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Study of a Stag (charcoal & conte on paper)
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Study of a Horse and Rider, c.1481 (metalpoint on paper)
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Nude, study for the Battle of Cascina (red chalk on paper)
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Perspective Study for the Background of The Adoration of the Magi (pen and ink on paper)
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Study of Clouds, 1822 (oil on paper)
St. John the Evangelist, attributed to either Giovanni Bellini (c.1430-1516) or Andrea Mantegna (1430-1516) (pen and ink on paper)
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A study of a woman's hands, c.1490 (metalpoint, heightening and charcoal on paper)
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Pieta, attributed to either Giovanni Bellini (c.1430-1516) or Andrea Mantegna (1430-1516) (pen and ink on paper)
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A horse in profile, and from the front (metalpoint on paper)
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Talons - White tailed Sea Eagle, 2001 (charcoal & conte on paper)
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Zubre, Bialowieza (charcoal & conte on paper)
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Study of Athena (drawing)
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Study of the Flowers of Grass-like Plants (Briza Maxima) c.1481-83 (pen and ink on paper)
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A rearing horse, c.1503-04 (pen & ink and chalk on paper)
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Magnificent Fallow Buck, 2006 (charcoal & conte on paper)
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Col di Vermianaz (charcoal & conte on paper)
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Head of a Young Woman with Tousled Hair or Leda (gouache on wood)
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Preparatory study for Centaur, 2013 (acrylic on board)
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Preparatory study for corridor, 1982 (oil on board)
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To my friend Greenough, John S. Sargent, Venice 1880 (Gordon Greenough), 1880 (pencil on paper)
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Sistine Chapel Ceiling (1508-12): Two sketches of the right leg of Eve from the scene of The Original Sin (charcoal on paper)
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Head of a Young Girl, 15th century (charcoal, red chalk, white lead on paper)
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Preparatory study for Madonna and Child (pen & ink on paper)
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Study for Laurentian Library Stairs
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Preparatory drawing for the Last Supper (sepia ink on linen paper)
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Studies of flowing water, with notes, c.1510-13 (pen & ink of black chalk on paper)
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Stambecchi in Estate (mixed media on paper)
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Sistine Chapel Ceiling (1508-12): sketch of an apostle (pen and brown ink)
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A lily (lilium candidium), c.1475 (pen & ink, wash. chalk and white heightening on paper)
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Dance (ink & watercolour on paper)
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Bear (charcoal & conte on paper)
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Heads of horses, a lion and a man, c.1504 (pen & ink with wash and chalk on paper)
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Studies for the head of Leda, c.1505-06 (pen & ink and chalk on paper)
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A tempest, c.1517-18 (pen & ink, chalk, wash and heightening on paper)
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