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| 领域 | 搜索词 | 示例 |
| 资产标题 | 标题: | 标题:小马 |
| 资产标题与关键词 | ~ | ~小马 |
| 资产描述文本 | 描述: | 描述:伦敦 |
| 机构前缀 | 前缀:或 $ | 前缀:LAL 或 $LAL |
| 资产ID | imageid: 或 # | imageid:250297 或 imageid:[2500 至 4000] 或 #1551 |
| 机构名称 | coll: | coll:历史 |
| 中型 | 媒介: | 媒介:油 |
| 世纪 | 世纪: | 世纪:20世纪 |
| 关键词 | 千瓦: | kw:狗 |
| 艺术家名称 | 艺术家:还是? | 艺术家:莫奈或莫奈? |
| 艺术家国籍 | 夜: | nat:法语 |
| 创作者ID | creatorid: | creatorid:37 |
| 位置 | 地点:or @ | 地点:埃克塞特或@埃克塞特 |
| 分类 | 类: | 类别:57 或 #57。未分类资产请使用 # 标记 |
| 年 | 年: | 年份:1850 或 年份:[1700 至 1800] |
Nigel Grima (b. 1975) is an artist, painter and photographer from Somerset, UK.
'I make abstract images, through the manipulation of digital photography. Current evidence seems to suggest that abstract art is ambiguous and expressive. I believe the former must always be true but the latter is open to conjecture. This is because ambiguity cannot be expressive (expression is defined at source, ambiguity is not).
However it is unlikely one cannot be entirely without expression. As a result, I believe my work shows signs of repression, a form of expression. But whereas expression is expose Nigel Grima (b. 1975) is an artist, painter and photographer from Somerset, UK.
'I make abstract images, through the manipulation of digital photography. Current evidence seems to suggest that abstract art is ambiguous and expressive. I believe the former must always be true but the latter is open to conjecture. This is because ambiguity cannot be expressive (expression is defined at source, ambiguity is not).
However it is unlikely one cannot be entirely without expression. As a result, I believe my work shows signs of repression, a form of expression. But whereas expression is exposed, repression is hidden and therefore aligns itself to ambiguity.' ...
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