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Rene Prosper Blondlot (1849-1930) (b/w photo)
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The transportation of the horse under the walls of Troy from Aeneid, Canto II (fresco)
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Deceit Revealed (marble)
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Eshu figure, Yoruba Culture, Nigeria (wood, cowries & leather)
The Horse that Destroyed a City, illustration from 'The Hero Legends', 1962 (gouache on paper)
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Deception
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Good Fortune
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Scott Handy as Ferdinand and Anastasia Hille as the Duchess in Cheek by Jowl's 'The Duchess of Malfi', directed by Declan Donnellan, 1996 (b/w photo)
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The transportation of the horse under the walls of Troy from Aeneid, Canto II, detail of 2384651 (fresco)
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An Episode from Henry Fielding's 'The Mock Doctor' or 'Dumb Lady Cured', 1740-1 (oil on canvas)
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Trojan Horse, 2006 (oil on canvas)
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Huntsman concealing himself behind a decoy while hunting a stag, from the Livre de la Chasse by Gaston Phebus de Foix (1331-91) (vellum)
The Death of Ananias, 1687-89 (oil on canvas)
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Samson and Delilah (oil on canvas)
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King Solomon's Judgment, illustration from 'Bible Stories', 1968 (colour litho)
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Jupiter Disguised as Diana Seducing Callisto, c.1756 (oil on canvas)
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Scene from 'All's Well that Ends Well' (oil on canvas)
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The Gallant Dupe, engraved by Theodorus Danckerts (1663-1727), 1715 (hand-coloured engraving)
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DECEPTION AKA RUBY CAIRO, Andie MacDowell, 1993 (film still)
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Honour triumphant over deceit, 1561 (marble)
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The Death of Sennacherib (reg. 705-681 BC) (gouache on paper)
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Matteo Maria Boiardo writing his poem and The transportation of the horse under the walls of Troy from Aeneid, Canto II (fresco)
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The Vain Disguise, c.1770 (colour woodblock print)
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The Deceitfulness of Riches, Canterbury Cathedral (stained glass)
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Honour triumphant over deceit, 1561 (marble)
Restrizioni immagine
  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Judah and Tamar, 1644 (oil on canvas)
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Il Content Partner applica le seguenti restrizioni
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Animation, 1933
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