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Fasce Vestiti' 图片和/或视频结果 page 1 of 2

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[2, 无限[找到'Fasce Vestiti'的图片,145

Portrait of the newborn Federigo di Urbino, 1605
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Ar 66 f.148 Mother receiving her newly born baby in bed, from 'Liber introductorium ad iudicia stellarum' written by Guido Bonatti de Forlivio, for Henry VII, c.1490 (vellum)
Ms. 645-647/315-317 t.1 fol 37v  Birth of Tristan (vellum)
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Ms 14/1353 The Nativity from a Gospel, from Crimea, 1679 (vellum)
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Ms 571 f.70r Historiated initial 'S' with the Massacre of the Innocents, from an antiphonal (vellum)
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Ms 10/1453 fol.7 The Nativity, from the 'Psalterium Liturgicum' (vellum)
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Ms 558 f.26v The Presentation in the Temple, depicted in an historiated initial 'S', detail from a Missal, early 1430s (vellum) (detail of 78832)
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The Nativity, (oil on panel)
Ms 76/1362 The Flight into Egypt, from the Hours of the Duchess of Burgundy, c.1450 (vellum)
The Nativity of Jesus
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From Then Till Now: Children's Clothes
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Madonna and Child, 1996 (w/c)
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The Circumcision (oil on panel)
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The Adoration of the Shepherds, after 1628 (oil on canvas)
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A young mother holding her infant child, 1850
A young mother holding her infant child, 1850
The Nativity, detail of the Virgin and Child, the donkey and Joseph, 1303-05 (fresco) (post restoration)
Nepravil'no odetyi rebenok. Svival'nik meshaet rebenku rosti [An
incorrectly dressed child. Swaddling-clothes hinder growth]
Depicts a baby wrapped tightly in swaddling-clothes.
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Madonna and Child Enthroned with two angels, 1420 - 1430 (tempera on panel)
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Madonna and Child, 1609 - 1609 (oil on canvas)
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A coat of black velvet made by Paquin for Mme Wanda de Boncza. This manteau is long and closely fitting, reaching entirely to the ground, and fastened on the left side with two great jewelled buttons. The revers which are of the new white velvet with a slightly raised are trimmed with three bands of russian sable. Sleeves of the cream-coloured velvet embroidered in black silk. a full muff of sable and a black velvet hat trimmed with a great white ostrich feather.
Ceramic tondo. Hospital of the Innocents. Florence.
Enthroned Madonna and Child, 1573 (black and red chalk on paper)
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Day hours and night hours antiphonary from the first Saturday of Advent to the IV Sunday after Epiphany, (illuminated manuscript)
Gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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A gown designed by Fred for his client the victomtesse de Dampierre. The skirt ... is carried out in cloth automobile. Fastening in front, down the left side, it is tight-fitting round the back and hips, and is trimmed with bands of the cloth stitched in the same colour. The flat shaped flounce at the foot is also covered with the stitching and cut up slightly like an apron. The coat is of the cloth, and the wide revers and collar of pale mauve velvet are bordered with sable. Test and cravat of cream-coloured mousseline and lace. The soft hat, of crushed velvet, is edged with sable, and trimmed with a pheasant's plume.
Madonna and Child with Saints Martha and Catherine (oil on panel)
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Design by Mesdammes Emma and Marie Weille. An afternoon toilette. Made in the princesse form it is lightly draped across the waist and fastens on the left side with buttons of turquoise. The skirt is cut out in a waved edge bordered with the sable over a deeply pleated frill of turquoise blue taffetas, and it is further decorated with waved bands of the fur in a scroll design. The corsage is turned back into a double fichu collar, over a vest of cream-coloured satin veiled with guipure de Venise. A muff of sable ... The hat is of turquoise ble velvet in the fashionable three-cornered shape, and is trimmed with a cluster of white feathers.
... A simple little frock created by Paquin for the Duchess of M... in the finest cloth of the delicate shade called églantine; the skirt is made with a shaped flounce headed by a strap or bias fold of the cloth. The coquettish little coat is trimmed with bias folds and straps of cloth; it is drawn close to the waist with gold links and chains, tiny gold buttons fastening the straps; the revers and collar are in one, and are covered with beautiful creamy guipure lace. The chemisette is of white mousseline de soie with bands of lace insertion over apple green silk. the hat worn with this gown is of white horsehair straw boldly turned back over a large bow of apple green velours épinglé ribbon which rests upon the hair; it is trimmed with white ostrich feathers and paradise plumes: a great chou of the épinglé ribbon is fastened in front with a large white buckle'.
Gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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Detail of a gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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Detail of a gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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Detail of a gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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Detail of a gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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Detail of a gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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Evening dress, Callot, 'Blue Bird', 1913 (pencil & watercolour on paper)
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Evening dress, Summer 1914 (pencil & watercolour on paper)
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Men and women 's fashions 1923
Day Dress, Callot Soeurs, Spring 1919 (pencil & watercolour on paper)
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President Warren Harding and First Lady Florence Kling Harding. March 5, 1923. Her black neckband was adopted by fashionable young women and called a 'flossie cling', a double-entendre: the neckbands were shiny and clung to the neck, as well as it being a play on First Lady’s maiden name
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"New Dress, in the Roman Style, introduced at the Opera by a foreign Lady of distinction". The hair dressed, without power, into a variety of natural curls; two bands of gold in the hair. Body and petticoat of puce-coloured satin; the body richly embroidered and clasped together over the shoulders. Very short sleeves of fine cambric, the end embroidered in gold. Roman mantle of scarlet kerseymere richly embroidered, all round, in gold, and one end fastened on the right shoulder. large gold ear-rings and bracelets. Broad fancy festoon gold chain round the neck. White satin sandals lace with a gold cord.
Day Dress, Callot Soeurs, Spring 1919 (pencil & watercolour on paper)
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Gentleman's court suit, c.1780 (silk)
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King, Soldier, Minstrel
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Victorian fashion 1861
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