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Rudolf von Alt (1812-1905). Engraving.
Rudolf von Alt (1812-1905). Colored engraving.
At the window, by Rudolf von Alt (1812-1905), oil on canvas.
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Saint Stephan Cathedral in Vienna, Rudolf von Alt, 1832, 19th Century, watercolour
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View of the cathedral Saint Etienne in Vienna in 1832, watercolor by Rudolf Von Alt
Room with hunting trophies, 1856, watercolor by Rudolf von Alt (1812-1905)
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Hans Makart's studio before auction, 1885, painting by Rudolf von Alt (1812-1905), Austria, 19th century
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Saint Stepher Cathedral in Wien, by Rudolf Von Alt, 1834, 19th Century, watercolour
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Hands of an old man (b/w photo)
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Hands of an old woman (b/w photo)
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Hands of an old man (b/w photo)
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Ausrtria, Weinzeir, residence of Baron Karl Joseph von Furnberg, for whom Franz Joseph Haydn worked for short time, oil on canvas by Jacob Alt
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Former German Wehrmacht general Walther von Seydlitz-Kurzbach at Bremen, Germany 1960s
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Former German Wehrmacht general Walther von Seydlitz-Kurzbach at Bremen, Germany 1960s
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Former German Wehrmacht general Walther von Seydlitz-Kurzbach at Bremen, Germany 1960s
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Former German Wehrmacht general Walther von Seydlitz-Kurzbach at Bremen, Germany 1960s
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Former German Wehrmacht general Walther von Seydlitz-Kurzbach at Bremen, Germany 1960s
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Former German Wehrmacht general Walther von Seydlitz-Kurzbach at Bremen, Germany 1960s
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Former German Wehrmacht general Walther von Seydlitz-Kurzbach at Bremen, Germany 1960s
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The Lake of Hallstatt at Obertraun (Der Hallstaetter See von Obertraun), by Alt Jacob, 1825, 19th Century, watercolor on paper
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Portrait of Detlev von Liliencron, born Friedrich Adolf Axel Detlev Liliencron (Kiel, 1844-Alt-Rahlstedt, now Hamburg, 1909), German poet and novelist, 1898, drawing by John Philipp (1872- 1938)
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Gabriel von Seidl, German architect (painting)
Juke-box
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Juke-box
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Die Belehnung Herzog Ottos I. von Braunschweig-Lüneburg
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Old Viennese Dancers
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View of Odessa
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Metternich-Winneburg, 1881 (watercolour)
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Cover image of the book "Eyn geystlich edles Buchleynn. von rechter vnderscheyd vnd vorstand. was der alt vn[d] new mensche sey. Was Adams vn[d] was gottis kind sey. vn[d] wie Ada[m] ynn vns sterben vnnd Christus ersteen sall" by Martin Luther, 1516
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Ganz religišses Symbol ist wieder die Granitstatue der Kriegsgšttin Sechmet. Von dieser lšwenkŠpfigen Gšttin standen nicht weniger als 200 Statuen im Tempel der Mut zu Karnak. Wie vollkommen sind Frauen- und Tierkšrper zusammen komponiert! In dieser Zusammenstellung wollten die altŠgyptischen KŸnstler die besondere Grausamkeit und Wildheit der Kriegsgšttin veranschaulichen. Oft ist nach dem €gyptischen Mythos Sechmet von Menschenblut trunken gewesen.
Egypt, Africa, Middle East, history, historical, art, culture, travel, museum, treasure, war goddess, Sechmet, lioness, religion, belief, ancient, hand coloured glass slide
Mozart at compose
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Medieval songbook, 13th century
Warehouse Am Krögel in Berlin, 1934 (b/w photo)
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Children
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Friedrich Wilhelm III and General Blücher returning home
MICHAEL KONSEL WIRD GEFEIERT, 2002-01-29 (photo)
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ARCHIVBILD KARDINAL HANS HERMANN GROER, 2003-03-24 (photo)
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Add MS 41631 f.1r Title Page to 'Drei Sonaten fürs Klavier dem Hochwürdigsten Erzbischofe und Kurfürsten zu Köln Maximilian Friedrich...', by Ludwig van Beethoven, 1783 (engraving)
Ready to Ruck Ready to Ruck, 68, 89, 98; Talkshow (mit Prominenten aus …, 1998 (photo)
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Beethoven's copy of his three early pianoforte sonatas , 1783 (engraving)
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II. WK, League of German Girls 1944 (photo)
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Noch einmal betrachten wir abschiednehmend die hochragende Zitadelle von Kairo, lassen Ÿber die anmutigen Formen der Moschee Mohammed Alis unseren Blick schweifen, aber in unseren Herzen lebt eindringlicher das, was wir an kŸnstlerischen Offenbarungen wŠhrend unserer Reise durch das Wunderland am Nil in uns aufnehmen konnten. Die Kunst der €gypter ist alt und doch noch jung, so jung, dass selbst unsere moderne Kunst davon beeinflusst wurde. Unser Kunstgewerbe hat sogar bei der €gyptischen Ornamentik direkte Anleihen gemacht. €gypten in seiner nŸchternen Strenge ist uns und unserer Zeit viel verwandter geworden als das formenschšne Griechenland. Es ist interessant zu beobachten, unter wie verschiedenen Daseinsbedingungen so Šhnliche Formen der Anschauung und kŸnstlerischen Darstellung entstehen. Mit der Kunst wird das ganze Leben dieses alten Volkes uns wieder lebendig, seine Religion und seine Fragen an das Jenseits. Und damit taucht auch wieder das alte RŠtsel auf, das schon viele verschiedene Lšsungen fand, das RŠtsel der Bedeutung der Sphinx, deren Bild wohl auf Sie alle einen starken Eindruck gemacht hat. Sie hat ihre riesengrossen Augen geradeaus gerichtet, unbarmherzige, wissende Augen, die ohne zu antworten Ÿber den Fragenden hinwegstarrten in Leere oder in eine fremde, unsichtbare, ganz unbekannte Welt. Ein Wesen, das der Mensch schuf, der zitternd seine gršsste Frage stellte und in dieser Gestalt sein Bild des erbarmungslosen, Ÿberweltlichen, unnahbaren Geheimnisses aus dem Granit der WŸstenfelsen schlug.

Mšge deshalb dieser Vortrag Ihnen etwas mehr gewesen sein als eine mŸssige Stunde, mšge er in unserer Zeit der Verflachung anregen, uns den grossen Menschheitsfragen von Leben und Sterben, Gott und Fortleben nach dem Tode zuzuwenden. Egypt, Citadel of Cairo, Archive, Carl Simon, history, historical, Africa, Middle East
Baby's Bouquet - Old
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Cambridge University - Old
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Pliny Old