[]
Votre Sélection en cours
média(s) Média(s)
Votre devis 0

Votre sélection

Annuler la sélection
Média ajouté au panier
{"event":"pageview","page_type1":"undetected","page_type2":"_assets_search_override","language":"fr","user_logged":"false","user_type":"ecommerce","nl_subscriber":"false"}
{"event":"ecommerce_event","event_name":"view_item","event_category":"browse_catalog","ecommerce":{"items":[{"item_id":"NRM260989","item_category":"object","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"french_school_19th_century","item_category5":"not_balown","item_list_name":"search_results","item_name":"lumiere_cinematographe_1895_wood_metal","item_variant":"undefined"},{"item_id":"EPL7046799","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"lumiere_cinematography_french","item_variant":"undefined"},{"item_id":"LLM3097596","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"french_school_20th_century","item_category5":"not_balown","item_list_name":"search_results","item_name":"the_tricks_of_cinematography_colour_litho","item_variant":"undefined"},{"item_id":"PCT4257937","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"patrice_cartier","item_category5":"not_balown","item_list_name":"search_results","item_name":"exhibition_cinematography_projectors_engraving","item_variant":"undefined"},{"item_id":"FAF3574434","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"cinematography_sofia_loren_in_the_river_woman_1955","item_variant":"undefined"},{"item_id":"FAF3574356","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"cinematography_scene_of_the_lonely_man_august_1957","item_variant":"undefined"},{"item_id":"UIS5072613","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"birt_acres_pioneer_of_cinematography_c_1900","item_variant":"undefined"},{"item_id":"FAF3574353","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"cinematography_abbe_lane_in_sailors_women_and_trouble_1958","item_variant":"undefined"},{"item_id":"UIS5079845","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"louis_lumiere_french_cinematography_pioneer_c_1895","item_variant":"undefined"},{"item_id":"SZT9238246","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"mallwitz_wolfgang","item_category5":"not_balown","item_list_name":"search_results","item_name":"honorary_banner_of_the_sed_for_cinematography_potsdam_1981_photo","item_variant":"undefined"},{"item_id":"SZT9238248","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"mallwitz_wolfgang","item_category5":"not_balown","item_list_name":"search_results","item_name":"honorary_banner_of_the_sed_for_cinematography_potsdam_1981_photo","item_variant":"undefined"},{"item_id":"ROG3928597","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"nicolas_roeg_cinematographer_on_the_set_of_the_film_a_funny_thing_happened_on_the_way_to_the_forum_1","item_variant":"undefined"},{"item_id":"UIG539600","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"august_1862_1954_and_louis_1864_1948_lumiere_french_chemists_and_pioneers_of_cinematography_obverse_","item_variant":"undefined"},{"item_id":"UIS5069186","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"william_friese_greene_british_cinematography_pioneer_c_1900s","item_variant":"undefined"},{"item_id":"AVE6320299","item_category":"footage","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"united_states_1980s_micro_cinematography_of_leucocytes_in_blood_vessels","item_variant":"undefined"},{"item_id":"REU8059635","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"blake_sell","item_category5":"not_balown","item_list_name":"search_results","item_name":"best_cinematography_oscar_winner_1996_03_26_photo","item_variant":"undefined"},{"item_id":"UIG539594","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"etienne_jules_marey_1830_1903_french_physiologist_pioneer_of_cinematography_from_reverse_of_commemor","item_variant":"undefined"},{"item_id":"OLA371568","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"vittorio_de_sica_and_roberto_rossellini_on_the_set_of_the_film_il_generale_della_rovere_1959_b_w_pho","item_variant":"undefined"},{"item_id":"NMP344833","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"the_dawns_of_the_cinema_b_w_photo","item_variant":"undefined"},{"item_id":"UIS5075740","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"etienne_jules_marey_french_cinematography_pioneer_late_19th_century","item_variant":"undefined"},{"item_id":"JLJ4656643","item_category":"object","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"french_school_19th_century","item_category5":"not_balown","item_list_name":"search_results","item_name":"cinematography_apparatus_lumiere_invented_by_brothers_louis_and_auguste_lumiere_french_engineers_19t","item_variant":"undefined"},{"item_id":"UIS5075736","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"etienne_jules_marey_french_cinematography_pioneer_late_19th_century","item_variant":"undefined"},{"item_id":"NMP344832","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"the_dawns_of_cinema_b_w_photo","item_variant":"undefined"},{"item_id":"UIG539591","item_category":"object","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"etienne_jules_marey_1830_1903_french_physiologist_pioneer_of_cinematography_from_obverse_of_commemor","item_variant":"undefined"},{"item_id":"FAF3574359","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"cinematography_jume_laverick_and_isabelle_corey_in_souvenir_d_italie_may_1957","item_variant":"undefined"},{"item_id":"REU8195365","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"gary_hershorn","item_category5":"not_balown","item_list_name":"search_results","item_name":"julia_roberts_presents_oscar_for_cinematography_2001_03_25_photo","item_variant":"undefined"},{"item_id":"UIG539603","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"august_1862_1954_and_louis_1864_1948_lumiere_french_chemists_and_pioneers_of_cinematography_reverse_","item_variant":"undefined"},{"item_id":"REU7910439","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"gary_hershorn","item_category5":"not_balown","item_list_name":"search_results","item_name":"andrew_lesnie_accepts_oscar_for_cinematography_2002_03_24_photo","item_variant":"undefined"},{"item_id":"REU8355579","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"gary_hershorn","item_category5":"not_balown","item_list_name":"search_results","item_name":"peter_pau_wins_oscar_for_cinematography_2001_03_25_photo","item_variant":"undefined"},{"item_id":"REU8318832","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"gary_hershorn","item_category5":"not_balown","item_list_name":"search_results","item_name":"julia_roberts_presents_oscar_for_cinematography_2001_03_25_photo","item_variant":"undefined"},{"item_id":"UIG539597","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"louis_jean_lumiere_1864_1948_french_chemist_and_pioneer_of_cinematography_collaborated_with_his_elde","item_variant":"undefined"},{"item_id":"REU7758809","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"sam_mircovich","item_category5":"not_balown","item_list_name":"search_results","item_name":"conrad_hall_wins_oscar_for_best_cinematography_2000_03_27_photo","item_variant":"undefined"},{"item_id":"MEP1762943","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"pierluigi_praturlon","item_category5":"not_balown","item_list_name":"search_results","item_name":"some_extras_going_toward_the_film_set_rome_italy_1958_b_w_photo","item_variant":"undefined"},{"item_id":"AGF6355243","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"vittorio_la_verde","item_category5":"not_balown","item_list_name":"search_results","item_name":"05_02_2009_national_school_of_cinema_at_the_experimental_center_of_cinematography_photo","item_variant":"undefined"},{"item_id":"REU8355626","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"mike_blake","item_category5":"not_balown","item_list_name":"search_results","item_name":"peter_pau_holds_oscar_for_best_cinematography_2001_03_25_photo","item_variant":"undefined"},{"item_id":"REU8126382","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"fred_prouser","item_category5":"not_balown","item_list_name":"search_results","item_name":"outstanding_cinematography_winner_at_sundance_film_festival_2003_01_25_photo","item_variant":"undefined"},{"item_id":"REU8448262","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"sam_mircovich","item_category5":"not_balown","item_list_name":"search_results","item_name":"peter_pau_kisses_oscar_for_best_cinematography_2001_03_25_photo","item_variant":"undefined"},{"item_id":"REU8290660","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"blake_sell","item_category5":"not_balown","item_list_name":"search_results","item_name":"titanic_wins_oscar_fo_best_cinematography_1998_03_23_photo","item_variant":"undefined"},{"item_id":"REU7684306","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"sam_mircovich","item_category5":"not_balown","item_list_name":"search_results","item_name":"conrad_hall_wins_oscar_for_best_cinematography_2000_03_27_photo","item_variant":"undefined"},{"item_id":"SZT5172496","item_category":"photo","item_category2":"out_of_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"cameraman","item_variant":"undefined"},{"item_id":"REU8249769","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"fred_prouser","item_category5":"not_balown","item_list_name":"search_results","item_name":"outstanding_cinematography_winner_at_sundance_film_festival_2003_01_25_photo","item_variant":"undefined"},{"item_id":"AVE11998549","item_category":"footage","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"1960s_cancer_cells_under_microscope_text_cinematography_showing_scientific_imagery","item_variant":"undefined"},{"item_id":"UTD2871162","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"reproduction_of_a_censor_card_for_early_exmaples_of_cinematography_germany_1930s_b_w_photo","item_variant":"undefined"},{"item_id":"REU8156885","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"reuters_photographer","item_category5":"not_balown","item_list_name":"search_results","item_name":"janusz_kaminski_and_holly_hunter_arrive_at_cinematography_awards_1999_02_22_photo","item_variant":"undefined"},{"item_id":"UIG539582","item_category2":"out_of_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"etienne_jules_marey_s_1830_1903_chambre_chrono_photographique_the_first_cine_camera_being_used_to_st","item_variant":"undefined"},{"item_id":"FAF3574357","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"cinematography_glenn_ford_and_anne_francis_in_the_blackboard_jungle_april_26_1957_arizona","item_variant":"undefined"},{"item_id":"REU7786713","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"mike_blake","item_category5":"not_balown","item_list_name":"search_results","item_name":"andrew_lesnie_with_oscar_for_best_cinematography_at_the_academy_awards_2002_03_24_photo","item_variant":"undefined"},{"item_id":"UIT6188741","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"claudia_cardinale_1964_b_w_photo","item_variant":"undefined"},{"item_id":"REU8274677","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"reuters_photographer","item_category5":"not_balown","item_list_name":"search_results","item_name":"vilmos_zsigmond_holds_cinematography_life_achievement_award_1999_02_22_photo","item_variant":"undefined"},{"item_id":"SIT293491","item_category":"illustration","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"poster_advertising_the_film_4_de_l_aviation_printed_by_imp_de_la_cinematography_paris_1932_lithograp","item_variant":"undefined"},{"item_id":"LIS2653205","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"stereoscopic_print_h_r_h_the_prince_of_wales_discussing_cinematography_with_mr_girdwood_b_w_photo","item_variant":"undefined"},{"item_id":"LLM968633","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"european_school_19th_century","item_category5":"not_balown","item_list_name":"search_results","item_name":"the_seamstress_dream_chromolitho","item_variant":"undefined"},{"item_id":"UIG540943","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"french_school_20th_century","item_category5":"not_balown","item_list_name":"search_results","item_name":"cameramen_under_fire_while_filming_an_engagement_while_reporting_on_the_first_balkan_war_1912_1913_p","item_variant":"undefined"},{"item_id":"LLM968632","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"european_school_19th_century","item_category5":"not_balown","item_list_name":"search_results","item_name":"filming_a_man_climbing_a_wall_chromolitho","item_variant":"undefined"},{"item_id":"UIT6188165","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"the_blue_fleet_film_set_1932_b_w_photo","item_variant":"undefined"},{"item_id":"MEP1762944","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"pierluigi_praturlon","item_category5":"not_balown","item_list_name":"search_results","item_name":"some_extras_checking_on_the_board_where_they_have_to_go_rome_italy_1958_b_w_photo","item_variant":"undefined"},{"item_id":"LLM968630","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"european_school_19th_century","item_category5":"not_balown","item_list_name":"search_results","item_name":"the_escape_of_the_pumpkins_chromolitho","item_variant":"undefined"},{"item_id":"KWE3506019","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"ken_welsh","item_category5":"not_balown","item_list_name":"search_results","item_name":"a_hahn_goerz_twin_projection_movie_camera_from_meyers_lexicon_pub_1927","item_variant":"undefined"},{"item_id":"LLM968634","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"european_school_19th_century","item_category5":"not_balown","item_list_name":"search_results","item_name":"railway_catastrophe_chromolitho","item_variant":"undefined"},{"item_id":"UIT6188529","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"robert_mitchum_and_deborah_kerr_heaven_knows_mr_allison_1957_b_w_photo","item_variant":"undefined"},{"item_id":"KWE3506020","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"ken_welsh","item_category5":"not_balown","item_list_name":"search_results","item_name":"krupp_ernemann_kinox_ii_35mm_film_projector_with_hand_crank_c_1919_from_meyers_lexicon_pub_1927","item_variant":"undefined"},{"item_id":"KWE3506017","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"ken_welsh","item_category5":"not_balown","item_list_name":"search_results","item_name":"a_professional_movie_camera_made_at_askania_werke_berlin_germany_from_meyers_lexicon_pub_1927","item_variant":"undefined"},{"item_id":"UIT6188650","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"vittorio_de_sica_and_roberto_rossellini_il_generale_della_rovere_1959_b_w_photo","item_variant":"undefined"},{"item_id":"MEP2412639","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"archivio_tv_sorrisi_e_canzoni","item_category5":"not_balown","item_list_name":"search_results","item_name":"paola_pitagora_crossing_at_the_zebra_crossing_rome_italy","item_variant":"undefined"},{"item_id":"LLM968635","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"european_school_19th_century","item_category5":"not_balown","item_list_name":"search_results","item_name":"car_accident_chromolitho","item_variant":"undefined"},{"item_id":"UIG1575816","item_category":"photo","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"unknown_photographer_19th_century","item_category5":"not_balown","item_list_name":"search_results","item_name":"fred_ott_s_sneeze_1894","item_variant":"undefined"},{"item_id":"KWE3506018","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"ken_welsh","item_category5":"not_balown","item_list_name":"search_results","item_name":"a_krupp_ernemann_imperator_silent_movie_projector_c_1910_from_meyers_lexicon_pub_1927","item_variant":"undefined"},{"item_id":"SZT5172477","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"scherl","item_category5":"not_balown","item_list_name":"search_results","item_name":"first_camera_for_color_films_from_messter","item_variant":"undefined"},{"item_id":"LSE4098520","item_category":"film_still","item_category2":"no_copyright","item_category3":"standard","item_category4":"leonard_de_selva","item_category5":"not_balown","item_list_name":"search_results","item_name":"poster_of_the_film_the_black_eagle_lux_film_company_of_france_in_la_cinematography_francaise_from_31","item_variant":"undefined"},{"item_id":"REU7627636","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"blake_sell","item_category5":"not_balown","item_list_name":"search_results","item_name":"john_seale_holds_his_oscar_for_best_cinematography_backstage_at_the_academy_awards_in_los_angeles_19","item_variant":"undefined"},{"item_id":"REU7678922","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"blake_sell","item_category5":"not_balown","item_list_name":"search_results","item_name":"frenchman_philippe_rousselot_holds_the_oscar_hw_won_for_best_cinematography_for_the_film_a_river_ru_","item_variant":"undefined"},{"item_id":"UIT6188540","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"cannes_pietro_germi_and_edoardo_nevola_1959_b_w_photo","item_variant":"undefined"},{"item_id":"REU7693104","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"blake_sell","item_category5":"not_balown","item_list_name":"search_results","item_name":"janusz_kaminski_poses_march_21st_with_his_oscar_for_best_cinematography_in_the_black_and_white_film_","item_variant":"undefined"},{"item_id":"LLM5229359","item_category":"photo","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"english_photographer_20th_century","item_category5":"not_balown","item_list_name":"search_results","item_name":"shooting_a_scene_for_a_film_at_shepherd_s_bush_film_studios_b_w_photo","item_variant":"undefined"},{"item_id":"REU7597975","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"fred_prouser","item_category5":"not_balown","item_list_name":"search_results","item_name":"john_toll_an_oscar_nominee_for_best_cinematography_for_his_work_on_the_film_the_thin_red_line_1999_0","item_variant":"undefined"},{"item_id":"MEP2410804","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"archivio_tv_sorrisi_e_canzoni","item_category5":"not_balown","item_list_name":"search_results","item_name":"claudia_mori_in_a_three_quarter_pose_in_front_of_a_large_painting_italy","item_variant":"undefined"},{"item_id":"XRH1715627","item_category2":"out_of_copyright","item_category3":"standard","item_category5":"balown","item_list_name":"search_results","item_name":"documentary_of_the_war_1914_1918_le_cinema_aux_armees_edition_de_la_chambre_syndicale_francaise_de_l","item_variant":"undefined"},{"item_id":"LLM968631","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"european_school_19th_century","item_category5":"not_balown","item_list_name":"search_results","item_name":"the_mermaid_chromolitho","item_variant":"undefined"},{"item_id":"REU7569266","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"blake_sell","item_category5":"not_balown","item_list_name":"search_results","item_name":"repeat_winner_for_best_cinematography_john_toll_of_great_britain_holds_up_his_oscar_at_the_68th_ann_","item_variant":"undefined"},{"item_id":"SZT5172517","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"scherl","item_category5":"not_balown","item_list_name":"search_results","item_name":"the_wochenschau_films_farbige_1931","item_variant":"undefined"},{"item_id":"UIT6191010","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"wide_screen_in_the_cinema_lido_di_venezia_italy_1953_b_w_photo","item_variant":"undefined"},{"item_id":"XJF862524","item_category":"illustration","item_category2":"out_of_copyright","item_category3":"standard","item_category4":"french_school_19th_century","item_category5":"balown","item_list_name":"search_results","item_name":"panoramic_cineorama_1896_engraving","item_variant":"undefined"},{"item_id":"LSE4098470","item_category":"film_still","item_category2":"no_copyright","item_category3":"standard","item_category4":"leonard_de_selva","item_category5":"not_balown","item_list_name":"search_results","item_name":"poster_of_the_film_gypsy_love_danko_pista_the_masterpiece_of_hungarian_production_with_javor_pal_in_","item_variant":"undefined"},{"item_id":"UIT6188810","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"shooting_in_rome_1950_60_b_w_photo","item_variant":"undefined"},{"item_id":"ROG3928602","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"nicolas_roeg_receiving_an_award_from_arthur_c_miller_cinematorapher_a_s_c_american_society_of_cinema","item_variant":"undefined"},{"item_id":"UIT6191309","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"first_projection_on_board_1938_b_w_photo","item_variant":"undefined"},{"item_id":"MEP2412646","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"archivio_tv_sorrisi_e_canzoni","item_category5":"not_balown","item_list_name":"search_results","item_name":"peppino_di_capri_and_adriano_celentano_are_comfortably_seated_on_the_bonnet_of_a_mercedes_benz_250_c","item_variant":"undefined"},{"item_id":"ROG3726126","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"nicolas_roeg_c_1975_b_w_photo","item_variant":"undefined"},{"item_id":"AGF6355254","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category4":"vittorio_la_verde","item_category5":"not_balown","item_list_name":"search_results","item_name":"05_02_2009_inauguration_of_the_academic_year_of_the_national_school_of_cinema_at_the_experimental_ce","item_variant":"undefined"},{"item_id":"ROG3928598","item_category":"photo","item_category2":"no_copyright","item_category3":"standard","item_category5":"not_balown","item_list_name":"search_results","item_name":"nicolas_roeg_c_1965_b_w_photo","item_variant":"undefined"}]}}
{"event":"custom_event","event_name":"view_search_result","event_category":"browse_catalog","keyword":"cinematography","search_type":"standard","search_bridgeman_artists":"false","search_mode":"automatic","search_zero_result":"false","search_results":322,"search_results_page_number":1}

'Cinematography' images et/ou videos résultats page 1 of 4

Filtres Principaux
Option pour "Acheter un tirage"
Option Libre de Droits
Ecommerce option
Résultats pour Reuters
Type de média
Orientation
Couleur
Catégorie
Droits
Filtres supplémentaires
Artistes Bridgeman
Photographes Bridgeman
Siècle
Filtres vidéo
Video Original Format
Video Resolution
Video Category
Filter group
Filter colors
Classer par:
par page
Filter group
Catégorie
Type de média
No copyright
Filter colors

Options d'affichage

View
Image Size
Lumiere cinematographe, 1895 (wood & metal)
Permissions
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Lumiere Cinematography - French
Permissions
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives au partenaire de contenu
  • Only available to clients invoiced in France and North, Central and South America
Exhibition cinematography projectors (engraving)
cinematography, Sofia Loren in "The River Woman", 1955
Permissions
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in Italy
cinematography, scene of "the lonely man", August 1957
Permissions
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in Italy
Birt Acres, pioneer of cinematography, c 1900
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in the UK
cinematography, abbe lane in "sailors, women and trouble", 1958
Permissions
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in Italy
Louis Lumiere, French cinematography pioneer, c 1895
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in the UK
Honorary Banner of the SED for Cinematography, Potsdam, 1981 (photo)
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Honorary Banner of the SED for Cinematography, Potsdam, 1981 (photo)
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
William Friese-Greene, British cinematography pioneer, c 1900s
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in the UK
United States, 1980s: micro cinematography of leucocytes in blood vessels
Instructions spéciales
  • Content within this clip may require additional clearances (eg: trademark, audio rights and/or property/personality releases) depending on Licensee’s specific use of material.
BEST CINEMATOGRAPHY OSCAR WINNER, 1996-03-26 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
Vittorio De Sica and Roberto Rossellini on the set of the film 'Il generale della Rovere', 1959 (b/w photo)
Permissions
  • Permission required for exhibition use - Please contact us;Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
The Dawns of the Cinema (b/w photo)
Etienne-Jules Marey, French cinematography pioneer, late 19th century
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in the UK
Etienne-Jules Marey, French cinematography pioneer, late 19th century
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in the UK
The Dawns of Cinema (b/w photo)
cinematography, jume Laverick and isabelle corey in "Souvenir d'italie", May 1957
Permissions
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in Italy
JULIA ROBERTS PRESENTS OSCAR FOR CINEMATOGRAPHY, 2001-03-25 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
ANDREW LESNIE ACCEPTS OSCAR FOR CINEMATOGRAPHY, 2002-03-24 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
PETER PAU WINS OSCAR FOR CINEMATOGRAPHY, 2001-03-25 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
JULIA ROBERTS PRESENTS OSCAR FOR CINEMATOGRAPHY, 2001-03-25 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
CONRAD HALL WINS OSCAR FOR BEST CINEMATOGRAPHY, 2000-03-27 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
Some extras going toward the film set, Rome, Italy, 1958 (b/w photo)
Permissions
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Not available to clients invoiced in Austria;Not available to clients invoiced in Germany;Not available to clients invoiced in Italy;Not available to clients invoiced in Switzerland
05/02/2009 National School of Cinema at the Experimental Center of Cinematography (photo)
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
PETER PAU HOLDS OSCAR FOR BEST CINEMATOGRAPHY, 2001-03-25 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
OUTSTANDING CINEMATOGRAPHY WINNER AT SUNDANCE FILM FESTIVAL, 2003-01-25 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
PETER PAU KISSES OSCAR FOR BEST CINEMATOGRAPHY, 2001-03-25 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
TITANIC WINS OSCAR FO BEST CINEMATOGRAPHY, 1998-03-23 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
CONRAD HALL WINS OSCAR FOR BEST CINEMATOGRAPHY, 2000-03-27 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
Cameraman
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
OUTSTANDING CINEMATOGRAPHY WINNER AT SUNDANCE FILM FESTIVAL, 2003-01-25 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
1960s: Cancer cells under microscope. Text: Cinematography showing scientific imagery.
Restrictions relatives aux images
  • Content within this clip may require additional clearances (eg: trademark, audio rights and/or property/personality releases) depending on Licensee’s specific use of material.
Instructions spéciales
  • Screener copy. Hi-resolution master available upon request. Additional fees may apply.
reproduction of a censor card for early exmaples of cinematography, Germany 1930s (b/w photo)
JANUSZ KAMINSKI AND HOLLY HUNTER ARRIVE AT CINEMATOGRAPHY AWARDS, 1999-02-22 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
cinematography, glenn ford and anne francis in "The Blackboard Jungle", April 26, 1957, Arizona
Permissions
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in Italy
ANDREW LESNIE WITH OSCAR FOR BEST CINEMATOGRAPHY AT THE ACADEMY AWARDS, 2002-03-24 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
Claudia Cardinale, 1964 (b/w photo)
VILMOS ZSIGMOND HOLDS CINEMATOGRAPHY LIFE ACHIEVEMENT AWARD, 1999-02-22 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
Stereoscopic print: H.R.H. the Prince of Wales discussing cinematography with Mr. Girdwood (b/w photo)
The Blue Fleet, Film Set, 1932 (b/w photo)
Some extras checking on the board where they have to go, Rome, Italy, 1958 (b/w photo)
Permissions
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Not available to clients invoiced in Austria;Not available to clients invoiced in Germany;Not available to clients invoiced in Italy;Not available to clients invoiced in Switzerland
A Hahn Goerz twin projection movie camera, from Meyers Lexicon, pub. 1927
Robert Mitchum And Deborah Kerr, Heaven Knows, Mr Allison, 1957 (b/w photo)
Krupp-Ernemann Kinox II, 35mm Film Projector with hand crank, c.1919, from Meyers Lexicon, pub. 1927
A professional movie camera made at Askania Werke, Berlin, Germany, from Meyers Lexicon, pub. 1927
Vittorio De Sica And Roberto Rossellini, Il Generale Della Rovere, 1959 (b/w photo)
Paola Pitagora crossing at the zebra crossing, Rome, Italy
Permissions
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in Italy
A Krupp-Ernemann Imperator, silent movie projector, c.1910, from Meyers Lexicon, pub. 1927
First camera for color films from Messter
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Poster of the film "The black eagle" (Lux, film company of France) - in "La cinematography francaise" from 31/05/1947
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
John Seale holds his Oscar for Best Cinematography, backstage at the Academy Awards in Los Angeles, .., 1997-03-25 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
Frenchman Philippe Rousselot holds the Oscar hw won for best Cinematography for the film "A river ru.., 1993-03-29 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
Cannes, Pietro Germi And Edoardo Nevola, 1959 (b/w photo)
Janusz Kaminski poses March 21st with his Oscar for Best Cinematography in the black-and-white film .., 1994-03-22 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
John Toll, an Oscar nominee for Best Cinematography for his work on the film "The Thin Red Line", .., 1999-03-08 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
Claudia Mori in a three-quarter pose in front of a large painting, Italy
Permissions
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in Italy
Repeat winner for Best Cinematography, John Toll of Great Britain holds up his Oscar at the 68th ann.., 1996-03-26 (photo)
Permissions
  • Permission required for non-editorial use (inc book covers and in-context promotional use in documentaries). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Minimum fee applies to this image;Only available to clients invoiced in Australia, Belgium, Brazil, Bulgaria, Canada, China, Cyprus, Czech Republic, Estonia, Finland, France, French Southern Territories, Greece, Hong Kong, Hungary, India, Ireland, Israel, Italy, Lebanon, Luxembourg, Mexico, the Netherlands, New Zealand, Portugal, Qatar, Republic of Korea, Romania, Russian Federation, Singapore, South Africa, Spain, Sweden, Switzerland, Taiwan, Turkey, United Arab Emirates, United Kingdom and United States
The "Wochenschau" films "Farbige", 1931
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Wide Screen in the Cinema, Lido Di Venezia, Italy, 1953 (b/w photo)
Poster of the film "Gypsy Love", Danko Pista: "the masterpiece of Hungarian production", with Javor Pal - in "La cinematography francaise"” from 25/01/1947
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Shooting in Rome, 1950-60 (b/w photo)
First Projection on Board, 1938 (b/w photo)
Peppino Di Capri and Adriano Celentano are comfortably seated on the bonnet of a Mercedes-Benz 250 CE (Coupe), Italy
Permissions
  • Permission required for non-editorial use (inc book and magazine covers). Please contact us
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Restrictions relatives au partenaire de contenu
  • Not available to clients invoiced in Italy
Nicolas Roeg, c.1975 (b/w photo)
05/02/2009, Inauguration of the Academic Year of the National School of Cinema at the Experimental Center of Cinematography, Ceremony For Awarding the Honoris Causa Diploma, in the Photo Francesco Alberoni (photo)
Restrictions relatives aux images
  • Content within this photograph may require additional clearances (eg: trademark and personality rights) depending on Licensee's specific use of material, which may include book and magazine cover use.
Nicolas Roeg, c.1965 (b/w photo)