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Immagini di 'Tenda Da Palcoscenico' trovate, 53

Sketch for scenography for performance by Czech composer Vitezlav Novak (1870-1949), 20th century
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Young Audience, Amphitheatre, Royal Opera House, Covent Garden, 1995 (oil on canvas)
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Scenography for The Bartered Bride by Bedrich Smetana, watercolour on paper
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Scenography by Charles Martin (1884-1934) for Act I of The Barber of Seville by  Rossini, 1933 (watercolour)
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Set design by Carlo Ferrario (1833-1907) for Mefistofele (Mephistopheles), opera by Arrigo Boito (1842-1918), performed at Padua in 1881
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Sketch for Interior of House of Culture with Stage Curtain, c.1960 (tempera & collage on paper)
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Tuning up in the Tent (oil on canvas)
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An actor in stage costume, stands in front of a painted backdrop, holding a pair of eyeglasses in hi hand
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Acrobats
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1960s: Stage.  Man plays clarinet.
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Punchinello with a guitar, 1920 (oil on canvas)
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Scenography by Jules of stage curtain for Manon by Jules Massenet, 1974, Paris Opera theatre, 20th century
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L'Apres-midi d'un Faune, 1965
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Single Red stage curtain
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Single Red stage curtain
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Single Red stage curtain
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Stage curtain by Erte (1892-1990) for Thus do they all by Wolfgang Amadeus Mozart, 1952, Opera Comique theatre in Paris, 20th century
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Movie Theaters, The Atlas Theater, detail of stage and painted curtain, constructed 1907, 213 West Sixteenth Street, Cheyenne, Wyoming, c.1974
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Alexandre Benois' curtain for 'Le Coq D'Or' opera  by Nikolai Rimski-Korsakov, performed at Paris Opera, 1927 (illustration)
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Set design by Charles-Antoine Cambon (1819-1885) depicting square facing Valladolid Cathedral, for third act, scene IV of opera Don Carlos, by Giuseppe Verdi (1813-1901), at Paris Opera, March 11, 1867
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Set design by Francesco Bagnara for Otello, opera by Giuseppe Verdi (1813-1901), for performance at La Fenice Theatre in Venice
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Set design sketch for Stravinsky's "Petruchka", 1947
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Set design by Eugene Carpezat (1833-1912) depicting large hall of castle for second scene of act III of Otello, opera by Giuseppe Verdi (1813-1901), performance at Paris Opera, March 11, 1867
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La Scala, 2018 (w/cr on paper, digital)
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The Witch Museum in Salem, Boston, USA (photo)
Willy Brandt on the podium of the marquee of the Fischer-Vroni, 1970 (b/w photo)
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Willy Brandt on the podium of the marquee of Fischer-Vroni, 1970 (b/w photo)
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Primrose & Dockstader's Huge Minstrel Company, c.1900 (poster)
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The Feast of St. John, Scene 5 from 'Die Meistersinger' by Richard Wagner, 1888 (w/c on paper)
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The Bolshoi Theatre, Moscow, Russia, 1960 (photo)
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  • Not available to clients invoiced in Italy
Theatre girl, 1950s (b/w photo)
Theatre girl, 1950s (b/w photo)
Theatre girl, 1950s (b/w photo)
Theatre girl, 1950s (b/w photo)
Theatre girl, 1950s (b/w photo)
At the theatre, Sweden, 1940s (b/w photo)
At the theatre, Sweden, 1940s (b/w photo)
Charlton Heston in Ben Hur, Rome, Italy, 1956 (b/w photo)
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Restrizioni immagine
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  • Minimum fee applies to this image;Not available to clients invoiced in Austria;Not available to clients invoiced in Germany;Not available to clients invoiced in Italy;Not available to clients invoiced in Switzerland
Seaside Circus, 1934 (oil on canvas)
Copyright/Diritti d'Autore
  • In Copyright
Anne-marie Carriere, 1966 (photo)
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Anne-marie Carriere, 1966 (photo)
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Anne-marie Carriere, 1966 (photo)
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Anne-marie Carriere, 1966 (photo)
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THEATRE - The first
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The child prodigy (Il fanciullo prodigio), by Carlo Carrà, 1915, 20th Century, tempera and collage on paper reported on canvas, 92 x 82 cm
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Copyright/Diritti d'Autore
  • In Copyright
Choir of the Guardian Spirits
Sanzio Theater, 1829 - 1853
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Theatre Scenography, by unknown artist, 45-62, 1st Century A.D., ripped fresco, 198 x 132 cm
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The Rt. Hon. William Windham III MP, 1803/10 (oil on canvas)
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