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Planet earth as perceived by Cosmas
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Enclosed planet earth as perceived by Cosmas
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Chapter I. 'I perceived the lion had, by the eagerness with which he sprung at me, jumped forward, as I fell, into the crocodile's mouth!'
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Peruvian women take part April 3 in an estimated 5,000-strong rally to protest against perceived abu.., 1998-04-03 (photo)
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Ixia plume with purple, ecarlate and lilac flowers. Variegated ixia with purple, scarlet and dingy lilac flowers. “When smelt close to, a strong scent is perceived, very much resembling that of the Tongo Bean.””
Universe has 11 dimensions - Extra dimensions of the universe - Artist's view of a multidimensional universe where additional dimensions are tiny and rolled on themselves. Artwork of a 10- or 11-dimensional universe, with some of the dimensions rolled up so tightly that they can't be perceived
Oslo April 8, 1991. Viking Tires Production A/S Thousands of trade unions and others from Indre Østfold on Monday demonstrated in Oslo in protest against what is perceived as broadcast, from the government, in the Viking-Askim case …, 1990 (photo)
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Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929).
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.
Theatre des Champs Elysees, 13-15 avenue Montaigne in Paris 75008. Architects Les Freres Auguste (1874-1954) and Gustave (1876-1952) Perret and Henry Van de Velde (1863-1957). Since its construction in 1913, this theatre was perceived as a symbol of French architectural modernity through its classical writing combined with the use of the new concrete. The marble-covered facade incorporates three high reliefs by Antoine Bourdelle (1861-1929). Photography 1998.
Pierre DuPont, noted Financier (right), talking with his lawyer, James Ivins, at a NYC hearing. May 5, 1937. The Bureau of Internal Revenue's investigation of the income tax returns of DuPont, John J. Raskob and other Financial Figures. The government charges that a transaction between Raskob and DuPont deprived the government of almost ,000,000 in taxes. May 5, 1937. The businesses had committed disreputable tax avoidance rather than illegal tax evasions and were embittered against the New Deal for what they perceived as persecution. -
DOMINICANS MASSACRED
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Aurora boreale 12 - 2001 - Aurora borealis 12 - 2001 - Aurora boreale observed in Alaska, December 24, 2001. The film recorded much more colours than those visible by human vision; visually, only a slight green glow was perceived. Image taken on Christmas Eve of 2001. Often the film will pick up more color than we see visually at night and this is a good example. Our eyes are somewhat color blind in dim conditions but the film is not. Visually one could only see a little green
POLICE PREVENT POLKA
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Dragon (Kircher)
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Government begins probe of Pierre DuPonts' tax returns. The noted financier, (left) and one of his aids, Gerald Montaigne, appeared at the initial hearing in New York City, May 3, 1937. The government is also investigating John J. Raskob. The Bureau of the Internal Revenue Service contends that through transactions involving more than ,000,000, DuPont and Raskob were enabled to report taxable income considerably under what they should have declared. The businesses had committed disreputable tax avoidance rather than illegal tax evasions and were embittered against the New Deal for what they perceived as persecution. -
POLKA DISAPPROVED 1844
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Codex Atlanticus, sheet 676 verso, 1478-1518 (pen & ink)
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Bored students, 1995 (photo)
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Thucydides - bust
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HUNGARIAN SYMPATHISER
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BABYLONIAN COSMIC SYSTEM
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FISH CHARM
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NOBLE PRIVILEGES
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Codex Atlanticus, sheet 348 recto, 1478-1518 (pen & ink)
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JOHN DHU
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GREECE PARNASSOS
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Hermes Trismegistus
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Liberal statesman Roy- Collard presents the Address du 221 (engraving)
THUCYDIDES (CAPITOL)
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Hermes Trismegistus
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YELLOW PERIL CAMPAIGN
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Hermes Trismegistus
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VENDOME COLUMN FELLED
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Cartoon, Byron criticised by Harriet Beecher Stowe
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David Plays the Harp
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SKYHOOK BALLOONS
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Thucydides - Bust
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YELLOW PERIL CAMPAIGN
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Codex Atlanticus, sheet 348 verso, 1478-1518 (pen & ink)
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ERNEST RENAN
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'Landing the Treasures, or Results of the Polar Expedition!!!', 1819 (coloured etching)
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Peri
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STUDENT HOAX
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KU KLUX KLAN JOKE
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Monday Events in Germany 1989 (b/w photo)
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CRUSADERS' VISION
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TRADES UNION INITIATION
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Demonstration against the Treaty of Versailles in Berlin, 1919 (b/w photo)
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Dionysos - Seasons
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Bust of Donna Olimpia Maidalchini Pamphilj, 1646-47 (marble)
Daniel Dunglas Home levitates
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