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| 领域 | 搜索词 | 示例 |
| 资产标题 | 标题: | 标题:小马 |
| 资产标题与关键词 | ~ | ~小马 |
| 资产描述文本 | 描述: | 描述:伦敦 |
| 机构前缀 | 前缀:或 $ | 前缀:LAL 或 $LAL |
| 资产ID | imageid: 或 # | imageid:250297 或 imageid:[2500 至 4000] 或 #1551 |
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| 中型 | 媒介: | 媒介:油 |
| 世纪 | 世纪: | 世纪:20世纪 |
| 关键词 | 千瓦: | kw:狗 |
| 艺术家名称 | 艺术家:还是? | 艺术家:莫奈或莫奈? |
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| 创作者ID | creatorid: | creatorid:37 |
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| 年 | 年: | 年份:1850 或 年份:[1700 至 1800] |
Masabikh Fatkhlislamovich Akhunov was born in the village Verkhne-Moncharova in Bashkiria. He studied at the Kazan Art Institute from 1950-1951, however he never finished his formal education. He was drafted for the army and served there until 1958. Upon moving to Voronezh, he started his artistic career. He re-invented the linocut media in the 1960's, last taken seriously by the Russian/Soviet avant-garde of the 1920's. From the late 1960's he created several series of prints with industrial and agricultural themes. He also made images of Lenin, many of which were published as posters. In his Masabikh Fatkhlislamovich Akhunov was born in the village Verkhne-Moncharova in Bashkiria. He studied at the Kazan Art Institute from 1950-1951, however he never finished his formal education. He was drafted for the army and served there until 1958. Upon moving to Voronezh, he started his artistic career. He re-invented the linocut media in the 1960's, last taken seriously by the Russian/Soviet avant-garde of the 1920's. From the late 1960's he created several series of prints with industrial and agricultural themes. He also made images of Lenin, many of which were published as posters. In his late years, he shifted to the depiction of the poetry of the Russian landscapes, churches, and religious motives. He is now regarded as an outstanding artist of the linocut media in Russia. ...
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