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THOMAS STOTHARD
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JACOB'S DREAM/STOTHARD
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JACOB'S DREAM / STOTHARD
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Achilles and the Corpse
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Coronation of George II
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RALPH ABERCROMBY/DEATH
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Achilles and Hector's corpse (engraving)
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Treaty of Troyes 1420
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Two Gentlemen of Verona
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Publius Terentius Afer
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SHAKESPEARE & ELIZABETH
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The Bridge of Sighs. Steel-engraved vignette after J.M.W. Turner
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HENRY SEYMOUR CONWAY 2
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GEOFFREY CHAUCER
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River scenes. Two people in a rowing boat; view of a bridge
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Dedication page with illuminated inscription, 1856 (chromolithograph)
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Sailors in a fight, 1798 (mezzotint)
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HENRY V AND CATHERINE
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Illustration for the play by Shakespeare, 'Macbeth'. The ghost of Banquo in macbeth's seat.
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Her senses had fled !
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Illustration for the play by Shakespeare, 'As you like it'. Orlando and Oliver.
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EROS / CUPID STOTHARD
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ABELARD/HELOISE/STOTHARD
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Samuel Richardson 's 'Clarissa'
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Sir Peter Stothard portrait by Zsuzsi Roboz in pastels c
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Peter Stothard at the 2013 Edinburgh International Book Festival
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Peter Stothard at the 2013 Edinburgh International Book Festival
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Peter Stothard at the 2013 Edinburgh International Book Festival
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Peter Stothard at the 2013 Edinburgh International Book Festival
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[Whole engraving] Engraved portrait of Alderman Thomas Cadell, after a drawing by Thomas Stothard R.A.
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Miss Elizabeth Farren in the character of Emeline in John Dryden’s Arthur and Emeline
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Clarissa Harlowe by Samuel Richardson
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The return of the sailor, reuniting with his family on the threshold of his cottage. Oil on canvas, 18th century, by Thomas Stothard (1755-1834).
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Clarissa Harlowe by Samuel Richardson
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Clarissa Harlowe by Samuel Richardson
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Clarissa Harlowe by Samuel Richardson
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Clarissa Harlowe by Samuel Richardson
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Clarissa Harlowe by Samuel Richardson
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Clarissa Harlowe by Samuel Richardson
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Clarissa Harlowe by Samuel Richardson
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Clarissa Harlowe by Samuel Richardson
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Clarissa Harlowe by Samuel Richardson
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Eleonore d'Aquitaine (1122-1204), wearing a long golden embroidered dress, a blue coat, white veil and headdress. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
King Henry II (1133-1189), wearing a crown, a velvet coat on a scarlet tunic, with green golden spur shoes and white gloves. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithograph by Charles Martin, engraving by Leopold Martin, published in “” Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
King Richard I, known as the Lion Heart (1157-1199), wearing a crown, a scarlet tunic, blue coat, red shoes. Inspired by Charles Alfred Stothard (1786-1821), after an effigy of the Abbey of Fontevraud (France). Lithography by Charles Martin, engraving by Leopold Martin, published in “Costumes civils d'Angleterre depuis la conquete à nos jours”, 1842, London.
Portrait of actress Elizabeth (or Eliza) Farren (1762-1829), in the role of Emeline in Dryden's play Arthur and Emeline. A popular actress, she led a career on the London scene for 20 years, from 1777 to her marriage in 1797 to Edward Smith Stanley, 12th Earl of Derby. Heath engraving, based on an illustration by Stothard, published by W. Lowndes in 1786. Miss Elizabeth Farren as Emeline in Dryden's “” Arthur and Emeline””. Elizabeth or Eliza Farren (1762-1829) was a popular comic actress on the London stage for 20 years from 1777, and later met Edward Smith Stanley, 12th Earl of Derby, and married him in 1797. Copperplate engraving by Heath of an illustration drawn from life by Stothard and published by W. Lowndes in 1786.