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Charles Ephraim Burchfield

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Primarily associated with American Scene Painting, Burchfield was schooled in Cleveland and began painting decorative and expressively colored watercolors ca. 1915. He married, moved to a suburb of Buffalo, and began working as a designer of a wallpaper firm in 1922. Painting full-time by 1929, his works became larger, and he concentrated on realist, urban subjects, such as the industry around Buffalo. In 1936-1937, Fortune magazine commissioned Burchfield to paint railway yards and coal mines. During his later period, from 1943-1967, his works became more expressionist, evoking his pantheist Primarily associated with American Scene Painting, Burchfield was schooled in Cleveland and began painting decorative and expressively colored watercolors ca. 1915. He married, moved to a suburb of Buffalo, and began working as a designer of a wallpaper firm in 1922. Painting full-time by 1929, his works became larger, and he concentrated on realist, urban subjects, such as the industry around Buffalo. In 1936-1937, Fortune magazine commissioned Burchfield to paint railway yards and coal mines. During his later period, from 1943-1967, his works became more expressionist, evoking his pantheist beliefs. ...


[2, 无限] 来自'Charles Ephraim Burchfield'的艺术作品找到,47

The Mysterious Bird, 1917 (w/c & pencil on paper on board)
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In a Deserted House, 1918-39 (w/c, black ink & black crayon, over pencil on paper)
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Three Days Rain, c.1918 (w/c & pencil on paper)
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Freight Cars Under a Bridge, 1933 (w/c on paper)
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Crows in March, 1951 (litho)
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February Thaw, 1920 (w/c on paper)
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Goldenrod in November, 1952 (w/c & gouache with charcoal on wove paper)
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Moonlight Over the Arbor, 1916 (w/c & gouache over graphite on paper)
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Road in Early Spring, 1938 (w/c on paper)
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The Black Barn, 1930 (watercolor and graphite on paper)
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Eye of god in the woods, 1949 (aquarel on paper)
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Summer Benediction (lithograph on cream wove paper)
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Approaching Storm by Charles Burchfield, watercolor painting, (1893-1967), USA, Philadelphia, Pennsylvania, David David Gallery
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Summer Benediction, 1953 (litho)
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Autumn Wind, 1952 (litho)
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Cottage in the Trees, 3rd June, 1955 (w/c on paper)
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Autumn Wind (lithograph on cream wove paper)
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The Coming Of Spring (painting)
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March (w/c & pencil on paper)
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Lilacs, c.1927 (oil on canvas mounted on board)
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Moonlight in June, 1961 (w/c on paper)
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Crows In March (lithograph on cream wove paper)
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In the Parlor, 1916 (w/c & graphite pencil on cream wove paper)
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