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Cinematography' 图片和/或视频结果 page 1 of 4

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Lumiere cinematographe, 1895 (wood & metal)
 
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Lumiere cinematographe, 1895 (wood & metal)

French School, (19th century)

NRM260989

Lumiere cinematographe, 1895 (wood & metal)

French School, (19th century)

NRM260989

Lumiere Cinematography - French
 
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Lumiere Cinematography - French

EPL7046799

Lumiere Cinematography - French

EPL7046799

Exhibition cinematography projectors (engraving)
 
Exhibition cinematography projectors (engraving)

Patrice Cartier

PCT4257937

Exhibition cinematography projectors (engraving)

Patrice Cartier

PCT4257937

cinematography, Sofia Loren in "The River Woman", 1955
 
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cinematography, Sofia Loren in "The River Woman", 1955

FAF3574434

cinematography, Sofia Loren in "The River Woman", 1955

FAF3574434

cinematography, scene of "the lonely man", August 1957
 
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cinematography, scene of "the lonely man", August 1957

FAF3574356

cinematography, scene of "the lonely man", August 1957

FAF3574356

Birt Acres, pioneer of cinematography, c 1900
 
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Birt Acres, pioneer of cinematography, c 1900

UIS5072613

Birt Acres, pioneer of cinematography, c 1900

UIS5072613

cinematography, abbe lane in "sailors, women and trouble", 1958
 
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cinematography, abbe lane in "sailors, women and trouble", 1958

FAF3574353

cinematography, abbe lane in "sailors, women and trouble", 1958

FAF3574353

Louis Lumiere, French cinematography pioneer, c 1895
 
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Louis Lumiere, French cinematography pioneer, c 1895

UIS5079845

Louis Lumiere, French cinematography pioneer, c 1895

UIS5079845

Honorary Banner of the SED for Cinematography, Potsdam, 1981 (photo)
 
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Honorary Banner of the SED for Cinematography, Potsdam, 1981 (photo)

Mallwitz, Wolfgang

SZT9238246

Honorary Banner of the SED for Cinematography, Potsdam, 1981 (photo)

Mallwitz, Wolfgang

SZT9238246

Honorary Banner of the SED for Cinematography, Potsdam, 1981 (photo)
 
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Honorary Banner of the SED for Cinematography, Potsdam, 1981 (photo)

Mallwitz, Wolfgang

SZT9238248

Honorary Banner of the SED for Cinematography, Potsdam, 1981 (photo)

Mallwitz, Wolfgang

SZT9238248

William Friese-Greene, British cinematography pioneer, c 1900s
 
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William Friese-Greene, British cinematography pioneer, c 1900s

UIS5069186

William Friese-Greene, British cinematography pioneer, c 1900s

UIS5069186

United States, 1980s: micro cinematography of leucocytes in blood vessels
 
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United States, 1980s: micro cinematography of leucocytes in blood vessels

AVE6320299

United States, 1980s: micro cinematography of leucocytes in blood vessels

AVE6320299

BEST CINEMATOGRAPHY OSCAR WINNER, 1996-03-26 (photo)
 
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BEST CINEMATOGRAPHY OSCAR WINNER, 1996-03-26 (photo)

Blake Sell

REU8059635

BEST CINEMATOGRAPHY OSCAR WINNER, 1996-03-26 (photo)

Blake Sell

REU8059635

The Dawns of the Cinema (b/w photo)
 
The Dawns of the Cinema (b/w photo)

NMP344833

The Dawns of the Cinema (b/w photo)

NMP344833

Vittorio De Sica and Roberto Rossellini on the set of the film 'Il generale della Rovere', 1959 (b/w photo)
 
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Vittorio De Sica and Roberto Rossellini on the set of the film 'Il generale della Rovere', 1959 (b/w photo)

OLA371568

Vittorio De Sica and Roberto Rossellini on the set of the film 'Il generale della Rovere', 1959 (b/w photo)

OLA371568

Etienne-Jules Marey, French cinematography pioneer, late 19th century
 
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Etienne-Jules Marey, French cinematography pioneer, late 19th century

UIS5075740

Etienne-Jules Marey, French cinematography pioneer, late 19th century

UIS5075740

Etienne-Jules Marey, French cinematography pioneer, late 19th century
 
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Etienne-Jules Marey, French cinematography pioneer, late 19th century

UIS5075736

Etienne-Jules Marey, French cinematography pioneer, late 19th century

UIS5075736

The Dawns of Cinema (b/w photo)
 
The Dawns of Cinema (b/w photo)

NMP344832

The Dawns of Cinema (b/w photo)

NMP344832

cinematography, jume Laverick and isabelle corey in "Souvenir d'italie", May 1957
 
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cinematography, jume Laverick and isabelle corey in "Souvenir d'italie", May 1957

FAF3574359

cinematography, jume Laverick and isabelle corey in "Souvenir d'italie", May 1957

FAF3574359

JULIA ROBERTS PRESENTS OSCAR FOR CINEMATOGRAPHY, 2001-03-25 (photo)
 
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JULIA ROBERTS PRESENTS OSCAR FOR CINEMATOGRAPHY, 2001-03-25 (photo)

Gary Hershorn

REU8195365

JULIA ROBERTS PRESENTS OSCAR FOR CINEMATOGRAPHY, 2001-03-25 (photo)

Gary Hershorn

REU8195365

ANDREW LESNIE ACCEPTS OSCAR FOR CINEMATOGRAPHY, 2002-03-24 (photo)
 
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ANDREW LESNIE ACCEPTS OSCAR FOR CINEMATOGRAPHY, 2002-03-24 (photo)

Gary Hershorn

REU7910439

ANDREW LESNIE ACCEPTS OSCAR FOR CINEMATOGRAPHY, 2002-03-24 (photo)

Gary Hershorn

REU7910439

PETER PAU WINS OSCAR FOR CINEMATOGRAPHY, 2001-03-25 (photo)
 
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PETER PAU WINS OSCAR FOR CINEMATOGRAPHY, 2001-03-25 (photo)

Gary Hershorn

REU8355579

PETER PAU WINS OSCAR FOR CINEMATOGRAPHY, 2001-03-25 (photo)

Gary Hershorn

REU8355579

JULIA ROBERTS PRESENTS OSCAR FOR CINEMATOGRAPHY, 2001-03-25 (photo)
 
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JULIA ROBERTS PRESENTS OSCAR FOR CINEMATOGRAPHY, 2001-03-25 (photo)

Gary Hershorn

REU8318832

JULIA ROBERTS PRESENTS OSCAR FOR CINEMATOGRAPHY, 2001-03-25 (photo)

Gary Hershorn

REU8318832

Some extras going toward the film set, Rome, Italy, 1958 (b/w photo)
 
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Some extras going toward the film set, Rome, Italy, 1958 (b/w photo)

Pierluigi Praturlon

MEP1762943

Some extras going toward the film set, Rome, Italy, 1958 (b/w photo)

Pierluigi Praturlon

MEP1762943

05/02/2009 National School of Cinema at the Experimental Center of Cinematography (photo)
 
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05/02/2009 National School of Cinema at the Experimental Center of Cinematography (photo)

Vittorio La Verde

AGF6355243

05/02/2009 National School of Cinema at the Experimental Center of Cinematography (photo)

Vittorio La Verde

AGF6355243

PETER PAU HOLDS OSCAR FOR BEST CINEMATOGRAPHY, 2001-03-25 (photo)
 
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PETER PAU HOLDS OSCAR FOR BEST CINEMATOGRAPHY, 2001-03-25 (photo)

Mike Blake

REU8355626

PETER PAU HOLDS OSCAR FOR BEST CINEMATOGRAPHY, 2001-03-25 (photo)

Mike Blake

REU8355626

CONRAD HALL WINS OSCAR FOR BEST CINEMATOGRAPHY, 2000-03-27 (photo)
 
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CONRAD HALL WINS OSCAR FOR BEST CINEMATOGRAPHY, 2000-03-27 (photo)

Sam Mircovich

REU7758809

CONRAD HALL WINS OSCAR FOR BEST CINEMATOGRAPHY, 2000-03-27 (photo)

Sam Mircovich

REU7758809

OUTSTANDING CINEMATOGRAPHY WINNER AT SUNDANCE FILM FESTIVAL, 2003-01-25 (photo)
 
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OUTSTANDING CINEMATOGRAPHY WINNER AT SUNDANCE FILM FESTIVAL, 2003-01-25 (photo)

Fred Prouser

REU8126382

OUTSTANDING CINEMATOGRAPHY WINNER AT SUNDANCE FILM FESTIVAL, 2003-01-25 (photo)

Fred Prouser

REU8126382

PETER PAU KISSES OSCAR FOR BEST CINEMATOGRAPHY, 2001-03-25 (photo)
 
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PETER PAU KISSES OSCAR FOR BEST CINEMATOGRAPHY, 2001-03-25 (photo)

Sam Mircovich

REU8448262

PETER PAU KISSES OSCAR FOR BEST CINEMATOGRAPHY, 2001-03-25 (photo)

Sam Mircovich

REU8448262

TITANIC WINS OSCAR FO BEST CINEMATOGRAPHY, 1998-03-23 (photo)
 
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TITANIC WINS OSCAR FO BEST CINEMATOGRAPHY, 1998-03-23 (photo)

Blake Sell

REU8290660

TITANIC WINS OSCAR FO BEST CINEMATOGRAPHY, 1998-03-23 (photo)

Blake Sell

REU8290660

CONRAD HALL WINS OSCAR FOR BEST CINEMATOGRAPHY, 2000-03-27 (photo)
 
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CONRAD HALL WINS OSCAR FOR BEST CINEMATOGRAPHY, 2000-03-27 (photo)

Sam Mircovich

REU7684306

CONRAD HALL WINS OSCAR FOR BEST CINEMATOGRAPHY, 2000-03-27 (photo)

Sam Mircovich

REU7684306

Cameraman
 
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Cameraman

SZT5172496

Cameraman

SZT5172496

OUTSTANDING CINEMATOGRAPHY WINNER AT SUNDANCE FILM FESTIVAL, 2003-01-25 (photo)
 
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OUTSTANDING CINEMATOGRAPHY WINNER AT SUNDANCE FILM FESTIVAL, 2003-01-25 (photo)

Fred Prouser

REU8249769

OUTSTANDING CINEMATOGRAPHY WINNER AT SUNDANCE FILM FESTIVAL, 2003-01-25 (photo)

Fred Prouser

REU8249769

1960s: Cancer cells under microscope. Text: Cinematography showing scientific imagery.
 
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1960s: Cancer cells under microscope. Text: Cinematography showing scientific imagery.

AVE11998549

1960s: Cancer cells under microscope. Text: Cinematography showing scientific imagery.

AVE11998549

JANUSZ KAMINSKI AND HOLLY HUNTER ARRIVE AT CINEMATOGRAPHY AWARDS, 1999-02-22 (photo)
 
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JANUSZ KAMINSKI AND HOLLY HUNTER ARRIVE AT CINEMATOGRAPHY AWARDS, 1999-02-22 (photo)

Reuters Photographer

REU8156885

JANUSZ KAMINSKI AND HOLLY HUNTER ARRIVE AT CINEMATOGRAPHY AWARDS, 1999-02-22 (photo)

Reuters Photographer

REU8156885

reproduction of a censor card for early exmaples of cinematography, Germany 1930s (b/w photo)
 
reproduction of a censor card for early exmaples of cinematography, Germany 1930s (b/w photo)

UTD2871162

reproduction of a censor card for early exmaples of cinematography, Germany 1930s (b/w photo)

UTD2871162

cinematography, glenn ford and anne francis in "The Blackboard Jungle", April 26, 1957, Arizona
 
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cinematography, glenn ford and anne francis in "The Blackboard Jungle", April 26, 1957, Arizona

FAF3574357

cinematography, glenn ford and anne francis in "The Blackboard Jungle", April 26, 1957, Arizona

FAF3574357

ANDREW LESNIE WITH OSCAR FOR BEST CINEMATOGRAPHY AT THE ACADEMY AWARDS, 2002-03-24 (photo)
 
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ANDREW LESNIE WITH OSCAR FOR BEST CINEMATOGRAPHY AT THE ACADEMY AWARDS, 2002-03-24 (photo)

Mike Blake

REU7786713

ANDREW LESNIE WITH OSCAR FOR BEST CINEMATOGRAPHY AT THE ACADEMY AWARDS, 2002-03-24 (photo)

Mike Blake

REU7786713

Claudia Cardinale, 1964 (b/w photo)
 
Claudia Cardinale, 1964 (b/w photo)

UIT6188741

Claudia Cardinale, 1964 (b/w photo)

UIT6188741

VILMOS ZSIGMOND HOLDS CINEMATOGRAPHY LIFE ACHIEVEMENT AWARD, 1999-02-22 (photo)
 
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VILMOS ZSIGMOND HOLDS CINEMATOGRAPHY LIFE ACHIEVEMENT AWARD, 1999-02-22 (photo)

Reuters Photographer

REU8274677

VILMOS ZSIGMOND HOLDS CINEMATOGRAPHY LIFE ACHIEVEMENT AWARD, 1999-02-22 (photo)

Reuters Photographer

REU8274677

The Blue Fleet, Film Set, 1932 (b/w photo)
 
The Blue Fleet, Film Set, 1932 (b/w photo)

UIT6188165

The Blue Fleet, Film Set, 1932 (b/w photo)

UIT6188165

Some extras checking on the board where they have to go, Rome, Italy, 1958 (b/w photo)
 
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Some extras checking on the board where they have to go, Rome, Italy, 1958 (b/w photo)

Pierluigi Praturlon

MEP1762944

Some extras checking on the board where they have to go, Rome, Italy, 1958 (b/w photo)

Pierluigi Praturlon

MEP1762944

A Hahn Goerz twin projection movie camera, from Meyers Lexicon, pub. 1927
 
A Hahn Goerz twin projection movie camera, from Meyers Lexicon, pub. 1927

Ken Welsh

KWE3506019

A Hahn Goerz twin projection movie camera, from Meyers Lexicon, pub. 1927

Ken Welsh

KWE3506019

Robert Mitchum And Deborah Kerr, Heaven Knows, Mr Allison, 1957 (b/w photo)
 
Robert Mitchum And Deborah Kerr, Heaven Knows, Mr Allison, 1957 (b/w photo)

UIT6188529

Robert Mitchum And Deborah Kerr, Heaven Knows, Mr Allison, 1957 (b/w photo)

UIT6188529

Vittorio De Sica And Roberto Rossellini, Il Generale Della Rovere, 1959 (b/w photo)
 
Vittorio De Sica And Roberto Rossellini, Il Generale Della Rovere, 1959 (b/w photo)

UIT6188650

Vittorio De Sica And Roberto Rossellini, Il Generale Della Rovere, 1959 (b/w photo)

UIT6188650

Krupp-Ernemann Kinox II, 35mm Film Projector with hand crank, c.1919, from Meyers Lexicon, pub. 1927
 
Krupp-Ernemann Kinox II, 35mm Film Projector with hand crank, c.1919, from Meyers Lexicon, pub. 1927

Ken Welsh

KWE3506020

Krupp-Ernemann Kinox II, 35mm Film Projector with hand crank, c.1919, from Meyers Lexicon, pub. 1927

Ken Welsh

KWE3506020

A professional movie camera made at Askania Werke, Berlin, Germany, from Meyers Lexicon, pub. 1927
 
A professional movie camera made at Askania Werke, Berlin, Germany, from Meyers Lexicon, pub. 1927

Ken Welsh

KWE3506017

A professional movie camera made at Askania Werke, Berlin, Germany, from Meyers Lexicon, pub. 1927

Ken Welsh

KWE3506017

Paola Pitagora crossing at the zebra crossing, Rome, Italy
 
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Paola Pitagora crossing at the zebra crossing, Rome, Italy

Archivio TV Sorrisi e Canzoni

MEP2412639

Paola Pitagora crossing at the zebra crossing, Rome, Italy

Archivio TV Sorrisi e Canzoni

MEP2412639

First camera for color films from Messter
 
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First camera for color films from Messter

Scherl

SZT5172477

First camera for color films from Messter

Scherl

SZT5172477

A Krupp-Ernemann Imperator, silent movie projector, c.1910, from Meyers Lexicon, pub. 1927
 
A Krupp-Ernemann Imperator, silent movie projector, c.1910, from Meyers Lexicon, pub. 1927

Ken Welsh

KWE3506018

A Krupp-Ernemann Imperator, silent movie projector, c.1910, from Meyers Lexicon, pub. 1927

Ken Welsh

KWE3506018

Poster of the film "The black eagle" (Lux, film company of France) - in "La cinematography francaise" from 31/05/1947
 
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Poster of the film "The black eagle" (Lux, film company of France) - in "La cinematography francaise" from 31/05/1947

Leonard de Selva

LSE4098520

Poster of the film "The black eagle" (Lux, film company of France) - in "La cinematography francaise" from 31/05/1947

Leonard de Selva

LSE4098520

John Seale holds his Oscar for Best Cinematography, backstage at the Academy Awards in Los Angeles, .., 1997-03-25 (photo)
 
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John Seale holds his Oscar for Best Cinematography, backstage at the Academy Awards in Los Angeles, .., 1997-03-25 (photo)

Blake Sell

REU7627636

John Seale holds his Oscar for Best Cinematography, backstage at the Academy Awards in Los Angeles, .., 1997-03-25 (photo)

Blake Sell

REU7627636

Frenchman Philippe Rousselot holds the Oscar hw won for best Cinematography for the film "A river ru.., 1993-03-29 (photo)
 
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Frenchman Philippe Rousselot holds the Oscar hw won for best Cinematography for the film "A river ru.., 1993-03-29 (photo)

Blake Sell

REU7678922

Frenchman Philippe Rousselot holds the Oscar hw won for best Cinematography for the film "A river ru.., 1993-03-29 (photo)

Blake Sell

REU7678922

Cannes, Pietro Germi And Edoardo Nevola, 1959 (b/w photo)
 
Cannes, Pietro Germi And Edoardo Nevola, 1959 (b/w photo)

UIT6188540

Cannes, Pietro Germi And Edoardo Nevola, 1959 (b/w photo)

UIT6188540

Janusz Kaminski poses March 21st with his Oscar for Best Cinematography in the black-and-white film .., 1994-03-22 (photo)
 
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Janusz Kaminski poses March 21st with his Oscar for Best Cinematography in the black-and-white film .., 1994-03-22 (photo)

Blake Sell

REU7693104

Janusz Kaminski poses March 21st with his Oscar for Best Cinematography in the black-and-white film .., 1994-03-22 (photo)

Blake Sell

REU7693104

John Toll, an Oscar nominee for Best Cinematography for his work on the film "The Thin Red Line", .., 1999-03-08 (photo)
 
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John Toll, an Oscar nominee for Best Cinematography for his work on the film "The Thin Red Line", .., 1999-03-08 (photo)

Fred Prouser

REU7597975

John Toll, an Oscar nominee for Best Cinematography for his work on the film "The Thin Red Line", .., 1999-03-08 (photo)

Fred Prouser

REU7597975

Claudia Mori in a three-quarter pose in front of a large painting, Italy
 
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Claudia Mori in a three-quarter pose in front of a large painting, Italy

Archivio TV Sorrisi e Canzoni

MEP2410804

Claudia Mori in a three-quarter pose in front of a large painting, Italy

Archivio TV Sorrisi e Canzoni

MEP2410804

Repeat winner for Best Cinematography, John Toll of Great Britain holds up his Oscar at the 68th ann.., 1996-03-26 (photo)
 
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Repeat winner for Best Cinematography, John Toll of Great Britain holds up his Oscar at the 68th ann.., 1996-03-26 (photo)

Blake Sell

REU7569266

Repeat winner for Best Cinematography, John Toll of Great Britain holds up his Oscar at the 68th ann.., 1996-03-26 (photo)

Blake Sell

REU7569266

The "Wochenschau" films "Farbige", 1931
 
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The "Wochenschau" films "Farbige", 1931

Scherl

SZT5172517

The "Wochenschau" films "Farbige", 1931

Scherl

SZT5172517

Wide Screen in the Cinema, Lido Di Venezia, Italy, 1953 (b/w photo)
 
Wide Screen in the Cinema, Lido Di Venezia, Italy, 1953 (b/w photo)

UIT6191010

Wide Screen in the Cinema, Lido Di Venezia, Italy, 1953 (b/w photo)

UIT6191010

Poster of the film "Gypsy Love", Danko Pista: "the masterpiece of Hungarian production", with Javor Pal - in "La cinematography francaise"” from 25/01/1947
 
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Poster of the film "Gypsy Love", Danko Pista: "the masterpiece of Hungarian production", with Javor Pal - in "La cinematography francaise"” from 25/01/1947

Leonard de Selva

LSE4098470

Poster of the film "Gypsy Love", Danko Pista: "the masterpiece of Hungarian production", with Javor Pal - in "La cinematography francaise"” from 25/01/1947

Leonard de Selva

LSE4098470

Shooting in Rome, 1950-60 (b/w photo)
 
Shooting in Rome, 1950-60 (b/w photo)

UIT6188810

Shooting in Rome, 1950-60 (b/w photo)

UIT6188810

First Projection on Board, 1938 (b/w photo)
 
First Projection on Board, 1938 (b/w photo)

UIT6191309

First Projection on Board, 1938 (b/w photo)

UIT6191309

Peppino Di Capri and Adriano Celentano are comfortably seated on the bonnet of a Mercedes-Benz 250 CE (Coupe), Italy
 
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Peppino Di Capri and Adriano Celentano are comfortably seated on the bonnet of a Mercedes-Benz 250 CE (Coupe), Italy

Archivio TV Sorrisi e Canzoni

MEP2412646

Peppino Di Capri and Adriano Celentano are comfortably seated on the bonnet of a Mercedes-Benz 250 CE (Coupe), Italy

Archivio TV Sorrisi e Canzoni

MEP2412646

Nicolas Roeg, c.1975 (b/w photo)
 
Nicolas Roeg, c.1975 (b/w photo)

ROG3726126

Nicolas Roeg, c.1975 (b/w photo)

ROG3726126

Nicolas Roeg, c.1965 (b/w photo)
 
Nicolas Roeg, c.1965 (b/w photo)

ROG3928598

Nicolas Roeg, c.1965 (b/w photo)

ROG3928598

Director Karl Freund testing the light conditions on the set of THE GOOD EARTH, near Hollywood. Jan. 21, 1937. Some of the film shot in China was lost and had to be re-filmed in the US. At left is Hop Wing, a member of the cast. Freund won the Best Cinematography Oscar for his filming of THE GOOD EARTH
 
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Director Karl Freund testing the light conditions on the set of THE GOOD EARTH, near Hollywood. Jan. 21, 1937. Some of the film shot in China was lost and had to be re-filmed in the US. At left is Hop Wing, a member of the cast. Freund won the Best Cinematography Oscar for his filming of THE GOOD EARTH

EVB2925358

Director Karl Freund testing the light conditions on the set of THE GOOD EARTH, near Hollywood. Jan. 21, 1937. Some of the film shot in China was lost and had to be re-filmed in the US. At left is Hop Wing, a member of the cast. Freund won the Best Cinematography Oscar for his filming of THE GOOD EARTH

EVB2925358

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