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'Bristol 1904 Arts' Bilder und Clips Suchergebnisse

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Bristol 1904 Arts

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Since 1894, a group of Bristol artists had been meeting on Wednesday evenings to paint together informally and as friends. Then in 1904 they decided to formalise the group and called the society at that time, 'Bristol Savages'. Various locations in Bristol were used for meetings but in 1907 the society was able to use a cottage on Brandon Hill. When the need to vacate that location occurred, in 1919 a leading member of the society took the opportunity together with some Bristol businessmen to purchase the Red Lodge in Park Row - for the sake of both the City of Bristol and the 'Bristol S ...
Since 1894, a group of Bristol artists had been meeting on Wednesday evenings to paint together informally and as friends. Then in 1904 they decided to formalise the group and called the society at that time, 'Bristol Savages'.

Various locations in Bristol were used for meetings but in 1907 the society was able to use a cottage on Brandon Hill. When the need to vacate that location occurred, in 1919 a leading member of the society took the opportunity together with some Bristol businessmen to purchase the Red Lodge in Park Row - for the sake of both the City of Bristol and the 'Bristol Savages' society. They renovated the building and members of the society built a hall, as its meeting place for Art and Entertainment, in its grounds built in the style of a Gloucestershire Tithe Barn and called it the Wigwam.

In 1920, the society gifted the whole Red Lodge site to the City of Bristol and through leases with the City, the society remained entitled to occupy and use the Wigwam and premises on its side of the Red Lodge.

During 2020, after consultation both within and outside the society, it was renamed Bristol 1904 Arts to recognise and reflect their location, history and purpose.


Malereien, Fotos und Kunstwerke von 'Bristol 1904 Arts' gefunden, 63

The Quiet City, Atlantis (w/c on board)
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Benavente, Spain 1808, 2002 (w/c on paper)
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Light Work (Strawberry Pickers) 1986 (gouache on board)
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Magical Moments, 1959 (w/c on board)
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Repetition, 1939 (w/c on board)
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Meeting Point, 1962 (oil on board)
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Old Timer (w/c on board)
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The Monster, 1916 (gouache on board)
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The Star, 1931 (gouache on board)
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The Woodturner (w/c on board)
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Mixed Bag, 1980 (w/c on board)
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Evening (Portrait of Churchill) 1962 (charcoal on paper)
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Relief, 1950 (w/c on board)
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Miles Davis, 1991 (collage on paper)
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Labour, 1916 (gouache on board)
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The Beacon (w/c on paper)
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Lucent, 1937 (pencil on board)
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Line upon Line (w/c on board)
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Baby in bath with duck (watercolour on board)
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Longing, 1989 (w/c on card)
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Building the Sun (w/c on paper)
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Old Timers, 1978 (w/c on paper)
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Timber (w/c on paper)
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One Man's Furrow (w/c on paper)
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City Pattern, 1951 (w/c on paper)
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The Line, 1935 (charcoal on paper)
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A Goodly Heritage (w/c on board)
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All Together, 1957 (w/c & graphite on paper)
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For Protection, 1962 (w/c on paper)
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Moses, 1936 (gouache on board)
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Slow but Sure (w/c on board)
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Danger Ahead, 1927 (gouache on board)
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Hard Lines, 1947 (w/c on paper)
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Against the Light, 1937 (charcoal on paper)
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Triangulate, 1936 (gouache on board)
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Centre of Interest, 1959 (w/c on paper)
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The Spirit of Ireland (w/c on paper)
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Cupid's Garden, 1932 (w/c on paper)
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Vigorous, 1940 (w/c on paper)
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Confusion, 1976 (charcoal on grey paper)
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Up and Down, 1956 (w/c on paper)
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Recession, 1950 (w/c on paper)
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