Please contact us;Permission required for certain film, TV and streaming uses - Please contact us;Permission required for immersive exhibition use - Please contact us
Il Content Partner applica le seguenti restrizioni
  • Not available to clients invoiced in Italy
Copyright/Diritti d'Autore
  • In Copyright
Josef May, 1926 (oil, egg tempera & other media on board)
Permessi
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Copyright/Diritti d'Autore
  • In Copyright
In the Country; Im Grunen, 1923 (watercolour, brush and indian ink on paper)
The Loge I; Die Loge I, 1910 (oil on canvas)
Copyright/Diritti d'Autore
  • In Copyright
Snakeskin and Clogs; Schlangenhaut und Pantinen, 1927 (watercolour, gouache, pen and black ink on paper)