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Leonardo Da Vinci' 图片和/或视频结果

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Leonardo da Vinci

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Leonardo was born near Vinci, at Anchiano. He is known as the founder of the High Renaissance style. His work was extremely influential for contemporary and later artists. His writings on art and perception codified the ideals of representation and expression that dominated European teaching for the next 400 years. He is famed for his drawing of figures, representations of landscape, depiction of aerial perspective and space, the use of light and shade (chiaroscuro), and the evocation of the sitters' characters. He was also known for inventions in architecture and engineering. He often left hi ...
Leonardo was born near Vinci, at Anchiano. He is known as the founder of the High Renaissance style. His work was extremely influential for contemporary and later artists. His writings on art and perception codified the ideals of representation and expression that dominated European teaching for the next 400 years. He is famed for his drawing of figures, representations of landscape, depiction of aerial perspective and space, the use of light and shade (chiaroscuro), and the evocation of the sitters' characters. He was also known for inventions in architecture and engineering. He often left his works unfinished, apparently losing interest after the conception of the idea. Among his best known surviving works are the Last Supper" fresco in Milan and the "Mona Lisa" portrait in the Louvre


Vitruvian Man, c.1492 (pen & ink on paper)
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The Last Supper, 1495-97 (fresco) (post restoration)
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Head of a Young Woman with Tousled Hair or Leda (gouache on wood)
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The Last Supper, 1495-97 (fresco) (post restoration)
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Study of a Horse and Rider, c.1481 (metalpoint on paper)
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Annunciation, 1472-75 (oil on panel) (post restoration)
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Fight between a Dragon and a Lion (brown ink with wash on paper)
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Study of the Flowers of Grass-like Plants (Briza Maxima) c.1481-83 (pen and ink on paper)
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The Adoration of the Magi, 1481-2 (oil on panel)
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Perspective Study for the Background of The Adoration of the Magi (pen and ink on paper)
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Head of a Young Girl, 15th century (charcoal, red chalk, white lead on paper)
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MS B 2173 fol. 83v Studies of an air screw, 1488-90 (pen and ink on paper) (see also 162317)
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A study of a woman's hands, c.1490 (metalpoint, heightening and charcoal on paper)
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The Last Supper, 1495-97 (fresco) (pre restoration)
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Studies of the foetus in the womb, c.1510-13 (pen & ink with wash over red and black chalks on paper)
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The principal organs and vessels of a woman, c.1510 (pen & ink with chalk & wash on paper)
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Studies of flowing water, with notes, c.1510-13 (pen & ink of black chalk on paper)
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Arno Landscape, 5th August, 1473 (pen and ink on paper)
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The Last Supper, 1495-97 (fresco) (post restoration)
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Head of Christ (pencil and wash)
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Star of Bethlehem, wood anemone and sun spurge, c.1505-10 (pen & ink with red chalk on paper)
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Cats, lions and a dragon, c.1513-16 (pen & ink with wash over blue chalk)
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The Last Supper, 1495-97 (fresco) (post restoration)
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The Annunciation, c.1475 (oil and tempera on wood)
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The muscles of the shoulder, c.1510 (pen & ink with wash over black chalk on paper)
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Saint Jerome, c.1480 (oil on wood)
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Studies of the coronary vessels and valves of the heart, c.1511-13 (pen & ink on blue paper)
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The Last Supper, 1495-97 (fresco) (post restoration)
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Studies for the head of Leda, c.1505-06 (pen & ink and chalk on paper)
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A rearing horse, c.1503-04 (pen & ink and chalk on paper)
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A plan of Imola, 1502 (pen & ink, wash and chalk on paper)
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A Deluge, c.1517-18 (pen & ink with wash on paper)
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A comparison of the legs of a man and of a horse, c.1506-10 (pen & ink with red chalk on paper)
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A skull sectioned, 1489 (pen & ink over black chalk on paper) (recto of 3740758)
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The layers of the scalp compared to an onion and other studies, c.1490-93 (pen & ink and chalk on paper)
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St. Jerome, c.1480-82 (oil & tempera on walnut)
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A seated man, and studies and notes on the movement of water, c.1510 (pen & ink on paper)
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The head of Leda, c.1505 (pen and ink over black chalk on paper)
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A Cranium Sectioned, 1489 (pen & ink over black chalk on paper)
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La Gioconda Nude (gouache & black chalk on paper)
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The muscles of the shoulder, arm and leg, c.1510 (pen & ink with wash over black chalk on paper)
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A Scheme for a canal to bypass the Arno, c.1503 (brush & ink over black chalk on paper)
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Self-portrait, c.1515-16 (red chalk on white paper)
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Head of a Woman (charcoal on paper)
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Torso of a Man in Profile, the Head Squared for Proportion, and Sketches of Two Horsemen, c.1490 and c.1504 (pen & ink and red chalk over metalpoint on paper
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A man tricked by gypsies, c.1493 (pen & ink on paper)
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Heads of horses, a lion and a man, c.1504 (pen & ink with wash and chalk on paper)
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Studies of the foetus in the womb, and the external genitalia, c.1510-13 (pen & ink with wash over black and red chalk on paper)
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A woman in a landscape, c.1517 (black chalk on paper)
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