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Volume IV. Loose papers of mathematical calculations, and annotations, by Thomas Harriott, Add MS 6785, f.436 (parchment)
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Volume IV. Loose papers of mathematical calculations, and annotations, by Thomas Harriott, Add MS 6785, f.30 (parchment)
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Titlepage of 'Les Illusions Perdues' with annotations by the author, c.1830-40 (pen & ink on paper)
The Bride Stripped Bare by Her Bachelors, Even (The Large Glass) 1915-23 (oil, varnish, lead foil, lead wire & dust on glass panel)
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Cottage, Baths and Lavatories - Painswick, for the Frederick Gyde Trustees, 14 March 1923 (ink on paper)
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View, plan and detail of house (ink & pencil on paper)
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A page of notes on the Sun and Moon, fol. 28v from the Codex Arundel 263, 1508 (pen & ink on paper)
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Design for a dredger and various hydraulic machines, fol. 75v and 76r from Paris Manuscript E, 1513-14 (pen and ink on paper)
Front Cover 'The Bride Stripped Bare by her Bachelors, Even - The Green Box, 1934 (mixed media)
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Pair of Cottages at Kelmscott for Miss May Morris, c.1915 (print and w/c on paper)
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Additions to Cotswold Farm: south and front elevations, c.1925 (print and w/c on paper)
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Untitled study for ring stands, c.1989 (graphite on paper)
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Study for Lord North, 1779-80 (chalk on paper
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Untitled study for pendant, 1973 (pen & ink on paper)
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Simple remedies from the pharmaceutic compendium titled Minhaj al-bay?n by Ibn Jazlah
Jean de Stavelot: Collection of St. Benedict's Writings', The Wheel of the True Religion, fol. 152v, 1432-37 (vellum)
Notes, from 'The Bride Stripped Bare by her Bachelors, Even - The Green Box, 1934 (ink on paper)
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Manuscript drawing of the Earl of Pembroke. With annotation by H.Walpole. Sketch.
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Notes, from 'The Bride Stripped Bare by her Bachelors, Even - The Green Box, 1934 (mixed media)
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Notes, from 'The Bride Stripped Bare by her Bachelors, Even - The Green Box, 1934 (ink on paper)
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Notes, from 'The Bride Stripped Bare by her Bachelors, Even - The Green Box, 1934 (mixed media)
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Annotation from Cygnea Cantio AUTORE IO ANNE LELANDO ANTIQVARIO. [Londini. 1545]
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Harley 2342 f.79 Inscription written, in the margin, by Lady Jane Grey to her Father, the Duke of Suffolk, from Lady Jane Grey's Prayer Book (vellum)
Harley 2342 f.78v Inscription written, in the margin, by Lady Jane Grey to her Father, the Duke of Suffolk, from Lady Jane Grey's Prayer Book (vellum)
Notes, from 'The Bride Stripped Bare by her Bachelors, Even - The Green Box, 1934 (ink on paper)
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Indian gold tore and nose ring c.1912 (w/c on paper)
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Zweig MS 57 Draft of part of Cherubino’s Act I aria ‘Non so più cosa son’, from 'The Marriage of Figaro', 1786 (ink on paper)
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Allactaga euphratica, Euphrates jerboa, Afghan jerboa (w/c on paper)
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Add MS 37764 f.1 String quartet in D major, K. 499, 1786 (ink on paper)
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Notes, from 'The Bride Stripped Bare by her Bachelors, Even - The Green Box, 1934 (ink on paper)
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Elephants I have ridden (w/c on paper)
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The Shades of Homer and other Poets of Antiquity, illustration to the 'Divine Comedy' by Dante Alighieri, 1824-27 (pen & ink with w/c over pencil and chalk on paper)
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Holograph Revisions and drawings in the Pforzheimer copy of the 1813 edition of 'Queen Mab', 1813 (print & ink on paper)
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Recto: The bones of the foot, and the shoulder, c.1510-11 (pen & ink with wash, over traces of black chalk on paper)
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Study of the thoracic and abdominal organs, c.1508 (pen & ink over chalk on paper)
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Sidereus Nuncius (Starry Messenger) with drawings of the phases and surface of the Moon, 1610, manuscript by Galileo Galilei (1564-1642). Venice, annotation 110, C2, v 10.
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erso: The muscles of the face and arm, and the nerves and veins of the hand, c.1510-11 (black chalk, pen & ink and wash on paper)
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Harley 2342 f.80 Inscription written, in the margin, by Lady Jane Grey to her Father, the Duke of Suffolk, from Lady Jane Grey's Prayer Book (vellum)
The brain, c.1508-09 (pen & ink over chalk on paper)
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Studies of two sedges, c.1510-15 (pen & ink on paper)
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Studies of the heart, and the head of a youth in profile c.1511-13 (pen & ink on blue paper)
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The Aortic Valve, c.1512-13 (pen & ink on blue paper)
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Dedication of Symphony no. 9, op. 125, to the Philharmonic Society, 1824 (ink on paper)
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The skeleton, c.1510-11 (chalk, pen & ink on paper)
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Recto: Studies of emblems, geometrical diagrams, and notes, c.1508-10 (pen & ink on paper)
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The abdomen, c.1508 (pen & ink over chalk on paper)
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A plan of a weir and embankment on the Arno east of Florence, 1504 (pen & ink with brown and blue wash, over black chalk on paper)
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