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Bristol 1904 Arts

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Since 1894, a group of Bristol artists had been meeting on Wednesday evenings to paint together informally and as friends. Then in 1904 they decided to formalise the group and called the society at that time, 'Bristol Savages'. Various locations in Bristol were used for meetings but in 1907 the society was able to use a cottage on Brandon Hill. When the need to vacate that location occurred, in 1919 a leading member of the society took the opportunity together with some Bristol businessmen to purchase the Red Lodge in Park Row - for the sake of both the City of Bristol and the 'Bristol S ...
Since 1894, a group of Bristol artists had been meeting on Wednesday evenings to paint together informally and as friends. Then in 1904 they decided to formalise the group and called the society at that time, 'Bristol Savages'.

Various locations in Bristol were used for meetings but in 1907 the society was able to use a cottage on Brandon Hill. When the need to vacate that location occurred, in 1919 a leading member of the society took the opportunity together with some Bristol businessmen to purchase the Red Lodge in Park Row - for the sake of both the City of Bristol and the 'Bristol Savages' society. They renovated the building and members of the society built a hall, as its meeting place for Art and Entertainment, in its grounds built in the style of a Gloucestershire Tithe Barn and called it the Wigwam.

In 1920, the society gifted the whole Red Lodge site to the City of Bristol and through leases with the City, the society remained entitled to occupy and use the Wigwam and premises on its side of the Red Lodge.

During 2020, after consultation both within and outside the society, it was renamed Bristol 1904 Arts to recognise and reflect their location, history and purpose.


[2, 无限[找到来自'Bristol 1904 Arts'的绘画、照片及艺术作品,共63件]

Benavente, Spain 1808, 2002 (w/c on paper)
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Light Work (Strawberry Pickers) 1986 (gouache on board)
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Repetition, 1939 (w/c on board)
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Magical Moments, 1959 (w/c on board)
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Relief, 1950 (w/c on board)
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Miles Davis, 1991 (collage on paper)
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Labour, 1916 (gouache on board)
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The Beacon (w/c on paper)
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Lucent, 1937 (pencil on board)
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Line upon Line (w/c on board)
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Baby in bath with duck (watercolour on board)
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A Goodly Heritage (w/c on board)
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All Together, 1957 (w/c & graphite on paper)
Moses, 1936 (gouache on board)
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Slow but Sure (w/c on board)
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Hard Lines, 1947 (w/c on paper)
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Against the Light, 1937 (charcoal on paper)
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Building the Sun (w/c on paper)
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Timber (w/c on paper)
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City Pattern, 1951 (w/c on paper)
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The Line, 1935 (charcoal on paper)
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Old Timer (w/c on board)
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The Star, 1931 (gouache on board)
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Mixed Bag, 1980 (w/c on board)
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The Woodturner (w/c on board)
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Centre of Interest, 1959 (w/c on paper)
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Vigorous, 1940 (w/c on paper)
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Up and Down, 1956 (w/c on paper)
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Recession, 1950 (w/c on paper)
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