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| 领域 | 搜索词 | 示例 |
| 资产标题 | 标题: | 标题:小马 |
| 资产标题与关键词 | ~ | ~小马 |
| 资产描述文本 | 描述: | 描述:伦敦 |
| 机构前缀 | 前缀:或 $ | 前缀:LAL 或 $LAL |
| 资产ID | imageid: 或 # | imageid:250297 或 imageid:[2500 至 4000] 或 #1551 |
| 机构名称 | coll: | coll:历史 |
| 中型 | 媒介: | 媒介:油 |
| 世纪 | 世纪: | 世纪:20世纪 |
| 关键词 | 千瓦: | kw:狗 |
| 艺术家名称 | 艺术家:还是? | 艺术家:莫奈或莫奈? |
| 艺术家国籍 | 夜: | nat:法语 |
| 创作者ID | creatorid: | creatorid:37 |
| 位置 | 地点:or @ | 地点:埃克塞特或@埃克塞特 |
| 分类 | 类: | 类别:57 或 #57。未分类资产请使用 # 标记 |
| 年 | 年: | 年份:1850 或 年份:[1700 至 1800] |
Describing her work as sculptural paintings, Miranda Donovan constructs three-dimensional surfaces that bridge assemblage and graffiti. Donovan employs materials that evoke a sense of urban decay, such as brick walls or peeling plaster, using them as support surfaces for gestural paintings. She understands her work through the tradition of landscape painting, as she manipulates light and color to create emotionally charged images. Her work suggests that the physical decline of materials such as crumbling brick can serve to document types of social change, often negative. In her eschewal of nat Describing her work as sculptural paintings, Miranda Donovan constructs three-dimensional surfaces that bridge assemblage and graffiti. Donovan employs materials that evoke a sense of urban decay, such as brick walls or peeling plaster, using them as support surfaces for gestural paintings. She understands her work through the tradition of landscape painting, as she manipulates light and color to create emotionally charged images. Her work suggests that the physical decline of materials such as crumbling brick can serve to document types of social change, often negative. In her eschewal of nature and embrace of man-made detritus, she tacitly positions urban ruins as the defining human landscapes of our time. ...
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