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'Terror Und Wunder Gotische Phantasie' immagini e video risultati page 1 of 2

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Immagini di 'Terror Und Wunder Gotische Phantasie' trovate, 113

Werewolf
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The transformation
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Elephant and Castle Theatre, Southwark. "Manhood", c. 1890. A night-time scene with a young couple and two men in a derelict church with full moon and bats.
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Frankenstein.'By the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open: it breathed hard and a convulsive motion agitated its limbs. I rushed out of the room'.
Add MS 53630 f.9 Prologue, Manuscript of the play, 'Dracula - the undead', by Bram Stoker, 1897 (ink on paper)
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Death of Dorian Gray. 'Lying on the floor was a dead man, in evening dress, with a knife in his heart ..'.. Dorian Gray, dead, in front of his painting.
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Ritratti di criminali tedeschi Italaini. Portraits of German and Italian criminals. A death mask in the centre.
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Mysteries of Udolpho'. Illustration showing the discovery of a dead body, in bed.
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Contrasted royal chapels': Chapel Royal Brighton. St.George's chapel, Windsor.
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Emily St. Aubert with her parents in the countryside of Gascony
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Fonthill Abbey
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"I turned on the instant, with my fingers tightening round the handle of my stick." Illustration for 'the woman in white'.
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The painting. It is your best work, Basil, the best thing you have ever done, said Lord Henry, languidly.
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Bleak House
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An illustration of a druid.
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Talboys Gazing at Lady Audley's Picture'
Illustration for 'Lady Audley's Secret'.
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Inside front cover of 'The Faerie Queen: The Shepheards Calendar'
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Front cover of the novel 'Dracula' by Bram Stoker.
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Vlad III Dracula
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Covering the painting. 'A look of pain came across him, and he flung the rich pall on the picture'.
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Engraved title page showing people standing by a grave.
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'The Gothic temple'.
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Title page of 'Castle of Wolfenbach'
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A poster advertising the following: 'Mr. Alfred Capper will have the pleasure of appearing as above in his humorous drawing-room entertainment and thought reading séance,..'.
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A portrait of Lord Byron above an illustration showing a crowd of people around the body of a woman, a victim of a vampire.
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A character, Horatio, gazing at what he expected to be a beautiful woman, but turned into a skeleton.
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An illustration with the title 'Gabriel's marriage'.
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Illustrated frontispiece showing a castle.
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The Parliament Seale
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illustration for a 'penny dreadful'.
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Title page of 'Tales of terror'
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Hamlet, Horatio Marcellus and the Ghost
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Illustration with the title 'the yellow mask'.
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Illustrated front cover.
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'Beautiful for ever (?)'. A comical and bizarre illustration showing a woman with cracked skin.
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'The wicker colossus of the Druids'. People being burnt as sacrifices, inside a wicker man.
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The distressed poet, or a true representation of the unfortunate Chatterton'.
An engraving of Thomas Chatterton, English poet.
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A poster advertising the following: W. Wallser's star and sensation ghost illusions.; The entertainment will commence with the laughable spectral sketch, entitled Sambo's ghost "¦ To be followed by the Mystic chamber, or, Abode of ghosts!; To be followed by the recitations and tableaux of Little Jim, the collier's dying child; The African slave, or The horrors of slavery; and The soldier's dying child; To conclude with the grand transfomation scene, entitled The midsummer night's dream. In which is introduced the grand fairy fountain, by Mons. De Maw and Nicholas Leopold. The exhibition is accompanied by the great steam organ which will perform various selections on the exterior nightly.
'Diodati'. The residence of Lord Byron. Illustration showing a house and text.
The Villa Diodati, Cologny, Switzerland, is famous for having been the summer residence of Lord Byron, Mary Shelley, Percy Shelley, John Polidori and others in 1816, where the basis for the classic horror stories Frankenstein and The Vampyre was laid.
Illustrated music cover, with a dedication to Wilkie Collins. Portraits of two men and an illustration depicting the discovery of the dead body of Anne Catherick (?). A scene from the novel, 'The Woman in White'.
'Elegy Written in a Country Churchyard'
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Title page of 'A philosophical inquiry into the origin of our ideas of the sublime and beautiful'
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A vampire drinking the blood of his female victim, in her bedroom.
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North-West view of Haddon
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Colour illustrations depicting events from the Gothic novel, the Monk, written by Matthew Gregory Lewis, and published in 1796.
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Reproduction of the painting, 'the vampire', by Sir Philip Burne-Jones. A portrait of a femme fatale vampire leaning over her male victim. The model for Philip's vampire was Mrs. Patrick Campbell, an actress.
In 1897, he displayed the painting at an exhibition with a poem "The Vampire" by his cousin, Rudyard Kipling, that described the foolishness of a man allowing himself to be destroyed by a heartless woman. This exhibition was held only a few months before Stoker's Dracula was first in print.
Rudyard Kipling was allegedly inspired to write his poem ''The Vampire'' after viewing the painting.
Illustration of Bluebeard.
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Frontispiece to 'The Old English Baron'
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Colour illustrations depicting events from the Gothic novel, the Monk, written by Matthew Gregory Lewis, and published in 1796.
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'The Ghost Story'. A man reading a ghost story to a woman
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Frontispiece to 'The Mysterious Warning'
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Robert accusing Lady Audely at the well'. An illustration for the story, 'Lady Audley's Secret', a sensation novel by Mary Elizabeth Braddon published in 1862.
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A man haunted by ghosts
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A man walking on a path in a graveyard.
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'The features seemed to melt and alter'. The transformation of Dr. Jekyll into Mr. Hyde.
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Frontispiece to 'The Monk'
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Illustrated title page, showing three people examining a document.
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Quintilia the quadrigamist; or, the heir and the hounds'. 
Maurora Maudeley; or bigamy & buttons. 
Satires on the sensation novel.
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'General view of the monument of the Prince Consort'.
Colour illustration showing the Albert Memorial in Kensington Gardens.
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Quintilia the quadrigamist; or, the heir and the hounds'. A satire on the sensation novel.
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Photograph of a psychic and spirit.
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Add. 53630 F. f.6, Manuscript of the play, 'Dracula - the undead'. Part of scene 1 and 2.
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The Grand West Entrance of Tintern Abbey.
The interior of a ruined abbey; figures walking on the grass; columns and ionic capitals on the floor; ivy and foliage growing throughout the building. Two verses of a poem on either side of the title.
Add MS 53630, Manuscript of the play, 'Dracula - the undead', by Bram Stoker, 1897 (ink on paper)
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View of Strawberry Hill
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Enon chapel cemetery and dancing saloon.
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The stranger at Mrs Lovett's pie shop'.
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View of Netley Abbey, Hampshire
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Maurora Maudeley; or bigamy & buttons. 
A satire on the sensation novel.
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A satirical illustration of a woman reading a Gothic Romance novel
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A book case
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The Nemesis of Neglect
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Todd and the Bow street officer'.
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Booth's map of poverty levels in London, 1891.
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An engraving showing a woman and a monk. A historical romance set during the reign of Elizabeth I, it is one of the earliest Gothic novels.
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Johanna's alarm at the sight of Sweeney Todd'.
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The Morning. Lady Dedlock lying on the steps at the entrance to a cemetery
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The Midland Railway
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Frontispiece of 'The Southern Tower'. Two men fighting with swords
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A map of ancient Germany
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Frontispiece of 'Castle of Wolfenbach'. Two people discovering a dead woman in a bedroom
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Illustration showing a man sitting in a chair, with 'death' beside him and a vision of angles behind him.
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Johanna applies to Todd to become his errand boy'.
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Title page of 'The Faerie Queen: The Shepheards Calendar'
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An engraved title page showing a man kneeling, kissing the hand of a woman.
A historical romance set during the reign of Elizabeth I, it is one of the earliest Gothic novels.
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Frankenstein
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Unparalled gift! A cold watch for sixpence!!! Buried alive. The story of a rich heiress forced against her will into a nunnery, and 'consigned to a living death in a subterranean dungeon'. One of a series of stories, 'the mysteries of a London convent'.
Frontispiece to 'The Midnight Assassin'. A monk about to kill a sleeping woman
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Figures holding torches inside the ruins of an abbey; ivy and foliage growing on the architecture; moonlight breaking through cloud and shining on the scene
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The dismal quarter of Soho seen under these changing glimpses'.
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