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{"event":"custom_event","event_name":"view_search_result","event_category":"browse_catalog","keyword":"fasce vestiti","search_type":"standard","search_bridgeman_artists":"false","search_mode":"automatic","search_zero_result":"false","search_results":145,"search_results_page_number":1}

'Fasce Vestiti' images and/or videos results page 1 of 2

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Images of 'Fasce Vestiti' found, 145

Portrait of the newborn Federigo di Urbino, 1605
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Ar 66 f.148 Mother receiving her newly born baby in bed, from 'Liber introductorium ad iudicia stellarum' written by Guido Bonatti de Forlivio, for Henry VII, c.1490 (vellum)
Ms. 645-647/315-317 t.1 fol 37v  Birth of Tristan (vellum)
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  • Museum additional fee applies
Ms 14/1353 The Nativity from a Gospel, from Crimea, 1679 (vellum)
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  • Museum additional fee applies
Let all that hath breath praise the Lord, 1997 (w/c on paper)
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Ms 571 f.70r Historiated initial 'S' with the Massacre of the Innocents, from an antiphonal (vellum)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Ms 10/1453 fol.7 The Nativity, from the 'Psalterium Liturgicum' (vellum)
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  • Museum additional fee applies
Ms 558 f.26v The Presentation in the Temple, depicted in an historiated initial 'S', detail from a Missal, early 1430s (vellum) (detail of 78832)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
Ms 76/1362 The Flight into Egypt, from the Hours of the Duchess of Burgundy, c.1450 (vellum)
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  • Museum additional fee applies
The Nativity, (oil on panel)
The Nativity of Jesus
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From Then Till Now: Children's Clothes
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Madonna and Child, 1996 (w/c)
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  • Copyright Applies
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The Circumcision (oil on panel)
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  • Bridgeman Images only provides access to this image. Consent to license this image for any usage that includes Italy as a territory may be required according to the Italian Cultural Heritage Code. In such cases, an additional fee may apply, with the Ministry of Culture charging a potential minimum of €100. Any such clearance must be obtained in advance from the institution where the work is kept. Please contact us for further assistance.
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The Adoration of the Shepherds, after 1628 (oil on canvas)
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  • Manipulation of the image, cropping and overlay of text forbidden
A young mother holding her infant child, 1850
A young mother holding her infant child, 1850
The Nativity, detail of the Virgin and Child, the donkey and Joseph, 1303-05 (fresco) (post restoration)
Madonna and Child Enthroned with two angels, 1420 - 1430 (tempera on panel)
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  • Not available to clients invoiced in Italy
Nepravil'no odetyi rebenok. Svival'nik meshaet rebenku rosti [An
incorrectly dressed child. Swaddling-clothes hinder growth]
Depicts a baby wrapped tightly in swaddling-clothes.
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Madonna and Child, 1609 - 1609 (oil on canvas)
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  • Editorial use only ;Not available to clients invoiced in Italy
A coat of black velvet made by Paquin for Mme Wanda de Boncza. This manteau is long and closely fitting, reaching entirely to the ground, and fastened on the left side with two great jewelled buttons. The revers which are of the new white velvet with a slightly raised are trimmed with three bands of russian sable. Sleeves of the cream-coloured velvet embroidered in black silk. a full muff of sable and a black velvet hat trimmed with a great white ostrich feather.
Ceramic tondo. Hospital of the Innocents. Florence.
A princesse walking-dress in grey-blue cloth is the next model: created by Callot. It is trimmed from neck to hem with bands of chinchilla mauve velvet, and blue velvet the exact colour of the cloth. The lines are irregularly waved, like the tortuous petals of an orchid. Mauve velvet drapes the waist and forms the cravate. The tricorne of mauve felt is garnisned with a great cluster of hortensias'.
'...Afternoon dress made by Barroin for Mme Norghornoff. The tunic and bolero are of green cloth, crossed over to the left and trimmed with elaborate incrustations of black velvet. the skirt and bodice are of the velvet, a great rosette of which fastens the bolero at the side. Sleeves of green cloth tied up with two bands of velvet and rosettes. A three-cornered hat of black felt, trimmed with a group of feathers, completes this charming toilette'.
Day hours and night hours antiphonary from the first Saturday of Advent to the IV Sunday after Epiphany, (illuminated manuscript)
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Enthroned Madonna and Child, 1573 (black and red chalk on paper)
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Gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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Madonna and Child with Saints Martha and Catherine (oil on panel)
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A gown designed by Fred for his client the victomtesse de Dampierre. The skirt ... is carried out in cloth automobile. Fastening in front, down the left side, it is tight-fitting round the back and hips, and is trimmed with bands of the cloth stitched in the same colour. The flat shaped flounce at the foot is also covered with the stitching and cut up slightly like an apron. The coat is of the cloth, and the wide revers and collar of pale mauve velvet are bordered with sable. Test and cravat of cream-coloured mousseline and lace. The soft hat, of crushed velvet, is edged with sable, and trimmed with a pheasant's plume.
Design by Mesdammes Emma and Marie Weille. An afternoon toilette. Made in the princesse form it is lightly draped across the waist and fastens on the left side with buttons of turquoise. The skirt is cut out in a waved edge bordered with the sable over a deeply pleated frill of turquoise blue taffetas, and it is further decorated with waved bands of the fur in a scroll design. The corsage is turned back into a double fichu collar, over a vest of cream-coloured satin veiled with guipure de Venise. A muff of sable ... The hat is of turquoise ble velvet in the fashionable three-cornered shape, and is trimmed with a cluster of white feathers.
... A simple little frock created by Paquin for the Duchess of M... in the finest cloth of the delicate shade called églantine; the skirt is made with a shaped flounce headed by a strap or bias fold of the cloth. The coquettish little coat is trimmed with bias folds and straps of cloth; it is drawn close to the waist with gold links and chains, tiny gold buttons fastening the straps; the revers and collar are in one, and are covered with beautiful creamy guipure lace. The chemisette is of white mousseline de soie with bands of lace insertion over apple green silk. the hat worn with this gown is of white horsehair straw boldly turned back over a large bow of apple green velours épinglé ribbon which rests upon the hair; it is trimmed with white ostrich feathers and paradise plumes: a great chou of the épinglé ribbon is fastened in front with a large white buckle'.
Gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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Detail of a gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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Detail of a gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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Detail of a gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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Detail of a gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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Detail of a gentleman's court suit, c.1780 (ivory silk brocaded with silver metallic thread)
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Evening dress, Callot, 'Blue Bird', 1913 (pencil & watercolour on paper)
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Evening dress, Summer 1914 (pencil & watercolour on paper)
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Men and women 's fashions 1923
Day Dress, Callot Soeurs, Spring 1919 (pencil & watercolour on paper)
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President Warren Harding and First Lady Florence Kling Harding. March 5, 1923. Her black neckband was adopted by fashionable young women and called a 'flossie cling', a double-entendre: the neckbands were shiny and clung to the neck, as well as it being a play on First Lady’s maiden name
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"New Dress, in the Roman Style, introduced at the Opera by a foreign Lady of distinction". The hair dressed, without power, into a variety of natural curls; two bands of gold in the hair. Body and petticoat of puce-coloured satin; the body richly embroidered and clasped together over the shoulders. Very short sleeves of fine cambric, the end embroidered in gold. Roman mantle of scarlet kerseymere richly embroidered, all round, in gold, and one end fastened on the right shoulder. large gold ear-rings and bracelets. Broad fancy festoon gold chain round the neck. White satin sandals lace with a gold cord.
Day Dress, Callot Soeurs, Spring 1919 (pencil & watercolour on paper)
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Gentleman's court suit, c.1780 (silk)
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King, Soldier, Minstrel
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Victorian fashion 1861
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